Sherwood Anderson became a writer by a process of slow and irresistible rebellion. Breaking away from a two-decade career as advertising copywriter and small businessman, he reinvented himself as a modernist storyteller whose influence was foundational for modern American writing. Without Anderson’s example, the work of Hemingway, Faulkner, Wolfe, Steinbeck, McCullers, Mailer, and Kerouac is almost unthinkable. In mapping the America he knew widely and intimately—an America of small towns, big-city boarding houses, racetracks, isolated farms—he opened up new regions of America’s inner life in stories that remain astonishing for their stylistic freedom, their emotional candor and sexual frankness, and the exactness of their observation. Anderson wrote in many genres, but it was in the short story that he found his ideal form. This volume collects for the first time all the books of stories he published in his lifetime—Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933)—along with a generous selection of stories left uncollected or unpublished at his death. Taken together they offer powerful evidence of Anderson’s extraordinary capacity to illuminate what is hidden under the surface of seemingly ordinary lives and to give expression to private delusions and desires. When Winesburg, Ohio appeared, Hart Crane wrote: “America should read this book on her knees. It constitutes an important chapter in the Bible of her consciousness.” Weaving memories of his small-town youth into a series of interrelated stories, Anderson realized a stunning collective portrait, a haunting, expressionist set of variations on themes of isolation, frustration, and encroaching obsession. It remains a central masterwork of American literature. Anderson’s later collections are no less imbued with his intuitive sense of the shapes of lives as felt from the inside. In such stories as “I Want to Know Why,” “Out of Nowhere into Nothing,” “The Man Who Became a Woman,” “An Ohio Pagan,” and “Brother Death,” he offers breathtaking insights, catching his characters unawares with deep empathy for their fragility and strangeness.
Author
Sherwood Anderson was an American writer who was mainly known for his short stories, most notably the collection Winesburg, Ohio. That work's influence on American fiction was profound, and its literary voice can be heard in Ernest Hemingway, William Faulkner, Thomas Wolfe, John Steinbeck, Erskine Caldwell and others. From PBS.org: Sherwood Anderson, (1876-1941), was an American short-story writer and novelist. Although none of his novels was wholly successful, several of his short stories have become classics. Anderson was a major influence on the generation of American writers who came after him. These writers included Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner. Anderson thus occupies a place in literary history that cannot be fully explained by the literary quality of his work. Anderson was born on Sept. 13, 1876, in Camden, Ohio. He never finished high school because he had to work to support his family. By 1912, he was the successful manager of a paint factory in Elyria, Ohio, and the father of three children by the first of his four wives. In 1912, Anderson deserted his family and job. In early 1913, he moved to Chicago, where he devoted more time to his imaginative writing. He became a heroic model for younger writers because he broke with what they considered to be American materialism and convention to commit himself to art. Anderson's most important book is WINESBURG, OHIO (1919), a collection of 22 stories. The stories explore the lives of inhabitants of Winesburg, a fictional version of Clyde, Ohio, the small farm town where Anderson lived for about 12 years of his early life. These tales made a significant break with the traditional American short story. Instead of emphasizing plot and action, Anderson used a simple, precise, unsentimental style to reveal the frustration, loneliness, and longing in the lives of his characters. These characters are stunted by the narrowness of Midwestern small-town life and by their own limitations. read more
