In regards to Fritz Leiber, I believe that publication of such unpublished and uncollected works only strengthens his literary greatness. Through fragments, drafts and practice writings, we can clearly see the evolution from Leiber, the amateur, to Leiber, the professional. We are exposed to the clear way in which he dedicated his life to the written word and trained his abilities to produce the award-winning masterpieces that we read even today. While some may object to such a volume, I ask them this—is not the dream just as important as the empire that had been built from it? Are not the blueprints and sketches as impressive as the buildings and the artwork? We must place all this into perspective, and see that publishing such works is not a smear upon Leiber’s legacy. Rather, it completes a full circle. If we are asked to be thorough in the biography of an individual, then we must also do so for their bibliography. — Benjamin Szumskyj, from his Introduction
Author
Fritz Reuter Leiber Jr. was one of the more interesting of the young writers who came into HP Lovecraft's orbit, and some of his best early short fiction is horror rather than sf or fantasy. He found his mature voice early in the first of the sword-and-sorcery adventures featuring the large sensitive barbarian Fafhrd and the small street-smart-ish Gray Mouser; he returned to this series at various points in his career, using it sometimes for farce and sometimes for gloomy mood pieces—The Swords of Lankhmar is perhaps the best single volume of their adventures. Leiber's science fiction includes the planet-smashing The Wanderer in which a large cast mostly survive flood, fire, and the sexual attentions of feline aliens, and the satirical A Spectre is Haunting Texas in which a gangling, exo-skeleton-clad actor from the Moon leads a revolution and finds his true love. Leiber's late short fiction, and the fine horror novel Our Lady of Darkness, combine autobiographical issues like his struggle with depression and alcoholism with meditations on the emotional content of the fantastic genres. Leiber's capacity for endless self-reinvention and productive self-examination kept him, until his death, one of the most modern of his sf generation. Used These Alternate Names: Maurice Breçon, Fric Lajber, Fritz Leiber, Jr., Fritz R. Leiber, Fritz Leiber Jun., Фриц Лейбер, F. Lieber, フリッツ・ライバー
