
Part of Series
The conclusion to Ken Liu's chronicle of the Dandelion Dynasty – one of the Greatest Fantasy Series of all Time (Time Magazine). Ukyu-Gondé. Stalked by foes and dogged by betrayal, Princess Théra is pursued across a continent vaster than she could ever have imagined, to the hidden valleys of the World's Edge Mountains, into the barrows and subterranean halls of the City of Ghosts, across the ice floes of the far north. She breached the Wall of Storms intent on taking war to the Lyucu homelands, but how do you conquer the unconquerable? Dara. Empress Jia, Prince Phyro and Pékyu Tanvanaki find themselves bound to paths they never would have chosen. Amid atrocity and subterfuge, they will discover that the Courage of Brutes is no substitute for the Grace of Kings, and that little separates the Grace of Kings from the Madness of Tyrants. On both sides of the Wall of Storms, defeat's bitter tears mix with the fruits of knowledge new and ancient as two empires bound by blood and bone, by writ and iron, by time and custom, face a whirlwind that threatens to utterly consume them. The teeth, as they say, are on the board.
Author

Ken Liu (http://kenliu.name) is an American author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards, as well as top genre honors in Japan, Spain, and France, among other places. Ken's debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards. His debut collection, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. He also wrote the Star Wars novel, The Legends of Luke Skywalker. He has been involved in multiple media adaptations of his work. The most recent projects include “The Message,” under development by 21 Laps and FilmNation Entertainment; “Good Hunting,” adapted as an episode of Netflix's breakout adult animated series Love, Death + Robots; and AMC's Pantheon, which Craig Silverstein will executive produce, adapted from an interconnected series of short stories by Ken. Prior to becoming a full-time writer, Ken worked as a software engineer, corporate lawyer, and litigation consultant. Ken frequently speaks at conferences and universities on a variety of topics, including futurism, cryptocurrency, history of technology, bookmaking, the mathematics of origami, and other subjects of his expertise. Ken is also the translator for Liu Cixin's The Three-Body Problem, Hao Jingfang's Vagabonds, Chen Qiufan's Waste Tide, as well as the editor of Invisible Planets and Broken Stars, anthologies of contemporary Chinese science fiction. He lives with his family near Boston, Massachusetts.