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Sonnets book cover
Sonnets
1986
First Published
3.84
Average Rating
108
Number of Pages
Walter Benjamin's sonnets, written to mourn his friend Fritz Heinle, constitute an important though little-known part of the philosopher's literary achievement and a unique contribution to the history of the German sonnet. Benjamin would add to their number over a decade, having begun his project soon after the outbreak of World War I and the suicide of his friend. They were among the writings that Benjamin, forced to flee France, entrusted to Georges Bataille in 1940 for safekeeping. Here, for the first time, readers of English are offered translations of all 73 "Heinle sonnets" along with the original German text and an extensive commentary. The Introductory Essay examines the poems' biographical context as well as Benjamin's bold approach to sonnet writing. These poems weave the deeply personal together with Benjamin's evolving religious and philosophical perspective—shedding new light on the emergence of the man and the thinker.
Avg Rating
3.84
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Author

Walter Benjamin
Walter Benjamin
Author · 39 books

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem. As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.

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