David Herbert Lawrence was an English writer of novels, plays, poetry and essays. Lawrence was born to a large working class family, his father was a miner and his mother was a schoolmistress. Lawrence based some of his early works off his family life which often featured problems between his parents. Lawrence was not afraid to give ink to his opinions, some of which created enemies in his country. Eventually this led to much of his work being censored or misrepresented. Lawrence and his wife Frieda Weekley would eventually leave England soon after the end of World War I. Lawrence would only briefly return to England and mostly traveled for the remainder of his life. As Lawrence’s health began to fail, he and his wife finally settled in a villa near Florence, Italy. Some of Lawrence’s best known works are Sons and Lovers, Women in Love, and Lady Chatterley’s Lover, the last of which was published just 2 years before his death. This edition of Strike-Pay includes a Table of Contents and images of Lawrence, his life, and his works.
Author
David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism, and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature. http://en.wikipedia.org/wiki/D.H.\_Law...
