Kia Asamiya(麻宮 騎亜, born in 1963) is the pen-name of a popular Japanese manga artist whose work spans multiple genres and appeals to diverse audiences (1990s). He is well-known for using influences from American comics, television, and movies in his work, and describes himself as a big fan of both Batman and Star Wars. One of the most widely-published Japanese manga-ka, nearly all of his stories have been translated into other languages, including English. His two most successful and popular manga series to-date are Nadesico and Silent Möbius. Prior to becoming a manga artist, Asamiya graduated from the Tokyo Designer School, and then worked as a character designer for a number of anime series, and even designed models for some of the later Godzilla movies (1980s). For this career, he used a different pen-name, Michitaka Kikuchi (菊地 道隆), and maintained the two professional identities separately for many years. Several of the anime series that he worked on were very popular both inside and outside of Japan, most notably including Sonic Soldier Borgman. Even after focusing primarily on his manga career, Asamiya continued to do character designs and creative consultation on anime series based on his stories, occasionally under the Kikuchi name. In the early 2000s, Asamiya has shifted his focus from teenage and young-adult stories to stories designed for children and for an American audience. In the former case, he credits his young children as a motivation, but in the latter case, he points to a long-standing desire to work with his favorite American characters. To that end, he has worked on projects with Image Comics, Marvel Comics, and DC Comics, as well as developing a manga adaptation of the movie, "Star Wars: The Phantom Menace". While many Japanese artists (and artists in general) are quite reclusive, Asamiya often makes an effort to be available to his fans. He maintains a website with news and information about his studio, Studio TRON (named after the Disney movie TRON). He also aids and assists his Official Fan Club by sending them regular announcements and limited-edition merchandise. Despite these actions, he shunned all public photography, and had the often-hilarious habit of depicting himself with a placeholder sign for a face. It has become a trademark feature of his books that instead of a picture of the artist, there is an elaborately decorated rectangle sporting the words "Now Printing".

Ennis began his comic-writing career in 1989 with the series Troubled Souls. Appearing in the short-lived but critically-acclaimed British anthology Crisis and illustrated by McCrea, it told the story of a young, apolitical Protestant man caught up by fate in the violence of the Irish 'Troubles'. It spawned a sequel, For a Few Troubles More, a broad Belfast-based comedy featuring two supporting characters from Troubled Souls, Dougie and Ivor, who would later get their own American comics series, Dicks, from Caliber in 1997, and several follow-ups from Avatar. Another series for Crisis was True Faith, a religious satire inspired by his schooldays, this time drawn by Warren Pleece. Ennis shortly after began to write for Crisis' parent publication, 2000 AD. He quickly graduated on to the title's flagship character, Judge Dredd, taking over from original creator John Wagner for a period of several years. Ennis' first work on an American comic came in 1991 when he took over DC Comics' horror title Hellblazer, which he wrote until 1994, and for which he currently holds the title for most issues written. Steve Dillon became the regular artist during the second half of Ennis' run. Ennis' landmark work to date is the 66-issue epic Preacher, which he co-created with artist Steve Dillon. Running from 1995 to 2000, it was a tale of a preacher with supernatural powers, searching (literally) for God who has abandoned his creation. While Preacher was running, Ennis began a series set in the DC universe called Hitman. Despite being lower profile than Preacher, Hitman ran for 60 issues (plus specials) from 1996 to 2001, veering wildly from violent action to humour to an examination of male friendship under fire. Other comic projects Ennis wrote during this time period include Goddess, Bloody Mary, Unknown Soldier, and Pride & Joy, all for DC/Vertigo, as well as origin stories for The Darkness for Image Comics and Shadowman for Valiant Comics. After the end of Hitman, Ennis was lured to Marvel Comics with the promise from Editor-in-Chief Joe Quesada that he could write The Punisher as long as he cared to. Instead of largely comical tone of these issues, he decided to make a much more serious series, re-launched under Marvel's MAX imprint. In 2001 he briefly returned to UK comics to write the epic Helter Skelter for Judge Dredd. Other comics Ennis has written include War Story (with various artists) for DC; The Pro for Image Comics; The Authority for Wildstorm; Just a Pilgrim for Black Bull Press, and 303, Chronicles of Wormwood (a six issue mini-series about the Antichrist), and a western comic book, Streets of Glory for Avatar Press. In 2008 Ennis ended his five-year run on Punisher MAX to debut a new Marvel title, War Is Hell: The First Flight of the Phantom Eagle. In June 2008, at Wizard World, Philadelphia, Ennis announced several new projects, including a metaseries of war comics called Battlefields from Dynamite made up of mini-series including Night Witches, Dear Billy and Tankies, another Chronicles of Wormwood mini-series and Crossed both at Avatar, a six-issue miniseries about Butcher (from The Boys) and a Punisher project reuniting him with artist Steve Dillon (subsequently specified to be a weekly mini-series entitled Punisher: War Zone, to be released concurrently with the film of the same name). Taken from: http://en.wikipedia.org/wiki/Garth\_Ennis

Edginton sees part of the key to his success coming from good relationships with artists, especially D'Israeli and Steve Yeowell as well as Steve Pugh and Mike Collins. He is best known for his steampunk/alternative history work (often with the artist D'Israeli) and is the co-creator of Scarlet Traces, a sequel to their adaptation of H.G. Wells' The War of the Worlds. With 2000 AD we has written Leviathan, Stickleback and, with art by Steve Yeowell, The Red Seas as well as one-off serials such as American Gothic (2005). His stories often have a torturous gestation. Scarlet Traces was an idea he had when first reading The War of the Worlds, its first few instalments appeared on Cool Beans website, before being serialised in the Judge Dredd Megazine. Also The Red Seas was initially going to be drawn by Phil Winslade and be the final release by Epic but Winslade was still tied up with Goddess and when ideas for replacement artists were rejected Epic was finally wound up - the series only re-emerging when Edginton was pitching ideas to Matt Smith at the start of his 2000 AD career. With D'Israeli he has created a number of new series including Stickleback, a tale of a strange villain in an alternative Victorian London, and Gothic, which he describes as "Mary Shelley's Doc Savage". With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh. He is currently working on a dinosaurs and cowboys story called Sixgun Logic. Also as part of Top Cow's Pilot Season he has written an Angelus one-shot. http://comicbookdb.com/creator.php?ID... http://en.wikipedia.org/wiki/Ian\_Edgi...

Nathan P. Butler is a high school teacher by profession. He graduated from the University of Evansville in southern Indiana with a BS in Secondary Education in 2002 and soon began teaching in the Atlanta Metro area. In 2009, he completed graduate work through Walden University to earn an MS in Education with a specialization in Integrating Technology in the Classroom. He is also certified by the College Board to teach their Advanced Placement World History course. Butler is likely best known as the writer of the Star Wars story Equals and Opposites (2004) in Dark Horse Comics’ Star Wars Tales, which has been reprinted in collected form and also released with two action figures, based on the story, through Hasbro. He has also made other minor contributions to the Star Wars mythos, most notably including the development of in-universe dates for several historical maps in Star Wars: The Essential Atlas by Daniel Wallace and Jason Fry. In 2009, Butler joined Grail Quest Books to write two Earther faction novellas (Healers and Hunters and On Red Soil) for the WARS: The Battle of Phobos series, based on the Decipher, Inc. science fiction property. In 2006 and 2009, Butler self-published the original versions of his novella Echoes and the Greater Good novel. Beginning in 2011, new editions were developed for both, and they are now seeing professional release through Grail Quest Books in 2012 and 2013. Originally from Evansville, Indiana, he now lives in the Atlanta area with his two cats and is engaged to his fellow sci-fi fan and sweetheart, Jodi. He currently teaches Advanced Placement World History and regular World History at Creekside High School in Fairburn, Georgia.

Marz is well known for his work on Silver Surfer and Green Lantern, as well as the Marvel vs DC crossover and Batman/Aliens. He also worked on the CrossGen Comics series Scion, Mystic, Sojourn, and The Path. At Dark Horse Comics he created Samurai: Heaven and Earth and various Star Wars comics. He has also done work for Devil’s Due Publishing’s Aftermath line, namely Blade of Kumori. In 1995, he had a brief run on XO-Manowar, for Valiant Comics. Marz’s more recent works includes a number of Top Cow books including Witchblade and a Cyberforce relaunch. For DC Comics, he has written Ion, a 12 part comic book miniseries that followed the Kyle Rayner character after the One Year Later event, and Tales of the Sinistro Corps Presents: Parallax and Tales of the Sinestro Corps Presents: Ion, two one-shot tie-ins to the Green Lantern crossover, The Sinestro Corps War. His current creator owned projects include “Dragon Prince” (Top Cow) and “Samurai : Heaven and Earth” (Dark Horse). Photo by Luigi Novi.

Jim Woodring was born in Los Angeles in 1952 and enjoyed a childhood made lively by an assortment of mental an psychological quirks including paroniria, paranoia, paracusia, apparitions, hallucinations and other species of psychological and neurological malfunction among the snakes and tarantulas of the San Gabriel mountains. He eventually grew up to bean inquisitive bearlike man who has enjoyed three exciting careers: garbage collector, merry-go-round-operator and cartoonist. A self-taught artist, his first published works documented the disorienting hell of his salad days in an “illustrated autojournal” called Jim. This work was published by Fantagraphics Books and collected in The Book of Jim in 1992. He is best known for his wordless comics series depicting the follies of his character Frank, a generic cartoon anthropomorph whose adventures careen wildly from sweet to appalling. A decade’s worth of these stories was collected in The Frank Book in 2004. The 2010 Frank story Weathercraft won The Stranger’s Genius Award and was a finalist for the Los Angeles Times Book Prize for that year. The most recent Frank book, Congress of the Animals, was released in 2011. Woodring is also known for his anecdotal charcoal drawings (a selection which was gathered in Seeing Things in 2005), and the sculptures, vinyl figures, fabrics and gallery installations that have been made from his designs. His multimedia collaborations with the musician Bill Frisell won them a United States Artists Fellowship in 2006. He lives in Seattle with his family and residual phenomena. -Walter Foxglove

Rubio studied theater and photography throughout his high school years in California, and made his directorial debut at the age of 17 with a stage adaptation of Robert Redford’s Ordinary People. He spent the next two years directing musical theater in such productions as You’re a Good Man Charlie Brown and Joseph and the Amazing Technicolor Dream Coat, earning several awards for these productions. From 1984 - 1988, he apprenticed in the field of lighting, set design, and directing under George Costa, director of the San Jose Civic Light Opera House. In 1988, Rubio attended Long Beach State University with a major in film. He almost graduated in 1991 and spent the next three years doing various production jobs. In 1992, Rubio wrote and directed Re-Animation, an animated Frankenstein short that attracted the attention of the Fox Kids Network. Based on the strength of the short, Rubio was hired to design animated characters for their Saturday morning line-up, and eventually headed up their cel animation art department. In 1996, Rubio produced his first feature film, the low-budget Movies ‘til Dawn, but his biggest success to date came in 1997 with the internet release of Troops, a Star Wars/COPS parody that has been credited with starting the Internet short film craze. The film was later recognized by Lucasfilm with the Pioneer Award at the 2002 Official Star Wars Fan Film Awards. Rubio has made a living since as a freelance writer and award-winning promotion producer, and has written comic books for Dark Horse's successful Star Wars Tales line. In 2001, Lucasfilm asked Rubio to create a two-part original comedic story for the Star Wars comic line, and he delivered "Tag and Bink Are Dead", which has gone on to critical and financial success. His compilation trade paperback: "Tag and Bink Were Here" was named one of the top trade paperback books of 2006 by The American Library Association. His list of writer/director credits includes a pilot presentation for the Sci-Fi Channel (Alien Hunter - a sort of Crocodile Hunter in space), Colossor (a pilot for MTV), Action Man for Fox Kids, and Storm Watch, a pilot for the USA Network. In 2006, Rubio was inducted into the 501st Legion as an honorary member during the 501st dinner at Comic Con International in San Diego. In 2007, Rubio was contracted by G4 to help integrate Attack of the Show with an online webcam from the site Stickam. He can be seen on the aots webcam talking to fans. In 2015, Rubio released a Star Wars fan film titled Ackbar's Eleven.

Lovern was born in the small town of Arborg, Manitoba in 1954. His father was a partner in a small trucking company and his mother waited and managed for the local Canadian Legion. The first house his family owned was a converted chicken coop without running water and equipped with an outhouse. Lovern graduated from Arborg Collegiate in 1972 and enrolled at Red River Community College, where he attended the first year of their Advertising Art course. The following year, he entered the work force as a printer’s assistant at Bulman Brothers Printing. After several years as a printer he quit his job and enrolled in the Fine Arts program at the University of Manitoba in 1982. He graduated with a Bachelor of Fine Art, Honours and started his first work in the comic book industry as George Freeman’s assistant. Lovern eventually won representation by Star Reach Agency and found colour work at 1st Comics on the Elric series. Shortly after he completed a try out book at DC Comics. Lovern was engaged by DC to develop a look and colour for the book John Constantine: Hellblazer, which was to become a flagship title for the Vertigo imprint. Lovern, with the aid of his cousin Christopher Chuckry developed a computer colouring method with the use of Photoshop and started a company called Digital Chameleon. Their method redefined production in the entire comic book industry and graphic field. While residing over Digital Chameleon as creative director Lovern had his first comic book story published. He wrote and coloured the short story, “So This Is Christmas”, which was illustrated by Tim Sale for the benefit book Within Our Reach” published by Marvel and Star Reach. Lovern went on to write Agents of Law for Dark Horse Comics and the Victorian for Penny Farthing Press. In 1997 he wrote, “Tarzan: Le Monstre” for Dark Horse Comics and was nominated as best writer based on the six issues those stories spanned. Since then Lovern has written several other comic books and contributed short prose pieces to several anthologies. In 2011 Lovern signed a deal with Renegade Arts Entertainment to colour the graphic novel, “The Loxleys & the War of 1812.” Shortly after that he signed the deal with that publishers to put his creator owned series, “Shame” into print. Shame was followed by the graphic novel, “Underworld” and this year the “Shame” hardcover collection will be released. Lovern is presently working on “Necromantic” a new creator owned series from Renegade Arts Entertainment.

aka David Peters Peter Allen David (often abbreviated PAD) is an American writer, best known for his work in comic books and Star Trek novels. David often jokingly describes his occupation as "Writer of Stuff". David is noted for his prolific writing, characterized by its mingling of real world issues with humor and references to popular culture. He also uses metafiction frequently, usually to humorous effect, as in his work on the comic book Young Justice.