Inspired by a book his grandfather wrote eighty years ago, master storyteller and author Tahir Shah set about creating SCORPION SOUP, an intense experience of interlinked and overlapping tales. Having been raised on stories from both East and West, Shah believes that tales work on numerous levels, subtly influencing the way we see the world, and the way we learn from it. Magical instruments, and secret machineries in their own right, stories are within us all. And, the way we appreciate them, from the cradle is, Shah believes, part of the default setting of Mankind. Introduced in early childhood to the wonders of A Thousand and One Nights, Shah learned to receive and appreciate complex structures and storytelling devices. These have been used throughout history to pass on ideas, cultural values and information, as well as, of course, to entertain. Having been inspired by The Nights, especially in the way that one story leads into another, and yet another, Shah used this technique (known as the “frame story”) in SCORPION SOUP. An interwoven and intoxicating collection of tales, the book descends down through many layers, as one story progresses into the next, and eventually brings us back to the first. There is the tale of the Capilongo, a sophisticated bird-like creature that lives in the jungle with sloth-servants, who invites his would-be assassin to dine before allowing himself to be killed. And there is the tale of the Clockmaker who harnesses the soul of a Jinn, in the guise of a hoopoe, and uses it to travel back in time to the realm of Harun Al-Rachid. There is the cautionary tale, too, of the Man Whose Arms Grew Branches, and the story of the Fish’s Dream. Unlike anything that has been published in the Occidental world before, SCORPION SOUP is a rich and diverse feast for the senses, and a book that instructs as much as it does entertain.
Author
Tahir Shah was born in London, and raised primarily at the family’s home, Langton House, in the English countryside – where founder of the Boy Scouts, Lord Baden Powell was also brought up. Along with his twin and elder sisters, Tahir was continually coaxed to regard the world around him through Oriental eyes. This included being exposed from early childhood to Eastern stories, and to the back-to-front humour of the wise fool, Nasrudin. Having studied at a leading public school, Bryanston, Tahir took a degree in International Relations, his particular interest being in African dictatorships of the mid-1980s. His research in this area led him to travel alone through a wide number of failing African states, including Uganda, Sierra Leone, and Zaire. After university, Tahir embarked on a plethora of widespread travels through the Indian subcontinent, Latin America, and Africa, drawing them together in his first travelogue, Beyond the Devil’s Teeth. In the years that followed, he published more than a dozen works of travel. These quests – for lost cities, treasure, Indian magic, and for the secrets of the so-called Birdmen of Peru – led to what is surely one of the most extraordinary bodies of travel work ever published. In the early 2000s, with two small children, Tahir moved his young family from an apartment in London’s East End to a supposedly haunted mansion in the middle of a Casablanca shantytown. The tale of the adventure was published in his bestselling book, The Caliph’s House. In recent years, Tahir Shah has released a cornucopia of work, embracing travel, fiction, and literary criticism. He has also made documentaries for National Geographic TV and the History Channel, and published hundreds of articles in leading magazines, newspapers, and journals. His oeuvre is regarded as exceptionally original and, as an author, he is considered as a champion of the new face of publishing. www.tahirshah.com www.twitter.com/humanstew www.facebook.com/TahirShahAuthor http://www.youtube.com/user/tahirshah999 www.pinterest.com/tahirshah
