TBR!

So what can you look forward to in Fearful Symmetries? There are monsters—human and non-human. There are children—those who victimize, and those who are victims. There are supernatural horrors, psychological terrors, nourish dark fantasies, and downright weird fictions. Featuring Nathan Ballingrud, Laird Barron, Pat Cadigan, Siobhan Carroll, Terry Dowling, Brian Evenson, Gemma Files, Jeffrey Ford, Carole Johnstone, Stephen Graham Jones, Caitlín R Kiernan, John Langan, Catherine MacLeod, Helen Marshall, Bruce McAllister, Gary McMahon, Garth Nix, Robert Shearman, Michael Marshall Smith, and Kaaron Warren. Come on in, and make yourself a cozy little nook in the dark, and enjoy.

In Brooklyn, in the Age of Disco, Valentine Kessler—a sweet Jewish girl who bears a remarkable resemblance to the Virgin Mary of Lourdes—has an unerring gift for shattering the dreams and hopes of those who love her. Miriam, her long-suffering mother, betrayed and anguished by the husband she adores, seeks solace in daily games of mah-jongg with The Girls, a cross between a Greek Chorus and Brooklyn's rendition of the Three Wise Men, who dispense advice, predictions, and care in the form of poppy-seed cake and apple strudels. When her greatest fear for Valentine is realized, Miriam takes comfort in the thought that it couldn't get any worse. And then it does. Sagacious, sorrowful, and hilarious, An Almost Perfect Moment is a novel about mothers and daughters, star-crossed lovers, doctrines of the divine, and a colorful Jewish community that once defined Brooklyn. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

The essential collection of beloved ghost stories, compiled by the editor who helped define the genre—including stories from award-winning, bestselling authors such as Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay. Everyone loves a good ghost story, especially Ellen Datlow—the most lauded editor in short works of supernatural suspense and dark fantasy. The Saga Anthology of Ghost Stories is her definitive collection of ghost stories. These thirty stories, including all new works from New York Times bestselling authors Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay, span from the traditional to the eclectic, from the mainstream to the literary, from pure fantasy to the bizarrely supernatural. Whether you’re reading alone under the covers with a flashlight, or around a campfire with a circle of friends, there’s something here to please—and spook—everyone. Table of Contents “Introduction” Ellen Datlow “Ice Cold Lemondade 25¢ Haunted House Tour: 1 Per Person” Paul Tremblay “Linger Longer” Vincent J. Masterson “Whimper Beg” Lee Thomas “The July Girls” Alison Littlewood “About the O’Dells” Pat Cadigan “A Hinterlands Haunting” Richard Kadrey “The Number of Things You Remember” M. L. Siemienowirz ”Must Be This Tall To Ride” Seanan Mcguire “The Surviving Child” Joyce Carol Oates “The Medium’s End” Ford Madox Ford “A Shade of Dusk Indrapramit Das “Icarus Rising” Richard Bowes “The Puppet Motel Gemma Files “Air Valve Semilunar Astern” Nick Mamatas “The Unwrapping” Terry Dowloing “The Upper Berth” F. Marion Crawford “A Burning Sword for Her Cradle” Aliette De Bollard “Precipice” Dale Bailey “The Shooter” M. Rickert “The Tree of Self-Knowledge” Stephen Graham Jones “The Other Woman” Alice Hoffman “The Loneliness of Not Being Haunted” Bracken Macleod “Mee-Ow” Garth Nix “Jasper Dodd’s Handbook of Spirits and Manifestations” Nathan Ballingrud “His Haunting” Brian Evenson “The Jeweled Wren” Jeffrey Ford “The Air, The Ocean, The Earth, The Deep” Siobhan Carroll “The Ghost Sequences” A.C. Wise “Deep, Fast, Green” Carole Johnstone “Natalya, Queen of the Hungry Dogs” John Langan

Named a Best Book of the Year by: The Boston Globe O, The Oprah Magazine Huffington Post The A.V. Club A Washington Post Notable Book An NPR Great Read of 2013 From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship. Vampires in the lemon grove—Reeling for the Empire—Seagull army descends on Strong Beach, 1979 — Proving up—Barn at the end of our term—Dougbert Shackleton's rules for Antarctic tailgating—New veterans—Graveless doll of Eric Mutis

A restaurateur lured by pandemic\-era incentives moves her family to a seemingly idyllic town in Georgia. The email message that lands in Billie Hope’s inbox seems like a gift from the universe. For $100 she can purchase a spacious Victorian home in Juliana, Georgia, a small town eager to boost its economy in the wake of the pandemic. She can leave behind her cramped New York City rental and some painful memories. Plus she’ll get a business grant to open a new restaurant in a charming riverside community laden with opportunity. After some phone calls and one hurried visit, Billie and her husband and daughter are officially part of the "Juliana Initiative." The town is everything promised, and between settling into her lavish home and starting a new restaurant, Billie is busy enough to dismiss misgivings. Yet those misgivings grow. There’s something about Juliana, something off\-kilter and menacing beneath its famous Southern hospitality. No matter how much Billie longed for her family to come here, she’s starting to wonder how, and whether, they’ll ever leave.

“A tale about sisterhood, a novel of ideas, a chronicle of our collective follies, a requiem for our agonizing species, The Alternatives unfolds in a prose full of gorgeous surprises and glows with intelligence, compassion, and beauty.” —Hernan Diaz From the writer Anthony Doerr calls “a massive talent,” the story of four brilliant Irish sisters, orphaned in childhood, who scramble to reconnect when the oldest disappears into the Irish countryside The Flattery sisters were plunged prematurely into adulthood when their parents died in tragic circumstances. Now in their thirties—all single, all with PhDs—they are each attempting to do meaningful work in a rapidly foundering world. The four lead disparate, distanced lives, from classrooms in Connecticut to ritzy catering gigs in London’s Notting Hill, until one day their oldest sister, a geologist haunted by a terrible awareness of the earth’s future, abruptly vanishes from her work and home. Together for the first time in years, the Flatterys descend on the Irish countryside in search of a sister who doesn’t want to be found. Sheltered in a derelict bungalow, they reach into their common past, confronting both old wounds and a desperately uncertain future. Warm, fiercely witty, and unexpectedly hopeful, The Alternatives is an unforgettable portrait of a family perched on our collective precipice, told by one of Ireland’s most gifted storytellers.

A glittering, bold, darkly funny novel about two sisters—one in New York, one in Singapore—who are bound by an ancient secret. Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture\-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim as she freely uses her beauty and charms to make ends meet. But they share a secret; once they were snakes, basking under a full moon in Tang Dynasty China. A thousand years later, their mysterious history is the only thing still binding them together. When Emerald experiences a violent encounter in Central Park and Su boards the next flight to New York, the two reach a tenuous reconciliation for the first time in decades. Su convinces Emerald to move to Singapore so she can keep an eye on her—but she soon begins to worry that Emerald’s irrepressible behavior will out them both, in a sparkling, affluent city where everything runs like clockwork and any deviation from the norm is automatically suspect. Razor\-sharp, hilarious, and raw in emotion, Sister Snake explores chosen family, queerness, passing, and the struggle against conformity. Reimagining the Chinese folktale “The Legend of the White Snake,” this is a novel about being seen for who you are—and, ultimately, how to live free.

"I am ready to join the Sisterhood of Viggy after reading The Rotting Room. Time to take my vows, now that I've novitiated on this awe-inspiring novel, and commit myself to a lifelong calling of reading whatever Parr Hampton writes." —Clay McLeod Chapman, author of Wake Up and Open Your EyesSister Rafaela, a newcomer to the cloistered Sisters of Divine Innocence, yearns for redemption from her horrific past. However, her new abbey, bound by a vow of silence and a disturbing burial ritual, hides its own sinister secrets. When a mysterious stranger arrives and dies soon after, her body resists decomposition, sparking fevered claims of sainthood among the nuns… but Rafaela suspects something far darker. As the abbey teeters on the edge of madness, Rafaela and local priest Father Bruno race to uncover whether the Sisters of Divine Innocence are graced by a divine miracle—or consumed by unspeakable evil. "Hampton delivers a masterclass in narrative restraint, yet refuses to pull her punches. By taking its vows alongside The First Omen, Immaculate, and Suspiria, The Rotting Room ascends to horror literature heaven." —Nick Roberts, author of The Exorcist's House and Mean Spirited“Dreadfully atmospheric and alluringly oppressive, The Rotting Room is a testament to the heart of religious horror, Viggy Parr Hampton’s writing irresistibly smooth like gothic butter.” —Mona Kabbani, author of The Color of Blood

An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos—and into an ill-advised affair with a married professor It’s the winter of 1998 and Isabel Rosen has one semester left at Wilder College, a prestigious school in New Hampshire with a wealthy, elite student body and the sort of picturesque buildings college brochures were invented to capture. The only daughter of a Lower East Side appetizing store owner, Isabel has always felt out of place at Wilder, and the death of her mother shortly before she arrived on campus left her feeling unmoored in a way that’s proven hard to shake. Now, right as she’s coming to believe she’s finally found her place, the fallout from a nonconsensual sexual encounter with one of the only other Jewish students on campus leaves Isabel reeling. Enter R.H. Connelly: a once-famous poet and Isabel’s married writing professor, a man with secrets of his own. Connelly makes Isabel feel seen, beautiful, talented; the woman she longs to become. His belief in her ignites a belief in herself. The two begin an affair that shakes the foundation of who Isabel thinks she is, for better and worse. Set against the backdrop of the Clinton and Lewinsky scandal, My Last Innocent Year is a coming-of-age story about a young woman on the brink of sexual and artistic awakening, navigating her way toward independence while recognizing the power, beauty and grit of where she came from. Timely and wise, it reckons with the complexities of consent, what it means to be an adult, and whether or not we can ever outrun our bad decisions.

Wraxford Hall, a decaying mansion in the English countryside, has a sinister reputation. Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world—alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.