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Suspect Cultures
Narrative, Identity & Citation in 1990s New Drama
2006
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5.00
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Mapping the state of contemporary theatre from the 1990s to the present, this volume focuses upon the work of six major dramatists to emerge at the beginning of the 21st century: Marina Carr, Martin McDonagh, Conor McPherson, Sarah Kane, Mark Ravenhill, and David Greig. “This book is an achievement for what it tells us about individual playwrights, with sensitive judgements of each writer’s oeuvre, as well as how they stand side by side. Wallace generously includes other critics’ work on each playwright; indeed, this is a feature so that the book is a comprehensive study of the critical field, as well as a measured consideration of the primary work.” –Emilie Pine, Irish University Review “Wallace’s analysis straddles diverse theoretical perspectives, presenting evidence of complex textual practices in many works of the ‘New Drama.’ Suspect Cultures is a self-assured study that profiles some of the most significant plays of the last fifteen years, while articulating and explaining dense theoretical discourse through cultural and social critique. [...] this is an intricate study that assertively engages the reader with a diverse array of conceptual tools that underpin an exciting period of recent theatre history.” –Rachel Zerihan, Contemporary Theatre Review “Wallace writes with a great sense of authority and flair” –Contemporary Theatre Review Clare Wallace is an associate professor at Charles University, Prague, and at the University of New York, Prague. She has published articles on James Joyce Joyce, Marina Carr, Patrick McCabe and contemporary Irish and British drama. Her books include The Theatre of David Greig (Methuen, 2013), Monologues (ed.; LPB 2006) and Global Ireland (ed. with Ondrej Pilny; LPB, 2005).

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Author

Clare Wallace
Clare Wallace
Author · 2 books
Clare Wallace is an Associate Professor in the Philosophy Faculty of Charles University, Prague. She teaches courses on Irish studies, drama (American and British, and theories of performance) and cultural studies. A graduate of Trinity College Dublin (B.A.), University College Dublin (M.A.) and Charles University (PhD). She is the author of Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama (2006) and editor/co-editor of Cosmotopia: Transnational Identities in David Greig’s Theatre (2011) (with Anja Müller), Stewart Parker Television Plays (2008), Stewart Parker: Dramatis Personae and Other Writings (with Gerald Dawe and Maria Johnston, 2008), Monologues: Theatre, Performance, Subjectivity (2006), Global Ireland: Irish Literatures in the New Millennium, (with Ondřej Pilný, 2006), Giacomo Joyce: Envoys of the Other (with Louis Armand, 2002; expanded edition 2006). Her essays and articles appeared in Irish Studies Review, Irish Theatre Magazine, Irish University Review, Canadian Journal of Irish Studies, Litteraria Pragensia, Dialog, and Modern Drama. From 1998 to 2009 she was a member of the steering committee of the European Federation of Associations and Centres of Irish Studies (EFACIS); from 2006 to 2009 she was a Representative for Europe in the International Association for the Study of Irish Literatures (IASIL). Other memberships include the Czech Association for the Study of English (CZASE), the German Society for the Study of Contemporary Drama in English (CDE) and the International Federation for Theatre Research. She is currently writing a critical companion to the theatre of David Greig for Methuen, forthcoming 2013.
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