Part of Series
From the best-selling SEAL TEAM SIX series from CHUCK DIXON comes the spin-off fans have been waiting for! He is highly trained. His missions are classified. He is her best and last hope. When Randall ‘Flame’ O'Donnell is forced to leave the SEALs due to a traumatic head injury he received on a mission, he firmly believes his life to be over. Leaving the SEALs is painful and impossible; Flame is certain life cannot only never be the same, but he doesn't know how to live without them. Facing a lifetime as a nothing but a civilian, Flame finds himself considering things he never thought he would: like joining the private sector and getting a job. But this is no ordinary job. Partnering up with ex-CIA analyst and NSA agent Dana Morton, Flame finds himself reliving his SEAL days by becoming the muscle in an agency that investigates and protects. Although he worries that things will get boring, he quickly realizes that this job is anything but static. From the rescue mission of a German television crew, to the thwarting of multiple terrorist attacks in major American cities, Flame finds himself once again stoking the fires he thought were long dead. And having a gorgeous blonde partner doesn't exactly hurt! From Vietnam veteran and seasoned writer, Doug Murray, comes an epic tale of redemption and ass-kicking that digs deep into the psyche of a former SEAL whose glory days are far from over. Prologue from Dynamite's New eBook: SEAL TEAM SIX NO MORE: REKINDLED FLAME: Darkness surrounded Flame as he crouched with the front of his left shoulder just touching a wall of some kind, the familiar shape of an M4 cradled in his arms. Where the hell am I? he asked himself. What am I supposed to do? He shook his head—felt a familiar weight on it. Night vision! He fumbled for the boxy system, and pulled it down in front of his eyes. Now where’s that switch…? Something clicked under his questing fingers and everything changed. I’m in a big room of some kind. Flame studied the green-tinged one-dimensional reality that spread around him. Boxes and crates everywhere. He tapped the huge crate he’d thought was a wall. Big suckers… He shook his head. Supply dump, maybe... He glanced to his front. Looks like an access door up ahead there… He sensed movement somewhere behind him. Shit! Flame turned toward the movement, clicking off the safety of his M4 with automatic precision. Where did that come from? He strained eyes and ears for more information—anything that might tell him what he’d gotten himself into—but all he could hear was the hammering sound of rain hitting what must have been a metal roof. Any other subtler sound was all but inaudible against that cacophony. Flame stood completely still, eyes flicking from side to side, waiting for… What? Suddenly, he heard the familiar clatter of an AK-47 coming from somewhere behind him. Flame whirled toward the new sound, rifle barrel swiveling to bear. There was a flicker of movement. It came from that doorway! Flame raised the M4, aiming it at the doorjamb. As soon as the bastard sticks his head out to try again, I’ll take it off and… There was movement to his right as a tall, rather angular figure slid to a halt behind a large box of some kind. The figure waved to him… Re-Pete? The new arrival signaled to Flame that he was going to leapfrog forward and motioned for him to give covering fire. Flame reacted automatically, stroking the trigger of his M4 to produce carefully aimed three-round bursts.
Authors
Charles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s. His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan. In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million, Contagion, Legacy, Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin, Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl, as well as creating the team and book Birds of Prey . While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow, regularly having about seven titles out each and every month between the years 1993 and 1998. In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."
