Margins
Tales of a Grandfather; book cover
Tales of a Grandfather;
Being Stories Taken from Scottish History. Humbly Inscribed to Hugh Littlejohn, Esq. in Three Vols. …
1828
First Published
4.45
Average Rating
338
Number of Pages

While putting the finishing touches to his Life of Napoleon in May 1827, Scott had the idea of writing a History of Scotland addressed to his six-year-old grandchild John Hugh Lockhart whom he called by the nickname of Hugh Littlejohn. The project was partly inspired by the success of John Wilson Croker's Stories Selected from the History as England (1822), but Scott felt that Croker underestimated the intelligence of his juvenile audience. Children, Scott believed, disliked books 'written down' to their level, preferring a challenge to their understanding and curiosity. He hoped to cater, moreover, for both a juvenile and a popular audience and thus to find a way 'between what a child can comprehend and what shall not yet be absolutely uninteresting to the grown reader' (Journal, July 8, 1827). Initially, this middle ground proved elusive, and Scott came to feel that he was guilty of 'writing down' at the beginning of the first volume. James Ballantyne concurred, judging the tone of the opening chapters alternately too historical and too infantile. So familiar was Scottish history to Scott, however, that once he had found a satisfactory register, he worked rapidly upon the manuscript. The First Series, which covered the period between the reign of Macbeth (1033-56) and the Union of the Crowns (1603), was complete by November 1827. It was published on December 15, 1827 with an eye to the Christmas market. It sold so well that before the end of the month, Cadell had commissioned a revised and enlarged second edition. In May 1828 Scott agreed to write a Second Series of Tales. By July, he realized he had so much material that he proposed ending the series with the Union of England and Scotland (1707) then composing a Third Series extending the narrative to the end of the eighteenth century. The Second Series was completed on September 1, 1828 and published on November 27. The Third Series, which culminated in the aftermath of Culloden (1746), appeared on December 21, 1829. In July 1830, agreed to write a fourth series dealing with French history from Charlemagne to Louis XIV. His research for these volumes also fed into his novel Count Robert of Paris (1832) and revisited material used in his earlier Quentin Durward and Anne of Geierstein. Published on December 20, 1830, the Fourth Series was received as favourably as the earlier Tales, and a second French series was pledged for Christmas 1831. Scott completed the first volume but suspended the second midway, in order to concentrate on Count Robert of Paris and Castle Dangerous. On December 15, 1831 Scott received news of the death of the ten-year-old John Hugh Lockhart. He was not to return to the manuscript before his death. http://www.walterscott.lib.ed.ac.uk/w... This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Avg Rating
4.45
Number of Ratings
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4 STARS
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goodreads

Author

Walter Scott
Walter Scott
Author · 62 books

Librarian Note: There is more than one author in the GoodReads database with this name. British writer Sir Walter Scott popularized and refined a genre of ballads and historical novels; his works include Waverley (1814) and Ivanhoe (1819). Sir Walter Alva Scott created and called a series. Scott arranged the plots and characters so that the reader enters into the lives of great and ordinary persons, caught in violent, dramatic changes. Work of Scott shows the influence of the 18th century Enlightenment. He thought of every basically decent human, regardless of class, religion, politics, or ancestry. A major theme tolerates. They express his theory in the need for social progress that rejects not the traditions of the past. He first portrayed peasant characters sympathetically and realistically and equally justly portrayed merchants, soldiers, and even kings. In central themes, cultures conflict and oppose. Normans and Saxons warred. In The Talisman (1825), Christians and Muslims conflict. He deals with clashes between the new English and the old Scottish culture. Other great include Old Mortality (1816), The Heart of Midlothian (1819), and Saint Ronan's Well (1824). His series includes Rob Roy (1817), A Legend of Montrose (1819), and Quentin Durward (1823). Amiability, generosity, and modesty made Scott popular with his contemporaries. He also famously entertained on a grand scale at Abbotsford, his Scottish estate.

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