“Swing just might be the best historical thriller of the year. Certainly it is the most creative.” –Pittsburgh Post-Gazette In the swinging big band era, jazz saxophonist and arranger Ray Sherwood is haunted by personal tragedy. But when Gail Prentice, a beautiful and talented Berkeley student, seeks his help in orchestrating an original composition slated to debut at the newly created Treasure Island in San Francisco Bay, Ray is diverted from his worries and drawn to the beguiling coed. Within moments of their first meeting, however, Ray witnesses a horrifying sight: a woman plunging to her death from the island’s emblematic Tower of the Sun. Ray soon finds himself trapped in a coil of spiraling secrets in which nothing is certain, including Gail’s intentions toward him and her connection to the dead woman. And as events speed toward the shocking climax, Ray must unlock an ominous puzzle with sinister implications that stretch far beyond anything he could imagine.
Author
Rupert Holmes was born on February 24, 1947, in Northwich, Cheshire, England. Soon after, he ventured forth to America (New York) with his British mum and Air Force dad. After graduating from the Manhattan School of Music, Mr. Holmes delved into the art of melodious sound. A successful piano player for both the Cuff Links and the Buoys, with whom he had his first international hit, "Timothy," in 1971, Rupert also wrote and arranged songs for Gene Pitney, The Platters, The Drifters and the Partridge Family. With the new millennium, Holmes added novel writing to his repertoire. His critically-acclaimed mystery, Where the Truth Lies, was a Booklist Top Ten Debut Novel; his second, Swing, was a San Francisco Chronicle Top Ten Best Seller, called “imaginative, smart, sophisticated and impressively elaborate” by Janet Maslin of the New York Times. His short stories have been anthologized in such prestigious collections as Best American Mystery Stories, On a Raven’s Wing, A Merry Band of Murderers and Christmas at the Mysterious Bookshop. He was also commissioned by The New York Times to write the Arts and Leisure tribute celebrating the one hundredth birthday of Irving Berlin.
