The journals of a club which called itself the Lunatic Asylum: a group of amiable eccentrics who spend their time trying to do the impossible. At first they are nothing more than that: four whimsical idiots with no sense of responsibility, clowning outrageously for the sake of clowning. But soon they begin to see themselves as men with a mission: for they find that they are the only people left in England who are still defending the individual soul against conformity, wealth, and the super-state. As they find their buffoonery hemmed in more and more by official regulations, their pranks turn into a form of rebellion. The humor remains, but it takes on a purpose. And in the process, the tenuously connected stories turn into a novel. The book ends in a kind of crescendo of madness, which is at once a parable, and a clear call to arms (or at least a thought) for individuals in our Age of Conformity.
Author
Gilbert Keith Chesterton was an English writer, philosopher, lay theologian, and literary and art critic. He was educated at St. Paul’s, and went to art school at University College London. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.’s Weekly. Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology.
