The time is the tenth century A.D. The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call Vinland the Good. The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past. —back cover

With the same panoramic vision and mythic sensibility he brought to The Ice-Shirt, William T. Vollmann continues his hugely original fictional history of the clash of Indians and Europeans in the New World. It is 400 years ago, and the Black Gowns, French Jesuit priests, are beginning their descent into the forests of Canada, eagerly seeking to convert the Huron—and courting martyrdom at the hands of the rival Iroquois. Through the eyes of these vastly different peoples—particularly through those of the grimly pious Father Jean de Brebeuf and the Indian prophetess Born Underwater—Vollmann reconstructs America's past as tragedy, nightmare, and bloody spectacle. In the process, he does nothing less than reinvent the American novel as well.

From the National Book Award-winning author of Europe Central – a hugely original fictional history of Pocahontas, John Smith, and the Jamestown colony in Virginia In Argall, the third novel in his Seven Dreams series, William T. Vollmann alternates between extravagant Elizabethan language and gritty realism in an attempt to dig beneath the legend surrounding Pocahontas, John Smith, and the founding of the Jamestown colony in Virginia-as well as the betrayals, disappointments, and atrocities behind it. With the same panoramic vision, mythic sensibility, and stylistic daring that he brought to the previous novels in the Seven Dreams series—hailed upon its inception as "the most important literary project of the '90s" ( The Washington Post )—Vollmann continues his hugely original fictional history of the clash of Native Americans and Europeans in the New World. In reconstructing America's past as tragedy, nightmare, and bloody spectacle, Vollmann does nothing less than reinvent the American novel.

In this new installment in his series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the Nez Perce War, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn as they fled from northeast Oregon across Montana to the Canadian border. Vollmann’s main character is not the legendary Chief Joseph, but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict, and written in a style in which the printed page works as a stage with multiple layers of foreground and background, The Dying Grass is another achievement from one of the most ambitious writers of our time.

The story of John Franklin’s doomed 1845 attempt to discover a Northwest Passage, from the National Book Award-winning author of Europe Central Vaulting through time to another flashpoint in the long struggle between Indians and Europeans, William T. Vollmann's visionary fictional history now focuses on the white explorers of the mid-1800s, desperately dreaming of forging a Northwest Passage. As Sir John Franklin embarks on his fourth Arctic voyage, he defies the warnings of the native people, and his journey ends in ice and death. But his spirit lingers in the Canadian north, where 150 years later, in 1990, Inuit elders dream of long-gone seal-hunting days and teenagers sniff gasoline. And when a white man seduces and leaves pregnant a young Indian woman, he becomes Franklin reincarnated, bound for the same fate. Vollmann's vivid characters and landscapes weave together the stories of the past and present to live out America's ongoing tragedy of greed, ignorance, and violence.