Part of Series
Shackled and dressed in a neon orange jumpsuit, art thief Cassie Sinatore awaits extradition at Heathrow Airport. An accident with a nearby experimental radar plane throws Cassie back in time, dumping her in a wooded countryside. The rider who discovers her is charismatic, more compelling than any man she has ever met. She chalks up the man’s Regency outfit and odd behavior to the eccentricity of the rich. Or maybe he is just a nutbar, but the man is offering a ride. Lord Ross Kerrington, the new Earl of Drayton, having returned from the wars in 1815, finds the Kerrington family in turmoil, lunatic women who make him consider returning to the army. The alluring woman he discovers in the estate’s Greyfield Woods strikes him as equally mad. The woman wears bizarre attire, acting with a peculiar cheekiness that borders on insolence. Considering the very real dangers a madwoman faces encountering the surrounding inhabitants, he decides to bring her home to safety until he can decide what to do with her. Unexpectedly, his family has other ideas. Faced with the realization she is trapped 200 years in the past, Cassie resolves to win her independence using her cat-burglar skills. Then things get complicated. Against her will, she finds herself caring about the Kerrington family, fighting a powerful attraction to the very proper Ross. Dependent on the Kerringtons’ good will, Cassie finds it increasingly difficult to navigate London society, the family, and even more, her growing passion for Ross. Besides, someone is trying to kill him.
Author
I started writing historical romances on a dare. One day I couldn't find anything new to read and Joy, the love of my life, suggested a romance, Jude Deveraux's The Princess. I enjoyed it and started reading more. I realized that most of the SF, comedy, Historicals, and mystery books I liked had a romance in them: the Dorsai series, the four volume Man of his Word fantasy series, The Sebasitan St. Cyr series, The Dog Tails, even P.G.Woodhouse's Leave it to Psmith and Richard Powell's comedy Don Quixote, U.S.A. I have been a Napoleonic enthusiast since I was young, so the Regency period appealed to me. I read a few excruciatingly bad romances, amazed that they'd been published. So one day, I said, "I can write better than this" as I flung one such book in the trash. Joy gave me that look of hers. "So, why don't you?" The rest is history...romances. I found the Romance genre quite a challenge. I discovered there is a lot more to them than flowery words and kissing. Who knew? I chose the time travel romances because it allows me to show the contrasts between time periods in a way a straight-forward historical can't. So much of a period's culture is common knowledge and often unconscious. No one would think to describe or discuss universally shared beliefs and conventions. It's rather unnatural to have characters discuss such things.It is hard to avoid information dumps. But put some one in that culture from another time and contrasts and culture shock ensue. I find it a lot of fun, though I enjoy writing ‘straight’ historical and contemporary romances too. I also chose time travel stories because of a personal frustration of mine. In too many novels, the time traveler realizes they have traveled in time one page after it happens and accepts the fact in the next paragraph. I try for a more realistic approach to such an cataclysmic event. I write because it is fun, hard work to be sure, but enjoyable. My wife provides a lot of inspiration. My goal is a simple one: Provide an entertaining reading experience.
