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Sigmund Freud and Lou Andreas-Salome Letters book cover
Sigmund Freud and Lou Andreas-Salome Letters
1972
First Published
3.96
Average Rating
244
Number of Pages
Freud’s letters contain revealing commentaries on his working methods, his concept of narcissism, and his interpretation of Moses, and they treat the themes that preoccupied him in old age: death, religion, war. Frau Andreas’s topic include her relationship to Rilke, and her reaction to his death, and the psychology of the artist. Lou Andreas-Salomé (1861-1937) was a writer and disciple of Freud who became a practicing analyst. For over two decades she and Freud kept up an intensive correspondence. Freud found in her a perceptive appreciater and amplifier of his ideas, and Frau Andreas found him a sympathetic critic of her own. Their exchanges on theoretical topics and clinical experiences, their admiring friendship, and the glimpses of their personalities make this collection invaluable for readers interested in the history of psychoanalysis. The book includes an introduction and notes by Ernst Pfeiffer, Lou Andreas-Salomé’s literary executor.
Avg Rating
3.96
Number of Ratings
55
5 STARS
40%
4 STARS
33%
3 STARS
18%
2 STARS
2%
1 STARS
7%
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Author

Lou Andreas-Salomé
Lou Andreas-Salomé
Author · 14 books

Lou Andreas-Salomé (née Louise von Salomé or Luíza Gustavovna Salomé) was born in St. Petersburg, Russia to parents of French Huguenot and northern German descent. Her diverse intellectual interests led to friendships with an astounding array of luminaries, including Nietzsche, Wagner, Freud, and Rilke. Andreas-Salomé was a prolific author, writing several plays, essays and more than a dozen novels. It was Andreas-Salome who began calling Rilke "Rainer" instead of "René." Her Hymn to Life so deeply impressed Nietzsche that he was moved to set it to music. She was one of the first female psychoanalysts (a career she maintained until a year before her death) and also one of the first women to write on female sexuality. Her book, Lebensrückblick, written toward the end of her life, is based on her memories as a liberated woman.

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