Scottish

Description from the inside sleeve: This scintillating, disturbing, and altogether outrageous collection of stories introduces to these shores a young writer already being called "the Scottish Celine of the 1990s" (Guardian) and "a mad postmodern Roald Dahl" (Weekend Scotsman). Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals—God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results—always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation. Includes the following stories: "The Shooter" "Eurotrash" "Stoke Newington Blues" "Vat '96" "A Soft Touch" "The Last Resort on the Adriatic" "Sexual Disaster Quartet" "Snuff" "A Blockage in the System" "Wayne Foster" "Where the Debris Meets the Sea" "Granny's Old Junk" "The House of John Deaf" "Across the Hall" "Lisa's Mum Meets the Queen Mum" "The Two Philosophers" "Disnae Matter" "The Granton Star Cause" "Snowman Building Parts for Rico the Squirrel" "Sport for All" "The Acid House" A Smart Cunt: a novella

One of Alasdair Gray's most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter - a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless' jealous love for Baxter's creation. The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

A story about a liberal-minded university professor who drifts well-meaningly into a position in the upper reaches of the Nazi administration, Good is a profound and alarming examination of passivity and the rationalisation of evil. John Halder, a professor of literature, seems to be a good man; he diligently visits his blind and senile mother and looks after his vacant wife and three children. He is unremarkable, other than an unusual neurotic tic: the imaginary sound of band music plays in the background of his life, particularly at moments of high emotion. But by writing a book – the result of his own experience – discussing euthanasia for senile elderly people and by lecturing on the delicacy of German literary culture, John has unintentionally made himself a very desirable acquisition for the Nazi Party. By rationalised and intellectually reasoned steps he is absorbed into the direction of the death camps, a transformation all the more chilling because it does not seem dramatic, until the last horrible resounding note of the play. Good is a structured stream of consciousness, punctured by the musical medley that plays inside Halder’s head. The first production was staged at the London Warehouse in 1982.

An uncanny thriller from the acclaimed author of The Strange Case of Dr. Jekyll and Mr. Hyde Medical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.