Margins
Sonny Baca book cover 1
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Sonny Baca
Series · 4 books · 1995-2005

Books in series

Zia Summer book cover
#1

Zia Summer

1995

Struggling to follow in the footsteps of his legendary lawman grandfather, private eye Sonny Baca is investigating his cousin Gloria's murder. Gloria's body is found drained of blood, and on her stomach has been carved the Zia sun symbol, which makes Sonny suspect witchcraft. His search for the truth pits him in a conflict between the ways of his ancestors and those of the city.
Rio Grande Fall book cover
#2

Rio Grande Fall

1996

While Sonny Baca and friends are enjoying Albuquerque's famed hot air balloon festival, a woman plummets from the sky. Four black feathers surround her body—the calling card of Sonny's nemesis from "Zia Summer", Raven. Raven possesses powers no mortal can match; and Sonny knows that he is the only one who can defeat him. Drawing on his own guardians, and with the help of a "curandera", Sonny risks his life for his city—and the survival of the one he loves the most.
Shaman Winter book cover
#3

Shaman Winter

1999

Famed for capturing the flavor of Hispanic New Mexico, Rudolfo Anaya now plunges his charismatic Sonny Baca into his most fascinating mystery yet. Wheelchair-bound by day, Alburquerque P.I. Sonny Baca is tormented by night with strange One by one, his female ancestors are abducted before his eyes. Soon Sonny learns the worst. His old archenemy, Raven, is controlling the nightmares and planning to destroy Sonny's past. In present-day Alburquerque, the situation is just as Young women are being kidnapped and the only clues are four black feathers. Now Sonny must detect the connection between the spirit world and this all-too-worldly city ...before more lives are lost and even the earth itself is threatened.
Jemez Spring book cover
#4

Jemez Spring

2005

When the governor of New Mexico is found drowned in the Bath House at Jemez Springs, Albuquerque private eye Sonny Baca is called in to investigate. As he soon learns, murder is only the beginning of the evil that Sonny must sort out. Someone has planted a bomb in the Valles Caldera, not far from the Los Alamos National Laboratories, and it is set to detonate in just a few hours. Is this the work of terrorists or is Sonny's old nemesis, Raven, mixed up in the plot? In a race against the clock Sonny encounters ghosts and sorcerers, beautiful women and environmental activists, and developers and politicians who are quarreling over the state's most precious resource, its water. "An extraordinary storyteller."— Los Angeles Times Book Review "Anaya takes the reader beyond detective fiction... His mysteries fall into the criminal and the spiritual, which makes them both inspiring and electrifying."— St. Petersburg Times "Sonny Baca is a fascinating hero with rough edges that serve to add to his charismatic personality."— Edmonton Journal "Anaya, godfather and guru of Chicano literature, proves he's just as good in the murder mystery field."—Tony Hillerman, author of The Sinister Pig

Author

Rudolfo Anaya
Rudolfo Anaya
Author · 31 books

Rudolfo Anaya lives and breathes the landscape of the Southwest. It is a powerful force, full of magic and myth, integral to his writings. Anaya, however, is a native Hispanic fascinated by cultural crossings unique to the Southwest, a combination of oldSpain and New Spain, of Mexico with Mesoamerica and the anglicizing forces of the twentieth century. Rudolfo Anaya is widely acclaimed as the founder of modern Chicano literature. According to the New York Times, he is the most widely read author in Hispanic communities, and sales of his classic Bless Me, Ultima (1972) have surpassed 360,000, despite the fact that none of his books have been published originally by New York publishing houses. His works are standard texts in Chicano studies and literature courses around the world, and he has done more than perhaps any other single person to promote publication of books by Hispanic authors in this country. With the publication of his novel, Albuquerque (1992),Newsweek has proclaimed him a front-runner in "what is better called not the new multicultural writing, but the new American writing." His most recent volume, published in 1995, is Zia Summer. "I've always used the technique of the cuento. I am an oral storyteller, but now I do it on the printed page. I think if we were very wise we would use that same tradition in video cassettes, in movies, and on radio." from http://www.unm.edu/~wrtgsw/anaya.html and http://www.gale.cengage.com/free\_reso...

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