Part of Series
He was the most profligate rogue in London, but Sinjin St. John, Duke of Seth, had never met a lady who could bring him to his knees...until Chelsea Fergusson slipped into his carriage, begged him to grant one small favor—and forever changed his life! He tried to act the gentleman with the delectable minx, but Chelsea needed the rake in him to save her from marriage to a man she didn't love. When she moved impulsively into his arms, desperate to persuade him to help her, Sinjin felt his pursuit of pleasure and his passion for his racing stables pale beside his sudden, fierce longing to possess her. Swept by sensation and an outrageous wager into unexpected ecstasy, Chelsea lost her heart to a man who vowed he'd never be trapped into marriage—not even for love. But undaunted by the challenge of seducing Sinjin into admitting he wanted her, Chelsea dared him to satisfy his hunger—all the while insisting she wanted no promise of always. Could a spirited vixen who trained and secretly raced thoroughbreds rein in the most eligible bachelor in England?
Author
And it all began rather serendipitously. Long ago, as they say, in another time, when fast food hadn't reached our area and the only shopping was what the feed mill offered, I was reading a book that annoyed me . My husband was lying beside me in bed, watching TV. Turning to him, I sort of petulantly said, "How the hell did this book get published?" "If you think you're so smart," he replied, with one eye still on the TV, "why don't you write a book?" So I did. And very badly. I've since learned how to do, he said, she said, and a great variety of other adverb heavy, sometimes lengthy explanations of why my characters are saying what they're saying, along with finally coming to an understanding of what things like POV means. Point of View for you non-writers}. Although, I still don't fully comprehend why it matters if you switch POV and I cavalierly disregard it as much as possible. So while my technical skills have hopefully improved, what hasn't changed is my great joy in writing. There's as much pleasure today in listening to my characters talk while I type as fast as I can, as there was the first time I put dialogue to paper—in long-hand, then, in my leather bound sketch-book.
