
The frank and revealing memoir of a writer who draws from her own creativity to heal. "I believe our bodies are carriers of experience," Lidia Yuknavitch writes in her provocative memoir Reading the Waves. "I mean to ask if there is a way to read my own past differently, using what I have learned from how stories repeat and reverberate and release us from the tyranny of our mistakes, our traumas, and our confusions." Drawing on her background—her father's abuse, her complicated dynamic with her disabled mother, the death of her child, her sexual relationships with men and women—and her creative life as an author and teacher, Yuknavitch has come to understand that by using the power of literature and storytelling to reframe her memories, she can loosen the bonds that have enslaved her emotional growth. Armed with this insight, she allows herself to look with the eye of an artist at the wounds she suffered and come to understand the transformational power this has to restore her soul. By turns candid and lyrical, stoic and forgiving, blunt and evocative, Reading the Waves reframes memory to show how crucial this process can be to gaining a deeper understanding of ourselves.
Author

Lidia Yuknavitch is the author of the National Bestselling novels The Book of Joan and The Small Backs of Children, winner of the 2016 Oregon Book Award's Ken Kesey Award for Fiction as well as the Reader's Choice Award, and the novel Dora: A Headcase, Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader's Choice. Her nonfiction book based on her TED Talk, The Misfit's Manifesto, is forthcoming from TED Books. She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online. She received her doctorate in Literature from the University of Oregon. She lives in Oregon with her husband Andy Mingo and their renaissance man son, Miles. She is a very good swimmer.