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Secret Stockholm book cover
Secret Stockholm
2024
First Published
3.67
Average Rating
288
Number of Pages
Step off the beaten track with this fascinating Stockholm travel guidebook, filled with well-hidden treasures. Ideal for locals and curious travelers alike, the book features 40 secret and unusual locations. Take a break in a parish library with a time-warp interior and a unique collection of detective novels, discover the functioning dragon fountain in the foyer of an opulent 1930s cinema turned storage facility, visit the bizarre 1921 archaeologist’s grave built in the style of Stone-Age megalith tombs, discover the gigantic metal eye on the back of the brutalist Swedish Film Institute, that pokes fun at the Swedish military in the neighboring building. Find the mysterious medieval plaque hidden in an Old Town stairway, grab a bite at the French bakery on the ground floor of a socialist utopian-functionalist communal housing project, where a lift sends croissants and onion soup to the apartments above. Get off the metro at a station with grotesque sculptures and a unique eco-system featuring tiny spiders and a previously unknown fungus. There’s all this and more in an essential travel guide for those who think they know the Swedish capital well, or for those who want to discover its concealed gems.
Avg Rating
3.67
Number of Ratings
3
5 STARS
33%
4 STARS
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3 STARS
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2 STARS
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Author

Per Faxneld
Per Faxneld
Author · 7 books

Per Faxneld is Swedish Historian of Religion he holds a ph.d. in History of Religions (obtained in 2014). his field of specialisation is Western esotericism, new religions and "alternative spirituality" (e.g. Satanism, Theosophy, Anthroposophy, New Age, the sacralization of physical excercise, etc), with a particular emphasis on how they are formed in tandem with processes of modernization (especially secularization). he has also worked from a sociological perspective with questions pertainng to strategies of legitimation, religious authority and identity formation. Other interests include religion and popular culture (reflection my background in cinema studies), folk religion (e.g. editing a critical edition of a folkloristic classic), gender issues, globalization and religion and violence. A key theme in his research is the relation between Western esotericism and art/literature. My doctoral dissertation (Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture, awarded the Donner Institute Prize for Eminent Research on Religion, and later re-published by Oxford University Press) adresses how anti-clerical feminists – primarily during the time period 1880–1930 – used Satan as a symbol of rejecting the patriarchal traits of Christianity. I emphasized how these women were inspired by the period's most influential new religion, Theosophy, and how the anti-religious discourses of secularism impacted feminism.

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