The poems collected in Snow Water find their gravity and centre in Michael Longley's adopted home in west Mayo, but range widely in their attention - from ancient Greece to Paris and Pisa, from Central Park to the trenches of the Somme. Meditations on nature and mortality, there is a depth and delicacy to these poems, a state of lucid wonder, that allows for the easy companionship of love poem and elegy, hymns to marriage and friendship and lyric explorations of loss. Though the embodiment of these themes is often found in the wildlife of Carrigskeewaun and Allaran Point - the plovers and oystercatchers, whooper swans and snow geese, the hares and otters, the marsh marigolds and yellow flags - Snow Water is emphatically a celebration of humanity. These are all, in a way, poems of love and kinship - even the magnificent sequence that links the horrors of the Great War with those of the Trojan War, and with all the wars between. What Longley says of Edward Thomas might easily be said of him: 'The nature poet turned into a war poet as if/ He could cure death with the rub of a dock leaf'. Full of intensity and grace, tenderness and wisdom, these are poems of deceptive simplicity from a craftsman of international stature.
Author
Michael Longley was born in Belfast in 1939, and educated at the Royal Belfast Academical Institution and Trinity College, Dublin, where he earned his degree in Classics. He worked as a schoolteacher in Dublin, London, and Belfast before joining the Arts Council of Northern Ireland, where he served over twenty years as Director for Literature and the Traditional Arts. He is married to the critic Edna Longley and has three children. He has received numerous awards, including the American Irish Foundation Award, the T.S. Eliot Poetry Prize, the Whitbread Prize, and the Hawthornden Prize. He is also the recipient of the prestigious 2001 Queen’s Gold Medal for Poetry.
