Romance

From the New York Times bestselling author of The Love Hypothesis comes a new STEMinist rom-com in which a scientist is forced to work on a project with her nemesis—with explosive results. Bee Königswasser lives by a simple code: What would Marie Curie do? If NASA offered her the lead on a neuroengineering project - a literal dream come true - Marie would accept without hesitation. Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. But Levi made his feelings toward Bee very clear in grad school - archenemies work best employed in their own galaxies far, far away. But when her equipment starts to go missing and the staff ignore her, Bee could swear she sees Levi softening into an ally, backing her plays, seconding her ideas... devouring her with those eyes. The possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there's only one question that matters: What will Bee Königswasser do?

As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships—but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor—and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding... six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

Auburn Reed is determined to rebuild her shattered life and she has no room for mistakes. But when she walks into a Dallas art studio in search of a job, she doesn’t expect to become deeply attracted to the studio’s enigmatic artist, Owen Gentry. For once, Auburn takes a chance and puts her heart in control, only to discover that Owen is hiding a huge secret. The magnitude of his past threatens to destroy everything Auburn loves most, and the only way to get her life back on track is to cut Owen out of it—but can she do it?

When Tate Collins meets airline pilot Miles Archer, she knows it isn’t love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.

A troubled young mother yearns for a shot at redemption in this heartbreaking yet hopeful story from #1 New York Times bestselling author Colleen Hoover. After serving five years in prison for a tragic mistake, Kenna Rowan returns to the town where it all went wrong, hoping to reunite with her four-year-old daughter. But the bridges Kenna burned are proving impossible to rebuild. Everyone in her daughter’s life is determined to shut Kenna out, no matter how hard she works to prove herself. The only person who hasn’t closed the door on her completely is Ledger Ward, a local bar owner and one of the few remaining links to Kenna’s daughter. But if anyone were to discover how Ledger is slowly becoming an important part of Kenna’s life, both would risk losing the trust of everyone important to them. The two form a connection despite the pressure surrounding them, but as their romance grows, so does the risk. Kenna must find a way to absolve the mistakes of her past in order to build a future out of hope and healing.

When a young woman hits rock bottom, she embarks on a positively Dickensian adventure in a witty and warmhearted novel about past regrets, old loves, new beginnings, and making up for lost time. Avery Lawrence thought she had it all—a charming fiancé, a Broadway\-themed star\-studded engagement, and a picture\-perfect life. But when her fraudster of a fiancé’s true identity is exposed and he’s hauled away in handcuffs, Avery’s world comes crashing down faster than the chandelier in Phantom of the Opera. Left stranded on Christmas Day outside the federal prison without her cell phone or wallet, Avery stumbles out of the cold and into the last phone booth in Manhattan. With nothing left to lose, Avery is directed by a mysterious voice on the line to the doorstep of the college boyfriend she thought she’d moved on from over six years ago. When a second encounter with the phone booth leads Avery to a life\-changing audition for Marley Is Dead, a new musical based on Dickens’s A Christmas Carol, Avery is blown away by the striking similarities between the show and her own life. Convinced the phone booth is somehow responsible for reuniting her with “the one that got away” and reigniting her acting career, maybe she will finally have the chance to rewrite her future. But as she grapples with the ghosts of her past and the uncertainty of her present, Avery must decide whether to follow her heart or pursue her dream.

Beckett, If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. It’s not fair. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart. She’s going to need help. So if I’m gone, that means I can’t be there for Ella. I can’t help them through this. But you can. So I’m begging you, as my best friend, go take care of my sister, my family. Please don’t make her go through it alone. Ryan