
This profoundly illuminating, entertaining book could well change the way we "read" the visual world around us, and certainly help open our eyes and minds to its astonishing riches. The language in which we speak about art has become steadily more abstruse, a jargon that only art critics and con-artists can understand, though for thousands of years this was not the case. Today, we live in a kaleidoscopic new world of images: Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it? Taking a handful of extraordinary images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent. A History of Love and Hate is not about art history or theory - it is about the astonishing pleasures and surprises of stories.
Author

Alberto Manguel (born 1948 in Buenos Aires) is an Argentine-born writer, translator, and editor. He is the author of numerous non-fiction books such as The Dictionary of Imaginary Places (co-written with Gianni Guadalupi in 1980) and A History of Reading (1996) The Library at Night (2007) and Homer's Iliad and Odyssey: A Biography (2008), and novels such as News From a Foreign Country Came (1991). Manguel believes in the central importance of the book in societies of the written word where, in recent times, the intellectual act has lost most of its prestige. Libraries (the reservoirs of collective memory) should be our essential symbol, not banks. Humans can be defined as reading animals, come into the world to decipher it and themselves.