Regeneration, one in Pat Barker's series of novels confronting the psychological effects of World War I, focuses on treatment methods during the war and the story of a decorated English officer sent to a military hospital after publicly declaring he will no longer fight. Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.

London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before - army psychiatrist William Rivers - Prior must confront his inability to be the dutiful soldier his superiors wish him to be ...

The final book in the Regeneration Trilogy, and winner of the 1995 Booker Prize The Ghost Road is the culminating masterpiece of Pat Barker's towering World War I fiction trilogy. The time of the novel is the closing months of the most senselessly savage of modern conflicts. In France, millions of men engaged in brutal trench warfare are all "ghosts in the making." In England, psychologist William Rivers, with severe pangs of conscience, treats the mental casualties of the war to make them whole enough to fight again. One of these, Billy Prior, risen to the officer class from the working class, both courageous and sardonic, decides to return to France with his fellow officer, poet Wilfred Owen, to fight a war he no longer believes in. Meanwhile, Rivers, enfevered by influenza, returns in memory to his experience studying a South Pacific tribe whose ethos amounted to a culture of death. Across the gulf between his society and theirs, Rivers begins to form connections that cast new light on his—and our—understanding of war. Combining poetic intensity with gritty realism, blending biting humor with tragic drama, moving toward a denouement as inevitable as it is devastating, The Ghost Road both encapsulates history and transcends it. It is a modern masterpiece