At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest parts of his neighbors’ hearts…

It is a chilly and foggy Twelfth Night, wild with North Sea wind, when a bizarre murder disturbs the outward piece of Rackmoor, a tiny Yorkshire fishing village with a past that proves a tangled maze of unrequited loves, unrevenged wrongs, and even undiscovered murders. Inspector Jury finds no easy answers in his investigation—not even the identity of the victim, a beautiful young woman. Was she Gemma Temple, an impostor, or was she really Dillys March, Colonel Titus Crael’s long-lost ward, returning after eight years to the Colonel’s country seat and to a share of his fortune? And who was her murderer?

A severed finger found at the scene of a baffling murder in the village of Littlebourne leads local constables on what seems like a wild goose chase. But Richard Jury prefers to take the less traveled route to a slightly disreputable pub, where drinks all around loosen tongues and provide clues galore.

"Nothing ever happens in Stratford," insisted Superintendent Richard Jury of Scotland Yard. Unfortunately, he was wrong. Besides the stage murders commited nightly at the Royal Shakespeare Theatre, a real one had been performed not far from the Dirty Duck, a popular pub. The victim had been a member of an exclusive group too: Those rare homicidal maniacs compelled to leave an intentional clue - in this case, a fragment of Elizabethan verse. Now a nine-year old boy from the same tour had vanished and Jury was worried. For, if the killer intended to finish the rhyme, would it spell death for Stratford with each new line?

A white Christmas couldn't make Newcastle any less dreary for Scotland Yard's Superintendent Richard Jury—until he met a beautiful woman in a snow-covered graveyard. Sensual, warm, and a bit mysterious, she could have put some life into his sagging holiday spirit. But the next time Jury saw her, she was cold—and dead. Melrose Plant. Jury's aristocratic sidekick wasn't faring much better. Snow bound at a stately mansion with a group of artists, critics, and idle-but-titled rich, he, too, encountered a lovely lady . . . or rather, stumbled over her corpse. What linked these two yuletide murders was a remote country pub where snooker, a Nativity scene, and an old secret would uncover a killer . . . or yet another death.

This classic mystery in the New York Times bestselling series finds Jury joining forces with a hot-tempered constable to track down the brutal killer of three children. Reissue.

In a village plagued by missing pets, Scotland Yard's Richard Jury and sidekick Melrose Plant face the worst of human nature when a chilling old crime leads them to a brand new way to die.

New Scotland Yard superintendent Richard Jury is convinced it's more than coincidence when two beautiful young women are found strangled to death with their own scarves—one in Devon, the second outside a fashionable Mayfair pub. Both women were as strikingly similar in life as they were in death. Neither had enemies that Jury can find. Now, somewhere in the night, a killer is biding his time, beckoning Jury and Devon's local divisional commander, Brian Macalvie, down an elusive trail of tragic family secrets and even more fatal lies....

When a dismembered corpse is found in the compartments of an antique secretaire a abattant, Marshall Trueblood, recipient of the precious piece of furniture, is the first to protest: "I bought the desk, not the body, send it back." Who would want to kill Simon Lean, the greedy nephew of the wealthy Lady Summerston? Leave it to Superintendent Richard Jury of Scotland Yard to suggest a connection to the murder of brassy Limehouse lady named Sadie Driver, found dead near Wapping Old Stairs...if that stone-cold body on the slipway is really Sadie. Not even her brother, Tommy, on a visit from Gravesend, can swear to it.

Feeling burned out, Jury takes an unplanned stopover in Yorkshire and books a room at a cozy inn called the Old Silent. Violence finds him anyway when he becomes the only witness to a murder. Though Nell Healey shot her husband in cold blood, Jury will go to any lengths to help her, including taking sick leave from Scotland Yard to investigate. Calling on his old friend Melrose Plant for help, he must break through Nell’s reticence to untangle a web of twisted motives—and twisted lives....

Did Jane Galloway commit suicide or was she murdered? Melrose Plant attempts to determine the identity of Jane's mysterious visitor on the night of her death. Was it Alex's sultry grandmother, Genevieve? Jane's sister, Madeline? Francis Fellows? Or the doctor, Maurice Kingsley?

"Intricate and entertaining . . . A delicious puzzle." - The Boston Globe The murder is in America, but the call goes out to Scotland Yard superintendent Richard Jury. Accompanied by his aristocratic friend Melrose Plant and by Sergeant Wiggins, Jury arrives in Baltimore, Maryland, home of zealous Orioles fans, mouth-watering crabs, and Edgar Allan Poe. In his efforts to solve the case, Jury rubs elbows with a delicious and suspicious cast of characters, embarking on a trail that leads to a unique tavern called 'The Horse You Came In On' . . .

From the bestselling author of "The Old Contemptibles" — the latest Inspector Richard Jury mystery. An intriguing web of murder and mayhem. A woman's body is discovered amidst the ancient Roman ruins of Old Sarum—the apparent victim of an accidental fall. In the Tate Gallery in London, an elderly woman keels over—from a supposed heart attack—while studying a painting. At Exeter Cathedral, a third woman is found dead from "natural causes." But in Martha Grimes' bestselling novels—and in the world inhabited by Scotland Yard Superintendent Richard Jury—there are no natural causes. Is there a link between these three women? Of course. And Jury is the one who sorts it out. The link is Santa Fe, New Mexico, which all three women had visited before their untimely deaths. So Jury is off to the States where, amidst the turquoise jewelry and cappuccinos, he searches for and finds an astonishing web of jealousy and murder. With its clever plotting, delicious atmosphere and a cast of wonderfully eccentric characters, "Rainbow's End" will satisfy all of Martha Grimes' many existing fans—and bring her many new ones.

The thirteenth mystery for Richard Jury finds the detective investigating the murder of two women in the Lincolnshire fens. Both victims are connected to the wealthy owner of the Fengate estate: one a kitchen maid, and the other, the owner's ex-wife. But Jury has more at stake than just catching a killer, as the prime suspect is a woman who's presence in his life is becoming meaningful in a way he can't explain....

After a luminous blonde leaves, reboards, then leaves the double-decker bus Richard Jury is on, he follows her to the gates of Fulham Palace...and goes no further. Days later, when he hears of the death in the palace's walled garden, Jury will wonder if he could have averted it. But is the victim the same woman Jury saw? As he and Melrose Plant follow the complex case from the Crippsian depths of London's East End to the headier heights of Mayfair's art scene, Jury will realize that in this captivating woman—dead or alive—he may have finally met his match...

Detective Richard Jury is back in the 16th novel in Martha Grimes' extraordinary New York Times bestselling series—now enmeshed in a series of strange crimes and disappearances, and an age-old tragedy that consumes his sidekick Melrose Plant....

In The Blue Last, Richard Jury finally faces the last thing in the world he wants to deal with—the war that killed his mother, his father, his childhood. Mickey Haggerty, a DCI with the London City police, has asked for Jury's help. Two skeletons have been unearthed in the City during the excavation of London's last bombsite, where once a pub stood called the The Blue Last. Mickey believes that a child who survived the bombing has been posing for over fifty years as a child who didn't. The grandchild of brewery magnet Oliver Tyndale supposedly survived that December 1940 bombing . . . but did she? Mickey also has a murder to solve. Simon Croft, prosperous City financial broker, and son of the one-time owner of The Blue Last is found shot to death in his Thames-side house. But the book he was writing about London during the German blitzkrieg has disappeared. Jury wants to get eyes and ears into Tynedale Lodge, and looks to his friend, Melrose Plant, to play the role. Reluctantly, Plant plays it, accompanied on his rounds of the Lodge gardens by nine-year-old Gemma Trim, orphan and ward of Oliver Tynedale; and Benny Keagan, a resourceful twelve-year-old orphaned delivery boy. And Richard Jury may not make it out alive. A stolen book, stolen lives, or is any of this what it seems? Identity, memory, provenance - these are all called into question in The Blue Last

"Chew on this," says Melrose Plant to Richard Jury, who's in the hospital being driven crazy by Hannibal, a nurse who likes to speculate on his chances for survival. Jury could use a good story, preferably one not ending with his own demise. Plant tells Jury of something he overheard in The Grave Maurice, a pub near the hospital. A woman told an intriguing story about a girl named Nell Ryder, granddaughter to the owner of the Ryder Stud Farm in Cambridgeshire, who went missing more than a year before and has never been found. What is especially interesting to Plant is that Nell is also the daughter of Jury's surgeon. But Nell's disappearance isn't the only mystery at the Ryder farm. A woman has been found dead on the track-a woman who was a stranger even to the Ryders. But not to Plant. She's the woman he saw in The Grave Maurice. Together with Jury, Nell's family, and the Cambridgeshire police, Plant embarks on a search to find Nell and bring her home. But is there more to their mission than just restoring a fifteen-year-old girl to her family? The Grave Maurice is the eighteenth entry in the Richard Jury series and, from its pastoral opening to its calamitous end, is full of the same suspense and humor that devoted readers expect from Martha Grimes.

Richard Jury embarks on the darkest investigation of his career when the dead body of a young London girl leads to the cold case of a missing girl in Launceston-an unsolved mystery that has haunted Police Officer Brian Macalvie for years.

Over three successive nights, stranger Harry Johnson sits in the London Pub "The Old Wine Shades" and tells a story to Richard Jury about a good friend of his whose wife and son (and dog) disappeared one day in Surrey. They've been missing for nine months - no trace, no clue, no lead as to what happened. The dog came back - but how?

Richard Jury returns to the back streets and back rooms of London in "The New York Times" bestselling series When an old friend pulls Richard Jury into the investigation of a wealthy bachelor's murder, Jury's not sure what's more perplexing: the circumstances of the fellow's death, the conflicted stories of the man's past, or the motivations of the case's lead detective?the beautiful and forbidding Lu Aguilar. What Jury is sure of is that he's in over his head, both with the inscrutable and challenging Aguilar and the false leads surrounding the once-charismatic Billy Maples, last seen in a club named Dust. A web of clues draws Jury to the trendy Clerkenwell galleries, clubs, and hotels, to the dark stories behind Maples' family, and to the Sussex town of Rye, where Billy had temporarily taken up the tenancy of Lamb House, the charming home where Henry James composed his three masterworks . . . and a place with secrets of its own. With Melrose Plant investigating Lamb House, Aguilar interceding, and the appearance of Maples' mysterious young nephew, Scotland Yard's finest?and now infamous?will need every bit of his intelligence and quiet charm to crack the case.

The inimitable Richard Jury returns in a thrilling tale of mystery, madness, and mistaken identity Three months have passed since Richard Jury was left bereft and guilt- ridden after his lover's tragic auto accident, and he is now more wary than ever. He is deeply suspicious when requested on a case far out of his jurisdiction in an outlying village where a young woman has been murdered behind the local pub. The only witness is the establishment's black cat, who gives neither crook nor clue as to the girl's identity or her killer's. Identifying the girl becomes tricky when she's recognized as both the shy local librarian and a posh city escort, and Jury must use all his wits and intuition to determine the connection to subse­quent escort murders. Meanwhile, Jury's nemesis, Harry Johnson, continues to goad Jury down a dangerous path. And Johnson, along with the imperturbable dog Mungo, just may be the key to it all. Written with Martha Grimes' trademark insight and grace, The Black Cat signals the thrilling return of her greatest character. The superintendent is a man possessed of prodigious analytical gifts and charm, yet vulnerable in the most perplexing ways.

In her latest Richard Jury mystery, Martha Grimes delivers the newest addition to the bestselling series The Washington Post calls “literate, lyrical, funny, funky, discursive, bizarre.” The inimitable Scotland Yard Superintendent returns, now with a tip of the derby to Alfred Hitchcock’s Vertigo. Richard Jury is meeting Tom Williamson at Vertigo 42, a bar on the forty-second floor of an office building in London’s financial district. Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental—a direct result of vertigo—but the official police inquiry is still an open verdict and Jury agrees to re-examine the case. Jury learns that a nine-year-old girl fell to her death five years before Tess at the same country house in Devon where Tess died. The girl had been a guest at a party Tess was giving for six children. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence. Meanwhile, an elegantly dressed woman falls to her death from the tower of a cottage near the pub where Jury and his cronies are dining one night. Then the dead woman’s estranged husband is killed as well. Four deaths—two in the past, two that occur on the pages of this intricate, compelling novel—keep Richard Jury and his sidekick Sergeant Wiggins running from their homes in Islington to the countryside in Devon and to London as they try to figure out if the deaths were accidental or not. And, if they are connected. Witty, well-written, with literary references from Thomas Hardy to Yeats, Vertigo 42 is a pitch perfect, page-turning novel from a mystery writer at the top of her game.

With their signature wit, sly plotting, and gloriously offbeat characters, Martha Grimes’s New York Times bestselling Richard Jury mysteries are “utterly unlike anyone else’s detective novels” (Washington Post). In the latest series outing, The Knowledge, the Scotland Yard detective nearly meets his match in a Baker Street Irregulars-like gang of kids and a homicide case that reaches into east Africa. Robbie Parsons is one of London’s finest, a black cab driver who knows every street, every theater, every landmark in the city by heart. In his backseat is a man with a gun in his hand—a man who brazenly committed a crime in front of the Artemis Club, a rarefied art gallery-cum-casino, then jumped in and ordered Parsons to drive. As the criminal eventually escapes to Nairobi, Detective Superintendent Richard Jury comes across the case in the Saturday paper. Two days previously, Jury had met and instantly connected with one of the victims of the crime, a professor of astrophysics at Columbia and an expert gambler. Feeling personally affronted, Jury soon enlists Melrose Plant, Marshall Trueblood, and his whole gang of merry characters to contend with a case that takes unexpected turns into Tanzanian gem mines, a closed casino in Reno, Nevada, and a pub that only London’s black cabbies, those who have “the knowledge,” can find. The Knowledge is prime fare from “one of the most fascinating mystery writers today” (Houston Chronicle).

When the body of a French woman washes up on a wild inlet off the Cornish coast, Brian Macalvie, divisional commander with the Devon-Cornwall police is called in. Who could have killed this beautiful tourist, the only visible footprints nearby belonging to the two little girls who found her? While Macalvie stands in the Scilly Islands, inspector Richard Jury-twenty miles away on Land's End—is at The Old Success pub, sharing a drink with the legendary former CID detective Tom Brownell, a man renowned for solving every case he undertook. Except one. In the days following the mysterious slaying of the Parisian tourist, two other murders take place: first, a man is shot on a Northhamptonshire estate, then a holy duster turns up murdered at Exeter Cathedral in Devon. Macalvie, Jury and Bronwell set out to discover whether these three killings, though very different in execution, are connected. Written with Grimes' signature wit, sly plotting, and gloriously offbeat characters, The Old Success is prime fare from "one of the most fascinating mystery writers today" (Houston Chronicle).

A sudden murder in an English village pub sets off the twenty-sixth novel in the bestselling series starring superintendent Richard Jury, from bestselling author Martha Grimes, still “one of the most fascinating mystery writers today” (Houston Chronicle) One calm night in Twickenham, a businessman named Tom Treadnor is shot off his barstool at The Queen pub. Superintendent Richard Jury is called in to investigate, and quickly realizes that everyone in Treadnor’s life – from his widow, Alice, to the staff at his manor, to his business partner had differing opinions of him. And to complicate things further, Jury has just happened upon a photo in a newspaper of a man in the United States, who is a dead ringer for Treadnor. Meanwhile, Wiggins, Jury’s partner at New Scotland Yard, becomes sidetracked by an investigation of his His sister, missing for years and presumed dead, has just sent a postcard to their mother. When Wiggins takes off in search of his sister, the two investigations begin to converge. Funny, eccentric, and fueled by Richard Jury’s talent for seeing clues in the most unlikely places, The Red Queen is a welcome return to a classic character and an exciting addition to a series that has been called “delightful, surprising, even magical” (Washington Post).