Jim Woodring was born in Los Angeles in 1952 and enjoyed a childhood made lively by an assortment of mental an psychological quirks including paroniria, paranoia, paracusia, apparitions, hallucinations and other species of psychological and neurological malfunction among the snakes and tarantulas of the San Gabriel mountains. He eventually grew up to bean inquisitive bearlike man who has enjoyed three exciting careers: garbage collector, merry-go-round-operator and cartoonist. A self-taught artist, his first published works documented the disorienting hell of his salad days in an “illustrated autojournal” called Jim. This work was published by Fantagraphics Books and collected in The Book of Jim in 1992. He is best known for his wordless comics series depicting the follies of his character Frank, a generic cartoon anthropomorph whose adventures careen wildly from sweet to appalling. A decade’s worth of these stories was collected in The Frank Book in 2004. The 2010 Frank story Weathercraft won The Stranger’s Genius Award and was a finalist for the Los Angeles Times Book Prize for that year. The most recent Frank book, Congress of the Animals, was released in 2011. Woodring is also known for his anecdotal charcoal drawings (a selection which was gathered in Seeing Things in 2005), and the sculptures, vinyl figures, fabrics and gallery installations that have been made from his designs. His multimedia collaborations with the musician Bill Frisell won them a United States Artists Fellowship in 2006. He lives in Seattle with his family and residual phenomena. -Walter Foxglove

Dean Motter is an illustrator, designer and writer who worked for many years in Toronto, Canada, New York City, and Atlanta. Motter is best known as the creator and designer of Mister X, one of the most influential "new-wave" comics of the 1980s. Dean then took up the Creative Services Art Director's post at Time Warner/DC Comics, where he oversaw the corporate and licensing designs of America’s most beloved comic book characters such as Superman, Batman and Wonder Woman. In his off-hours he went on to create and design the highly acclaimed, retro-futuristic comic book series, Terminal City—and its sequels, Aerial Graffiti. and Electropolis.

"Nearly thirty years of writing and editing comics, and this is what I have to show for it." —Randy Stradley, pointing to this biography. More to come, folks!