This book examines the Jungian imperative that the Third must become the Fourth through the lens of Carl Jung’s complex reception of Plato. While in psychoanalytic discourse the Third is typically viewed as an agent that brings about healing, the author highlights that, in the case of Jung, an early emphasis on the Third as the “transcendent function” gave way to an increasing insistence on the importance of the Fourth. And yet, he asks, why must “the Third become the Fourth”? Paul Bishop begins with a survey of work on Jung’s relation to Plato, before turning to Jung’s readings of the Timaeus and Black Books, as well as Goethe’s Faust II and Nietzsche’s Zarathustra. He proceeds to unpick Jung’s statements on the Third and the Fourth though a compelling analysis of how Jung draws upon religious and alchemical traditions, Pythagorean numerology, his own dream-like experiences and Plato’s cosmology. This book will appeal to practitioners and to scholars working in the history of ideas, psychoanalysis, philosophy, and psychoanalytic theory.
Author
A thirty-five year veteran of the Los Angeles Police Department, Paul Bishop’s career has included a three year tour with his department's Anti-Terrorist Division and over twenty-five years’ experience in the investigation of sex crimes. His Special Assaults Units regularly produced the highest number of detective initiated arrests and highest crime clearance rates in the city. Twice honored as Detective of the Year, Paul also received the Quality and Productivity Commission Award from the City of Los Angeles. As a nationally recognized interrogator, Paul starred as the lead interrogator and driving force behind the ABC TV reality show Take The Money And Run from producer Jerry Bruckheimer. Based on his expertise in deception detection, he currently conducts interrogation seminars for law enforcement, military, and human resource organizations. Paul has published twelve novels, including five in his L.A.P.D. Detective Fey Croaker series. He has also written numerous scripts for episodic television and feature films. He currently writes and edits the Fight Card series of hardboiled boxing novel under the pseudonym Jack Tunney.
