Cecil Castellucci is an author of young adult novels and comic books. Titles include Boy Proof, The Year of the Beasts (illustrated by Nate Powell), First Day on Earth, Rose Sees Red, Beige, The Queen of Cool The Plain Janes and Janes in Love (illustrated by Jim Rugg), Tin Star Stone in the Sky, Odd Duck (illustrated by Sara Varon) and Star Wars: Moving Target: A Princess Leia Adventure. Her short stories have been published in various places including Black Clock, The Rattling Wall, Tor.com, Strange Horizons, Apex Magazine and can be found in such anthologies such as After, Teeth, Truth & Dare, The Eternal Kiss, Sideshow and Interfictions 2 and the anthology, which she co-edited, Geektastic. She is the recipient of the California Book Award Gold Medal for her picture book Grandma's Gloves, illustrated by Julia Denos, the Shuster Award for Best Canadian Comic Book Writer for The Plain Janes and the Sunburst Award for Tin Star. The Year of the Beasts was a finalist for the PEN USA literary award and Odd Duck was Eisner nominated. She splits her time between the heart and the head and lives north and south of everything. Her hands are small. And she likes you very much.

Vivian Vande Velde (born 1951, currently residing in Rochester, New York) is an American author who writes books primarily aimed at young adults. Her novels and short story collections usually have some element of horror or fantasy, but are primarily humorous. Her book Never Trust a Dead Man (1999) received the 2000 Edgar Award for Best Young Adult Novel. She says that she really likes to write for children. She likes to do school talks to children. She does many book conventions and also gives writing classes.

Margo Lanagan, born in Waratah, New South Wales, is an Australian writer of short stories and young adult fiction. Many of her books, including YA fiction, were only published in Australia. Recently, several of her books have attracted worldwide attention. Her short story collection Black Juice won two World Fantasy Awards. It was published in Australia by Allen & Unwin and the United Kingdom by Gollancz in 2004, and in North America by HarperCollins in 2005. It includes the much-anthologized short story "Singing My Sister Down". Her short story collection White Time, originally published in Australia by Allen & Unwin in 2000, was published in North America by HarperCollins in August 2006, after the success of Black Juice.

Annette Curtis Klause broke new ground in young adult literature with The Silver Kiss, a book that is at once "sexy, scaring, and moving," according to Roger Sutton writing in the Bulletin of the Center for Children's Books. A vampire love story, Klause's first novel is a darkly seductive thriller with heart and message. Born in Bristol, England, in 1953, Klause became fascinated with grisly things at an early age. "My mother read and sang to me," Klause explained. "But my daddy used to sit me on his lap and tell me the plots to gangster and monster movies. I knew all about Boris Karloff, Bela Lugosi, Jimmy Cagney, and Edward G. Robinson before I ever saw any of their movies." Her father also let her speak to Willoughby, an imaginary little boy who lived down his throat. When she was seven, Klause and her family moved north to Newcastle-upon-Tyne. She recalls that her first experience with creative writing occurred when she was incapacitated with a twisted ankle at age eight or nine. Klause wrote a poem about her mother ironing and decided from then on to save all her poems in a notebook. Soon she was writing and illustrating her own books, mostly about a cat and the kittens she has. At age ten she and a neighborhood friend began making up plays and performing them on a tape recorder. "The plays usually involved some kind of humorous mistake," Klause recalled, "like a woman calling up a plant nursery instead of a nursery school for her child." It was also about this time when Klause wrote her first (unpublished) bit of horror, The Blood Ridden Pool of Solen Goom. Each of the chapters ended with ". . . and more blood flowed into the blood ridden pool of Solen Goom." Increasingly she read fantasy and science-fiction books, in addition to Mark Twain and, as she got older, the beatnik books of Jack Kerouac. "I wanted desperately to be a beatnik," she remembered. She also read her first vampire book at age fourteen: Jane Gaskell's The Shiny Narrow Grin, which was Klause's initial inspiration for her first novel many years later. "I was smitten by the pale young man who appeared in a few suspenseful scenes," Klause related, "and became mesmerized with the whole concept of vampires." Initially, Klause responded to this fascination by writing poetry, which she described as "a pretentious, over-written, dreadful sequence of poems interspersed with prose called The Saga of the Vampire[also unpublished]." These early writings would later become invaluable for Klause when she set out on the journey of her first novel. Klause's life was distinctly changed when she was fifteen and her father moved the family to Washington, DC, for career reasons. In high school Klause continued writing poetry. After finishing college in 1976, Klause went on to graduate school in library science. She took poetry workshops in college, but poetry was soon replaced by short stories once she graduated and started working in libraries. Klause began sending her work out to magazines, collecting numerous rejection letters. Several of her poems and a short story were published in anthologies and small magazine reviews, but it took several years of concerted effort to find her voice and her audience. "I finally took a writing workshop with Larry Callen, a well-known children's writer," Klause noted. "I knew I wanted to write for young people. I'm still working through my own adolescence, so it seemed appropriate. I continued with further ones. I still go to the writing group Larry Callen introduced me to, and often chuckle about how an idea or action will affect the people in my group even as I am writing." Klause soon graduated from short stories, and with the help and encouragement of Callen, set to work on a novel. "I wanted to write for teenagers, so I thought back to what I liked to read at that age. In a way, I stole from myself with The Silver Kiss, because I looked at my old writing notebooks and found the vampire poem I had written as a t

David Almond is a British children's writer who has penned several novels, each one to critical acclaim. He was born and raised in Felling and Newcastle in post-industrial North East England and educated at the University of East Anglia. When he was young, he found his love of writing when some short stories of his were published in a local magazine. He started out as an author of adult fiction before finding his niche writing literature for young adults. His first children's novel, Skellig (1998), set in Newcastle, won the Whitbread Children's Novel of the Year Award and also the Carnegie Medal. His subsequent novels are: Kit's Wilderness (1999), Heaven Eyes (2000), Secret Heart (2001), The Fire Eaters (2003) and Clay (2005). His first play aimed at adolescents, Wild Girl, Wild Boy, toured in 2001 and was published in 2002. His works are highly philosophical and thus appeal to children and adults alike. Recurring themes throughout include the complex relationships between apparent opposites (such as life and death, reality and fiction, past and future); forms of education; growing up and adapting to change; the nature of 'the self'. He has been greatly influenced by the works of the English Romantic poet William Blake. He is an author often suggested on National Curriculum reading lists in the United Kingdom and has attracted the attention of academics who specialise in the study of children's literature. Almond currently lives with his family in Northumberland, England. Awards: Hans Christian Andersen Award for Writing (2010).

Cynthia Leitich Smith is a best-selling, award-winning children’s-YA writer, writing teacher, a NSK Neustadt Laureate, and the author-curator of the Native-centered Heartdrum imprint at HarperCollins Children’s Books. Her latest book is the YA novel HARVEST HOUSE, an Indigenous ghost mystery, which has so far received three starred reviews. She looks forward to the release of MISSION ONE: THE VICE PRINCIPAL PROBLEM (Book 1 of THE BLUE STARS graphic novel, middle grade series), co-authored by Kekla Magoon and illustrated by Molly Murakami. Cynthia’s recent releases include her middle grade anthology ANCESTOR APPROVED: INTERTRIBAL STORIES FOR KIDS and her middle grade novel SISTERS OF THE NEVERSEA. ANCESTOR APPROVED received four starred reviews and is the winner of the Reading the West Young Readers Book Award, a Junior Library Guild Gold Standard Selection, an ALA Children’s Notable Book and a Kids Indie Next List Pick. It also was named to the ILA, Kirkus Reviews, Chicago Public Library, NY Public Library, Shelf Awareness, and Bank Street Best Books of 2021 lists. SISTERS OF THE NEVERSEA received six starred reviews and was named to summer reading lists by the Minneapolis Star Tribune, Kirkus Reviews and Publishers Weekly. It also named to the Publishers Weekly, Kirkus Reviews, Chicago Public Library, American Indians in Children’s Literature; Politics & Prose, and Parents Magazine Best Books of 2021 lists. Her debut picture book, JINGLE DANCER, illustrated by Cornelius Van Wright and Ying-Hwa Hu, is widely considered a modern classic. Her debut tween novel RAIN IS NOT MY INDIAN NAME was named one of the 30 Most Influential Children’s Books of All Time by Book Riot, which in addition listed her among 10 Must-Read Native American Authors. She also was named Writer of the Year by Wordcraft Circle of Native Writers and Storytellers for RAIN IS NOT MY INDIAN NAME and won the American Indian Youth Literature Award for Young Adult Books for HEARTS UNBROKEN, which also was named to YALSA’s Amelia Bloomer list and received the Foreword Reviews Silver Medal in Young Adult Fiction. In addition, Cynthia is the New York Times and Publishers Weekly bestselling YA author of the TANTALIZE series and FERAL trilogy. Cynthia lives in Austin, Texas, and is a citizen of the Muscogee Nation. The Austin chapter of SCBWI has instituted the Cynthia Leitich Smith Mentor Award in her honor, and Cynthia is a member of the Texas Institute of Letters. She also serves on the faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults, where she was named the inaugural Katherine Paterson Endowed Chair. Plus, Cynthia coordinates and leads the annual We Need Diverse Books Native Writing Intensive. Cynthia holds a bachelor’s degree in journalism from the University of Kansas, Lawrence and a J.D. from The University of Michigan Law School in Ann Arbor. She studied law abroad at Paris-Sorbonne University.

Matt Phelan made his illustrating debut with Betty G. Birney’s The Seven Wonders of Sassafras Springs (Atheneum/Simon & Schuster). Since then he has illustrated many picture books and novels for young readers, including Where I Live by Eileen Spinelli (Dial), Very Hairy Bear by Alice Schertle (Harcourt), and The Higher Power of Lucky by Susan Patron (Simon & Schuster) winner of the 2007 Newbery Medal. Matt studied film and theater in college with the goal of one day writing and directing movies. But his first love was always drawing, and the more he saw the wonderful world of children’s books, the more he realized that this was the place for him. Being an illustrator is in many ways like being an actor, director, cinematographer, costumer, and set designer rolled into one. Matt writes: “I have a fascination with the decade of the 1930s. The movies were learning to talk (and in the case of King Kong, growl), the music was beginning to swing, and the nation was thrown into tremendous turmoil. On one hand, you see a level of suffering documented in the dramatic and gritty photography of Dorothea Lange and Walker Evans. On the other hand, consider what the American public was flocking to see in the movie theaters: the glamour and grace of Fred Astaire and Ginger Rogers dancing in a series of perfect musicals. For my first book as both writer and illustrator (coming in 2009 by Candlewick Press), I naturally gravitated to this complex decade, specifically the strange world of the Dust Bowl.”