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Tajfuny mini book cover 1
Tajfuny mini book cover 2
Tajfuny mini book cover 3
Tajfuny mini
Series · 5 books · 1937-2021

Books in series

A Riot of Goldfish book cover
#1

A Riot of Goldfish

1937

Ancora inedita in Italia, Okamoto Kanoko fu poetessa, narratrice e saggista. Si segnalò sulla scena culturale nipponica della prima metà del ʼ900 anche per gli atteggiamenti spregiudicatamente disinibiti che potrebbero farla accostare ad alcune protagoniste dell’avanguardia artistico-culturale dell’Occidente, da Colette a Djuna Barnes, ad Anaïs Nin. I tre racconti che compongono il volume sono rappresentativi di una vena narrativa che l’autrice coltivò soprattutto negli ultimi anni della sua vita. Pur diverse nell’ambientazione e nello sviluppo, le vicende narrate finiscono per sciogliersi in una sorta di rivelazione, tanto imprevista quanto rasserenante. Il protagonista di Frotte di pesci rossi è un giovane ittiologo che vive tormentato da una duplice ossessione, un amore che crede impossibile e il tentativo di ottenere finalmente la considerazione dell’amata selezionando una nuova, bellissima varietà di pesce rosso. Un’impresa che sembra destinata a fallire finché, allo stremo delle forze e delle speranze, non scopre che qualcosa è successo là dove meno se lo sarebbe aspettato. Nel secondo racconto, Nel Settentrione, il rapporto di tenero affetto che lega un ragazzo idiota a una adolescente in età da marito suscita in lei un sentimento materno che durerà quanto la sua stessa vita, inducendola a sperare in un improbabile ritorno dell’amico del cuore anche dopo che ne ha perduto le tracce. Nel terzo racconto, Il genio famigliare, a illuminare il futuro della giovane incaricata di gestire la trattoria di famiglia è la scoperta del misterioso conforto accordato dal destino alla vita scialba e rassegnata di sua madre: nulla è in realtà cambiato nella sua esistenza, se non l’animo con cui la affronterà da quel momento in poi, giorno dopo giorno.
Lemon book cover
#2

Lemon

1967

Motojiro Kajii (1901-1932) was a Japanese writer who has rarely been translated into English. Although a relatively unknown writer during his short life, published in only a few literary magazines, Motojiro Kajii's poetic short stories are recognized today as masterpieces in Japan. Lemon is a 28 page handmade book: 4.25" x 5.5", staple-bound. The interior is color laser printed, with several high quality black and white photographs. The cover has a spine and a full color photograph on the front.
En el bosque, bajo los cerezos en flor book cover
#3

En el bosque, bajo los cerezos en flor

1947

«En el bosque, bajo los cerezos en flor», puede y debe considerarse, sin duda alguna, una obra maestra del fantástico más grotesco, inquietante y poético.» Un despiadado ladrón se ha instalado en las montañas y aterroriza a los viajeros que osan cruzar el solitario paso de Suzuka, un camino poco frecuentado que atraviesa un misterioso bosque de cerezos. Un día, en una de sus habituales fechorías, el ladrón cae rendido ante la arrebatadora belleza de una enigmática mujer y decide llevársela consigo para convertirla en su esposa. Subyugado por su hermosura, el bandido se desvivirá por colmarla de oro y joyas y accederá a trasladarse con ella a la capital. Una vez allí, el deseo irrefrenable de la caprichosa mujer lo sumirá en una vorágine de muerte y locura que solo podrá llegar a su fin de una única forma. «En el bosque, bajo los cerezos en flor» es la esencia misma del relato fantástico y de horror, aquel que se basa tanto en lo contado como en lo que no se cuenta y donde el verdadero miedo yace en la naturaleza misma de la vida y sus preguntas sin respuesta. Incluye también «La princesa Yonaga y Mimio» y «El Gran Consejero Murakami» otros dos relatos de Ango Sakaguchi protagonizados por mujeres fatales en los que la belleza se torna en perversión y el deseo, en violencia.
Meoto zenzai book cover
#4

Meoto zenzai

1940

大正から昭和初期にかけて、無頼派文学の代表的な作家として活躍した、織田作之助の代表作である短篇小説。初出は「海風」[1940(昭和15)年]。「ちくま日本文学全集 織田作之助」[筑摩書房、1993(平成5)年]に収録。逆境に負けない蝶子の精一杯な生き方と、だらしないが憎めない柳吉とが醸しだす、ほのかに明るく、ユーモラスな雰囲気を描いている。
Piekło w butelkach book cover
#5

Piekło w butelkach

2021

Piąta książka z serii Tajfuny Mini, prezentującej dzieła pisarzy i pisarek pierwszej połowy XX wieku, którzy nie byli wcześniej tłumaczeni na język polski, a zdecydowanie na to zasługują. Wybór twórczości jednego z najniezwyklejszych autorów japońskiej prozy gatunkowej – literatury detektywistycznej ze szczyptą fantastyki. Kyūsaku Yumeno uważał, że dobry kryminał nie wymaga ani bystrego detektywa, ani geniusza zbrodni – wszystko, czego potrzeba, by wstrząsnąć czytelnikiem i wyprowadzić go na manowce, ukrywa się bowiem w ludzkiej psychice. Książka w przekładzie i ze wstępem Andrzeja Świrkowskiego.

Authors

Kanoko Okamoto
Kanoko Okamoto
Author · 5 books

Kanoko Okamoto (岡本 かの子 Okamoto Kanoko?, 1 March 1889 - 18 February 1939) was the pen-name of a Japanese author, tanka poet, and Buddhist scholar active during the Taishō and early Shōwa periods of Japan. (from Wikipedia)

Kyusaku Yumeno
Kyusaku Yumeno
Author · 8 books

Yumeno Kyūsaku (native name: 夢野 久作) was the pen name of the early Shōwa period Japanese author Sugiyama Yasumichi. The pen name literally means "a person who always dreams." He wrote detective novels and is known for his avant-gardism and his surrealistic, wildly imaginative and fantastic, even bizarre narratives. Kyūsaku’s first success was a nursery tale Shiraga Kozō (White Hair Boy, 1922), which was largely ignored by the public. It was not until his first novella, Ayakashi no Tsuzumi (Apparitional Hand Drum, 1924) in the literary magazine Shinseinen that his name became known. His subsequent works include Binzume jigoku (Hell in the Bottles, 1928), Kori no hate (End of the Ice, 1933) and his most significant novel Dogra Magra (ドグラマグラ, 1935), which is considered a precursor of modern Japanese science fiction and was adapted for a 1988 movie. Kyūsaku died of a cerebral hemorrhage in 1936 while talking with a visitor at home.

Ango Sakaguchi
Ango Sakaguchi
Author · 5 books

From Niigata, Sakaguchi (坂口安吾) was one of a group of young Japanese writers to rise to prominence in the years immediately following Japan's defeat in World War II. In 1946 he wrote his most famous essay, titled "Darakuron" ("On Decadence"), which examined the role of bushido during the war. It is widely argued that he saw postwar Japan as decadent, yet more truthful than a wartime Japan built on illusions like bushido. Ango was born in 1906, and was the 12th child of 13. He was born in the middle of a Japan perpetually at war. His father was the president of the Niigata Shinbun (Newspaper), a politician, and a poet. Ango wanted to be a writer at 16. He moved to Tokyo at 17, after hitting a teacher who caught him truanting. His father died from brain cancer the following year, leaving his family in massive debt. At 20, Ango taught for a year as a substitute teacher following secondary school. He became heavily involved in Buddhism and went to University to study Indian philosophy, graduating at the age of 25. Throughout his career as a student, Ango was very vocal in his opinions. He wrote various works of literature after graduating, receiving praise from writers such as Makino Shin’ichi. His literary career started around the same time as Japan’s expansion into Manchuria. He met his wife to be, Yada Tsuseko, at 27. His mother died when he was 37, in the middle of World War II. He struggled for recognition as a writer for years before finally finding it with “A Personal View of Japanese Culture” in 1942, and again with “On Decadence” in 1946. That same year, the Emperor formally declared himself a human being, not a god. Ango had a child at 48 with his second wife, Kaji Michio. He died from a brain aneurysm at age 48 in 1955.

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