Note: Alternate cover for this ISBN can be found [here](https://www.goodreads.com/book/show/13640651-sin-city-vol-1). Worth dying for. Worth Killing for. Worth going to hell for. Amen. It's a lousy room in a lousy part of a lousy town. But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame... The first volume of the crime-comic megahit that introduced the now-infamous character Marv and spawned a blockbuster film returns in a newly redesigned edition, with a brand-new cover by [Frank Miller](https://www.goodreads.com/author/show/15085.Frank_Miller "Frank Miller")—some of his first comics art in years! With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece! [Frank Miller](https://www.goodreads.com/author/show/15085.FrankMiller "Frank Miller") (1957–) is an American writer, artist & film director, notable for the singular works product of his unique and sometimes twisted mind. He is as famous as he his infamous for his film noir-style comic book stories. Besides being one of the most widely-recognized and popular creators in comics, he is also one of the most influential comics creators of his generation. His most notable works include ['Sin City' (1991)](https://www.goodreads.com/book/show/392297.SinCity1991 "'Sin City' (1991)"), ['The Dark Knight Returns' (1986)](https://www.goodreads.com/book/show/59960.TheDarkKnightReturns1986 "'The Dark Knight Returns' (1986)"), ['Batman Year One' (1987)](https://www.goodreads.com/book/show/59980.BatmanYearOne1987 "'Batman Year One' (1987)") and ['300' (1999)](https://www.goodreads.com/book/show/59952.3001999 "'300' (1999)")._ Edition MSRP: $17⁰⁰ US (ISBN 1-59307-293-7) Printed in Canada

Because of a shocking ending to the first Sin City book, many people wondered how successful Frank Miller could be with future tales of his no-holds-barred city noir. Enter Dwight McCarthy, a clean-living photographer who tries to avoid trouble because he knows what he's capable of. His tactics don't do him much good when a girl from his past (who he can't say no to) shows up and professes her love for him. When he finds out she's in way over her head, it looks as though trouble has found him. What's going to happen? You guessed it: people get hurt.

With The Big Fat Kill Frank Miller is at it again with another comics packed with guns, lovers, losers, and surprises. In Sin City's Old Town, the prostitutes run the show. "The cops stay out. That leaves the girls free to keep the pimps and the mob out." Sounds like an OK place, right? It is until a pushy, loud-mouthed guy who has had one too many drinks comes into Old Town and gets himself killed by the ladies. When they find out who he is, they realize that "it'll be war. The streets will run red with blood. Women's blood."

In a Sin City short story, "The Babe Wore Red," Frank Miller deviated from his stark black-and-white artwork by adding tiny bits of color throughout the story. The girl's dress was red, her lips were red—you get the picture. In That Yellow Bastard, the fourth Sin City graphic novel, Miller's experiment with yellow ink is also a tremendous success. The setup is simple. On the last day before he retires, Hartigan, an old cop, gets a call about an 11-year-old girl who has been kidnapped by a lunatic. Hartigan has got just one more thing to do before he retires: save the girl. Saving her is the easy part, because Hartigan has uncovered something really bad that is not going to stop until it catches up with him. That Yellow Bastard is nerve-racking to the very end.

Darkwood vam predstavlja jedan od najpoznatijih američkih strip-serijala. Objavljivanje Grada greha započinjemo od pete knjige, tamo gde je stao prethodni izdavač. U petoj knjizi vas očekuju dobro poznati (anti)junaci iz Sin Sitija. Dvajt, Gejl, Miho… devojke iz Starog grada u kome važe posebna pravila i u kom se drži do porodičnih vrednosti! Gospodo, živimo u velikom i širokom svetu. Svakakvih porodica ima u njemu…

Kažu da je šesta knjiga pravo mesto da uskočite voz zvani Sin Siti, ukoliko već odavno ne putujete njim. Šesta knjiga Grada greha – Cuga, cice i cevi – donosi niz kratkih i efektnih priča, napisanih bez ograničenja. Milerovski! Takođe, u ovoj knjizi vas očekuju i autuorovi grafički eksperimenti sa bojama, koje se razlivaju po prepoznatljivom crno-belom mizanscenu.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come—until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share. \—Rob Lightner

“The Night is hot as Hell.” With these six scrappy words, comics wunderkind Frank Miller ushered in a scrappy new hero in a scrappy new series with a scrappy young publishing company, breaking all the conventional rules and in the process revolutionizing the world of so-called funnybooks. In 1991, when Miller introduced Sin City in the comic book pages of Dark Horse Presents, he brought crime fiction back to an industry dominated for decades by superheroes, and his groundbreaking brand of neo-noir, complete with bad guys, badder girls, and the baddest cars, hit like a bulldozer, changing the course for generations of cartoonists, authors, and filmmakers to come—and, most importantly, for the millions of readers who braved the boundaries of Basin City and never once looked back. In the years since, Sin City has spawned a total of seven graphic novels, all written and drawn by Frank Miller himself, winning every conceivable industry award along the way and resulting in two sensational movies, co-directed by Miller with Robert Rodriguez. All seven Sin City yarns are collected here, in this one monster volume, suitable for home defense—over 1300 big damn pages of unmatched intensity in which no corner of Basin City is left unturned and no bloody deed is left undone. With larger-than-life tales of Marv's hard goodbye, Dwight's deadly dame to kill for, and Hartigan's brawl with that yellow bastard, among others, Frank Miller's Sin City books make up the biggest, baddest crime saga in comics history, and Big Damn Sin City is the perfect way to jump right into the whole darn shootin' match!