Margins
Saving Kandinsky book cover
Saving Kandinsky
2014
First Published
3.72
Average Rating
358
Number of Pages

Part of Series

As they paint together on the Bavarian mountainside, young Gabriele (Ella) Münter falls in love with her married teacher, Wassily Kandinsky. While their illicit love faces the disapproval of early 20th century European society, the two artists forge a partnership that will offer the world its first taste of Abstract Expressionism. Along with Alexei Jawlensky, Franz Marc, and other members of the Blue Rider, Münter and Kandinsky give birth to something truly new in art. Yet the delights of that heady time together are not to last, certainly not past the time of the Nazi purge of “Degenerate Art.” That period will test Ella’s mettle as well as her dedication to art and to love. Gabriele Münter’s life is a tale of courage in the face of personal and historical crisis. Saving Kandinsky is her story.
Avg Rating
3.72
Number of Ratings
390
5 STARS
19%
4 STARS
43%
3 STARS
30%
2 STARS
5%
1 STARS
3%
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Author

Mary Basson
Mary Basson
Author · 1 books

Mary “Peetie” Basson serves as a Docent at the Milwaukee Art Museum that houses the largest collection of paintings by Gabriele Münter in North America. A gift of Mrs. Harry L. Bradley, the fourteen paintings by Münter form a cornerstone of the museum’s German Expressionist collection. Immersed in researching the book, Basson learned to her horror that the Lenbachhaus, the museum to which Münter donated her trove of preserved Blue Rider works, was about to be closed for three years. Unwilling to miss seeing the artist’s hand at work in the museum installation, within hours, Basson had bought a plane ticket to Munich. In room after room at the Lenbachhaus, Basson encountered the splendors of the Blue Riders whose emotional depth and intellectual energy drew her to Münter in the first place. And luckily for her, at that very moment, a major retrospective of Kandinsky was being held just across the street, a retrospective that would later go on to show at the Centre Pompidou in Paris and at the Guggenheim in New York City. From Munich, Basson traveled to Murnau to see Münter’s “yellow house” in the foothills of the Bavarian Alps. That house has been restored and opened to the public as a reminder of the courage of the artist and a representation of a brilliant moment in German art history. For 39 years Peetie Basson taught Upper School English and served as an administrator at the University School of Milwaukee. She and her husband, Steve Basson, raised three sons on Milwaukee’s East Side. They now split their time between their Milwaukee home and their newly acquired pied-a-terre in Brooklyn, New York.

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