
Part of Series
Shroud 14: The Quarterly Journal of Speculative Fiction and Poetry...Thrilling Tales of Dark Wonder. For seven years, Shroud has been offering award-winning intelligent stories and articles. Now, Shroud has opened up to more genres and poetry. This issue features riveting short tales of suspense, horror and fantasy, insightful and entertaining articles, and dark, thrilling verse. Shroud has been nominated for both the Bram Stoker and Black Quill Award. Table of Contents Opening Words "Purgatory in Riyadh" by Tim Deal Fiction “But Now I See” by Nu Yang “Blood of the Vine” by Bracken MacLeod “Tales of K’aeran: A New Road” by D.W. Craigie Poetry “Night Thing” by Alan Meyrowitz “Last Call Before Isha” by Olga Slivovich Nonfiction “And the Gunman’s Hand Held a Pen: A Review of Bracken MacLeod’s Mountain Home” by Shawna L. Bernard Trending Markets “Eric Beebe and Paul Anderson’s Jamais Vu” by Tim Deal “Someone Oughta Sell Tickets…!” by Scott Christian Carr
Authors

Scott Christian Carr has been a radio talk show host, editor of a flying saucer magazine, fishmonger, spelunker, psychonaut, journalist, medical/pharmaceutical writer, TV producer, and author. He is a Bram Stoker Award nominee, Scriptapalooza 1st Place Winner for Best Original TV Pilot, and in 1999, he was awarded The Hunter S. Thompson Award for Outstanding Journalism. Scott is a contributing editor and columnist for Shroud Magazine, and a 2010 Choate Road “Spotlight Scribe” - But his most satisfying and rewarding job is that of “Dad.” He lives in a home once owned by George Hansburg (inventor of the pogo stick) on a secluded mountaintop in New York’s Hudson Valley with his two children. Scott Christian Carr’s latest novel Hiram Grange & the Twelve Little Hitlers is currently available from Shroud Publishing, Amazon.com, and at Barnes & Noble near you. Lloyd Kaufman (President of Troma Entertainment and Creator of the Toxic Avenger) calls it, “More fun than a barrel full of Hitlers... The best novel since Don Quixote!” His upcoming novels Hiram Grange & the Twelve Steps and Matthew's Memories (illustrated by Danny Evarts) are scheduled to be released in 2013. His other publications include the anthologies Sick: An Anthology of Illness (which features an excerpt from his novel Believer), Death Be Not Proud, Desolate Places, Beneath the Surface, Demonology: Grammaticus Demonium, Scary! Holiday Tales to Make You Scream, and the upcoming Terror at Miskatonic Falls. Scott’s fiction has appeared in dozens of magazines and publications, including Shroud Magazine, The Dream People, GUD, Pulp Eternity, Horror Quarterly, The MUFON Journal, Weird N.J. and Withersin. His novella A Helmet Full of Hair was recently translated and reprinted in the prestigious French quarterly, Galaxies: La Revue de Référence de la Science Fiction. He writes every day. Visit me at: www.scottchristiancarr.com

Bracken MacLeod has worked as a martial arts teacher, a university philosophy instructor, for a children's non-profit, and as a trial attorney. His short fiction has appeared in several magazines and anthologies including LampLight, ThugLit, and Splatterpunk and has been collected in 13 VIEWS OF THE SUICIDE WOODS by ChiZine Publications. He is the author of MOUNTAIN HOME, a novella titled WHITE KNIGHT, and STRANDED, from Tor Books. His newest novel, COME TO DUST, is coming from Journalstone/Trepidatio Press in June of 2017. He lives outside of Boston with his wife and son, where he is at work on his next novel.

Shawna L. Bernard, better known as Sydney Leigh, is a writer, editor, and English teacher native to the North Shore of Massachusetts. Her short fiction, poetry, and reviews have been published in various anthologies and magazines, including Shock Totem, The Library of the Dead, Shroud, Darkness Ad Infinitum, Enter at Your Own Risk: The End is the Beginning, Demonic Visions 1-4, Widowmakers, and more. She currently works for Villipede Publications and as the Chief Editor of Eldritch Press’ Novel Division. She is an Active member of the Horror Writers Association. She recently edited Michael Bailey’s Inkblots and Blood Spots, a collection of short stories and poetry illustrated by British Fantasy Award-winning artist Daniele Serra and with an Introduction by the legendary Douglas E. Winter. Her short fiction has been appeared in audio format on The Wicked Library and is due to be podcast on Tales to Terrify as part of their annual Stoker Awards celebration. In 2015, “Baby’s Breath” was nominated for a Bram Stoker Award for Superior Achievement in Short Fiction and won the Best Horror Short Story Award in the Preditors & Editors Readers’ Poll. The first two episodes of a show she co-hosts with her local writers group called “The Taco Society Presents” (a nod to Peter Straub’s Ghost Story) can be found online at the following links: https://www.youtube.com/watch?v=SnbyU... (Episode 1) and https://www.youtube.com/watch?v=Gje5Q... (Episode 2). Forthcoming work is due to appear in Chiral Mad 3, Our World of Horror, the HWA Poetry Showcase Volume II, and the third volume in the Quick Shivers series from the DailyNightmare.com. You can find a full bibliography of her work on her website at http://thespiderbox.shawnaleighbernar.... She is currently working on her first novel.

It's a funny thing we do, this writing business. Writers are creatures of contradiction. We're dying to show our work to others, but may crumble when someone offers an opinion that is either contradictory or critical of our expectations. It's excruciating, soul-wrenching work that can destroy your self-esteem and rob you of sleep. So, why do I write? Why put myself through this? The answer is simple. When I'm not writing, I'm not happy. It's something I have to do. Born in Littleton, New Hampshire as the third of five children to a hardworking mother and father, I have always had books in my life. I read every night and still remember the two bookshelves that stood in the children's room full of images and words that took us on fantastic adventures to far-off places. Growing up with only four television channels (ABC, CBS, VPT, and NHPTV) there really wasn't any alternative. We played outside and we read. Even as we grew up and technology slowly crept into the North Country, that influence held sway. During junior high, I devoured hundreds of books a year (mainly Star Trek novels) and after beginning my freshman year I wrote my first original story. Well, original might be a bit of stretch. I totally ripped off Babylon 5, but it was 33 type-written pages and featured a plethora of characters and some kick-ass space battles. I was damned proud. Come senior year, my ambition grew and a second, larger story took shape. It was based off the Warcraft II computer game (I openly acknowledged my inspiration this time around) and totaled 88 typed pages. The characters were a bit more complex and I started to address mature themes. Quite the challenge for a boy that had barely left the North Country and wasn't even old enough to vote. The experience of drafting and creating these two stories was life-changing. When asked why I spent so much of my time writing these stories, I couldn't give any other answer than, "I love it." My course was set and I graduated high school, bound for the University of New Hampshire and a Bachelor's in English. Here's the odd thing; after four years studying for an undergrad degree, I lost my drive. I lost my love. While the vast majority of my professors were encouraging and supportive there was one that seriously undermined my confidence, and not in a "I'm challenging you to be better" way but a "I really don't like what you write" sort of way. Quite suddenly my thoughts went from, "I love it" to, "Maybe I'm not that good at this." That doubt stayed with me for a long time. I graduated in 2003 and did not write again until 2005. During that time, I was miserable and didn't even realize it. Thanks to the prodding of my father,the steadfast support of my beautiful wife, and the seemingly simple gift of a leather-bound journal, the words came back. I filled the journal, and then another. Forty-three pages of manuscript were slowly wrung from hesitant fingers, but I had started. The final push came when I joined Southern New Hampshire University's MFA in Fiction Writing. The next two years (2007-2009) were spent honing my craft, finding my own voice, and realizing that I could in fact write. The end result is a book I'm proud of, characters I care about, and a story I'm dying to tell. It's written to the best of my ability and with a genuine care for quality. So, with that contradictory audacity we writers seem to possess, I present my words to the world. I have no idea how this is going to turn out, but I'm writing. And I'm happy.