Sonka is the story of an old woman, lonely, forgotten, and shunned by her community, until one day a theater director's car breaks down near her house, and an unexpected guest supplies her with the chance to tell her story. And so unfolds her tale of love between an SS officer and a local girl against the backdrop of the Second World War. Everyday chores are threaded with executions, stolen moments in between episodes of abuse, lies are thoughtlessly uttered only to change the worlds and lives of two families forever. He’s proven that he’s an extraordinarily multifaceted writer, one who handles various styles brilliantly. -Robert Ostaszewski Karpowicz is a refined stylist, who skillfully uses the grotesque, irony and humor (unconventional, disarming, often black) to tackle stereotypical ways of thinking about reality. He makes light of patriotic and religious clichés in an intelligent and refined manner. –Polish Book Institute About the Author Ignacy Karpowicz is a Polish writer and translator. His fifth work, Balladyny i romanse, won him the Polityka Passport Prize in 2010. He was previously nominated for this award for his debut novel, Niehalo (2006), and has since been nominated for the Nike Literary Award for Gesty (2009), Balladyny I romanse (2011), osci (2013), and Sonka (2015).
Author
Born 1976, prose-writer, traveler, translator; he made his debut with the novel Uncool (2006), and then published another novel, The Miracle (2007), and a collection of impressions from his journeys around Ethiopia, The Emperor’s New Flower (and Bees) (2007); which was nominated for the POLITYKA Passport; he lives (mainly) in Warsaw. The first part of Ignacy Karpowicz’s debut novel, Uncool, might seem to suggest that we have here another young prose-writer seeking to describe the various miseries of the provincial life, as the author brings us young and frustrated residents of Białystok who have difficulty making ends meet. But the second part of the novel clearly leans toward unhinged, no-holds-barred grotesque, in which the writer opens the floodgates of fantasy (the main protagonist speaks with animated monuments, the city becomes a battleground for various fractions, wallowing in total chaos). In his next novel, The Miracle, Karpowicz has clearly set his money down on the grotesque. The book’s protagonist dies in a car accident, but his body does not decay after death, on the contrary – it maintains a high temperature. The appearance of this unusual corpse throws the lives of the people who encounter it into confusion, and forces them to reevaluate their views on the world. Karpowicz is a refined stylist, who skillfully uses the grotesque, irony and humor (unconventional, disarming, often black) to tackle stereotypical ways of thinking about reality. He makes light of patriotic and religious cliches in an intelligent and refined manner. But Karpowicz is no ordinary provocateur – this mockery is what allows him to gain some distance from the world. In The Emperor’s New Flower Karpowicz tackles reportage. He describes his travels through Ethiopia, giving us some insight into the history, culture and daily life of this exotic country. The author also tries to deconstruct the traditional model of reportage in his book, consciously bending genres, being neither reportage nor novel, but rather a unique sort of travel prose, thus stressing what he sees as the irreducible subjectivity of his descriptions of the country he encounters.
