Winner of the Iowa Poetry Prize “System of Ghosts explores frontiers vanishing and gone. With a restless intelligence, Lindsay Tigue’s poems seek to know, to measure, to recover histories nearly lost. In these pages the world and the self are fantasized, destroyed, shared like an orange, abandoned like a rough draft, as unforgettable as the dead.”—Traci Brimhall, Our Lady of the Ruins “Lindsay Tigue’s work presents a vision, dominated by geography and natural history, uniquely paired with emotional imagination—the not-there-ness that coexists with its there-ness. This crush together, her feelings always a bit estranged from her, replaced by her gravitation to facts that she has remembered.”—Diane Wakoski, Bay of Angels “In her first book, Tigue has mastered a technique of taking facts and using them as a springboard to wherever her imagination leads her. ” —NewPages Iowa Poetry Prize Judge’s Citation: “Lindsay Tigue has, first and foremost, a curious mind: her poems are motored by information. Bits of knowledge, gathered magpie-like, which others might consider trivia–the origins of the red and green on traffic lights, the different ways distant towns told time before railroads connected them, the composition of the asteroid Ceres–spur these poems toward startling personal and public insights. As in the poetry of Robyn Schiff and the prose of Eula Biss, these esoteric facts, knit together carefully and with a gentle sense of mischievous humor, come to generalize about human suffering and hope.”—Craig Morgan Teicher, To Keep Love Blurry In System of Ghosts, Lindsay Tigue details the way landscape speaks to isolation and personhood, how virtual and lived networks alter experience. She questions how built environments structure lives, how we seek out information within these spaces, and, most fundamentally, how we love. Rooted in the personal, the speaker of this collection moves through society and history, with the aim of firmly placing herself within her own life and loss. Facts become an essential bridge between spatial and historical boundaries. She connects us to the disappearance of species, abandoned structures, and heartbreak—abandoned spaces that tap into the searing grief woven into society’s public places. There is solace in research, one system this collection uses to examine the isolation of contemporary life alongside personal, historical, and ecological loss. While her poems are intimate and personal, Tigue never turns away from the larger contexts within which we all live. System of Ghosts is, at its core, an act of reaching out—across time, space, history, and across the room.