


Books in series

Magician
Apprentice
1982

Magician
Master
1982

Silverthorn
1985

A Darkness At Sethanon
1986

Daughter of the Empire
1987

Servant of the Empire
1990

Mistress of the Empire
1992

Prince of the Blood
1989

The King's Buccaneer
1992

Shadow of a Dark Queen
1994

Rise of a Merchant Prince
1995

Rage of a Demon King
1997

Shards of a Broken Crown
1998

Krondor
The Betrayal
1998

Krondor
The Assassins
1999

Krondor
Tear of the Gods
2000

Jimmy and the Crawler
2013

Honored Enemy
2001

Murder in LaMut
2002

Jimmy the Hand
2003

Talon of the Silver Hawk
2002

King of Foxes
2003

Exile's Return
2004

Flight of the Nighthawks
2004

Into a Dark Realm
2006

Wrath of a Mad God
2008

Rides a Dread Legion
2009

At the Gates of Darkness
2009

A Kingdom Besieged
2011

A Crown Imperiled
2011

Magician's End
2013
Authors

Librarian Note: There is more than one author in the Goodreads database with this name. Note: This is a different person than the political/thriller author, Joel C. Rosenberg Joel Rosenberg was the author of the bestselling Guardians of the Flame books as well as the D'Shai and Keepers of the Hidden Ways series. He made his home in Minneapolis, Minnesota.


Janny Wurts is the author of War of Light and Shadow series, and To Ride Hell's Chasm. Her eighteen published titles include a trilogy in audio, a short story collection, as well as the internationally best selling Empire trilogy, co authored with Raymond E. Feist, with works translated into fifteen languages worldwide. Her latest title in the Wars of Light and Shadow series, Destiny's Conflict, culminates more than thirty years of carefully evolved ideas. The cover images on the books, both in the US and abroad, are her own paintings, depicting her vision of characters and setting. Through her combined talents as a writer/illustrator, Janny has immersed herself in a lifelong ambition: to create a seamless interface between words and pictures that will lead reader and viewer into the imagination. Her lavish use of language invites the mind into a crafted realm of experience, with characters and events woven into a complex tapestry, and drawn with an intensity to inspire active fuel for thought. Her research includes a range of direct experience, lending her fantasy a gritty realism, and her scenes involving magic crafted with intricate continuity. A self-taught painter, she draws directly from the imagination, creating scenes in a representational style that blurs the edges between dream and reality. She makes few preliminary sketches, but envisions her characters and the scenes that contain them, then executes the final directly from the initial pencil drawing. The seed idea for the Wars of Light and Shadow series occurred, when, in the course of researching tactic and weapons, she viewed a documentary film on the Battle of Culloden Moor. This was the first time she had encountered that historical context of that brutal event, with the embroidery of romance stripped from it. The experience gave rise to an awakening, which became anger, that so often, our education, literature and entertainment slant history in a manner that equates winners and losers with moral right and wrong, and the prevalent attitude, that killing wars can be seen as justifiable solutions when only one side of the picture is presented. Her series takes the stance that there are two sides to every question, and follows two characters who are half brothers. One a bard trained as a master of magecraft, and the other a born ruler with a charismatic passion for justice, have become cursed to lifelong enmity. As one sibling raises a devoted mass following, the other tries desperately to stave off defeat through solitary discipline and cleverness. The conflict sweeps across an imaginary world, dividing land and people through an intricate play of politics and the inborn prejudices of polarized factions already set at odds. Readers are led on a journey that embraces both viewpoints. The story explores the ironies of morality which often confound our own human condition - that what appears right and just, by one side, becomes reprehensible when seen from the opposite angle. What is apparently good for the many, too often causes devastating suffering to the nonconformist minority. Through the interactions between the characters themselves, the reader is left to their own discretion to interpret the moral impact of events. Says Janny of her work, "I chose to frame this story against a backdrop of fantasy because I could handle even the most sensitive issues with the gloves off - explore the myriad angles of our troubled times with the least risk of offending anyone's personal sensibilities. The result, I can hope, is an expanding journey of the spirit that explores the grand depths, and rises to the challenge of mapping the ethereal potential of an evolving planetary consciousness... explore free thought and compassionate understanding." Beyond writing, Janny's award winning paintings have been showcased in exhibitions of imaginative artwork, among them a commemorative exhibition for NASA's 25th Anniversary; the Art of the Cosmos at Hayden Planet