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Tõde ja õigus book cover 1
Tõde ja õigus book cover 2
Tõde ja õigus book cover 3
Tõde ja õigus
Series · 6 books · 1926-1933

Books in series

Truth and Justice I book cover
#1

Truth and Justice I

1926

Andres, an Estonian peasant, purchases a smallholding in a marshy part of the country, which the novel is named after. He takes his young wife, and an incident with their cow sets the tone for a life of struggle in which the family grows and gradually lifts itself out of extreme poverty. They don’t only have to strive against the elements, but also against their neighbour Pearu, a wily and ruthless man. This Tolstoyan epic amongst the peasantry and the restless city (in volumes 2 – 4) tells the story of how Tsarist Estonia developed into the First Republic through the experiences of a family and in particular the partly autobiographical character of Indrek, who leaves the land to get an education at the end of this volume. This monumental work by Estonia’s greatest writer is a European classic which has for too long been neglected in the English-speaking world.
Indrek book cover
#2

Indrek

Volume II of the Truth and Justice Pentalogy

1929

This second volume of A.H. Tammsaare’s monumental pentalogy portrays the education of Indrek who emerges here as the protagonist and will remain so throughout the next three volumes. The author writes with his trademark wit and deep understanding of human nature, and we find ourselves in the company of a vast gallery of larger-than-life characters who jostle, scheme and argue over both trivialities and the great issues of the human condition. They may do the latter out of their own intellectual narcissism or simply for the joy of debate, but the ensuing dialogues rival those of the great Russian novelists. Indrek is the story of moving to the polyglot city and abandoning the countryside which at that time was the heartland of the Estonian language. This new environment is a vortex of prejudices and national rivalries nevertheless held together in practice by a strange and very human tolerance. The boarding school is as dysfunctional as any Dickensian one, but it is a great deal more benevolent. Russians, Germans, Poles, Latvians and Caucasians mix with the Estonian majority, and somehow compromises are nearly always arrived at in spite of – or possibly because of – some extraordinary theatrics, in which Mr Maurus must outperform not only all the other characters in the book but all other celebrated headmasters created by European literature over the centuries. Indrek not only has to come to terms with this world so utterly unsuited to his shy and innocent rural upbringing, but he also has to deal with his first encounters with love and death.
Tõde ja õigus III book cover
#3

Tõde ja õigus III

1931

The book series can be seen as a thorough overview of developments of Estonian society from about 1870 to about 1930; it presents an epic panorama of both the rural and urban societies of that era. Tammsaare's primary conception was that under the then-applicable conditions, reaching a harmony of both truth and justice is impossible, and thus, while many characters will seek it, none will reach this destination.
Tõde ja õigus IV book cover
#4

Tõde ja õigus IV

1932

Neljas osa kujutab inimese võitlust iseendaga. Läbi sügavamõtteliste dialoogide ja tegelaste pihtimuste saab lugeja heita pilgu nende teadvusse ja hinge. Esimese maailmasõja ajal rikkaks saanud Eesti Vabariigi tõusikseltskonnas lokkab korruptsioon, mustad tehingud ja isiklike kirgede rahuldamine. Sellises atmosfääris peab Indrek rasket võitlust iseenda ja oma õnne pärast. Indreku ja Karini suhetes peegeldub ka üks Tammsaare lemmikteemasid – mehe-naise võimetus teineteist mõista. Karin ja Indrek moodustavad samasuguse vastandite paari nagu Andres ja Pearugi. Nimelt tahab Indrek maailma mõistusega kontrollida, seda süstematiseerida ja analüüsida, kuid Karin on kahtleja ja tõdedega mängija. Tema eesmärk on jõuda lõpliku tõeni ning paljastada ka kõik varjatu, kuid samas ei rahuldu ta ühegi tõega. Tihti peegeldab Karin lugejale Indreku sisemaailma. Karinis ilmnevad inimest juhtivad irratsionaalsed tungid: armastus, võimuiha ja süütunne ning ta vallandab neid ka teistes. Indreku provotseerimisega saavutab ta viimase vabanemise sisemisest paigalseisust ja avab tema hingeelu keerukuse. Indreku naise Karini iseloomus on nähtud sarnasusi Tammsaare naise Käthe Hanseni omaga ja tegelikult ongi teos pühendatud Käthele. Mõned kriitikud hindavad "Tõe ja õiguse" IV raamatut parimaks osaks pärast I jagu, mõned on seda pidanud lausa terve romaanitsükli parimaks osaks.
Tõde ja õigus V book cover
#5

Tõde ja õigus V

1933

The book series can be seen as a thorough overview of developments of Estonian society from about 1870 to about 1930; it presents an epic panorama of both the rural and urban societies of that era. Tammsaare's primary conception was that under the then-applicable conditions, reaching a harmony of both truth and justice is impossible, and thus, while many characters will seek it, none will reach this destination.
Tõde ja õigus book cover
#6

Tõde ja õigus

1933

“Tõde ja õigus” on A. H. Tammsaare viieosaline romaanisari, kus kujutatakse Eesti ühiskonna arengut 19. teisest poolest kuni 20. sajandi teise kümnendini. Monumentaalteos käsitleb inimese suhet maa, jumala, ühiskonna ja iseendaga. Selles kogumikus on koos kõik "Tõde ja õiguse" viis raamatut. See raamat on spetsiaalselt valmistatud seadmete jaoks, mis toetavad EPUB3 formaati. 1.1

Author

A.H. Tammsaare
A.H. Tammsaare
Author · 16 books

A.H. Tammsaare, born Anton Hansen, was an Estonian writer whose pentalogy Truth and Justice (Tõde ja õigus; 1926 – 1933) is considered one of the major works of Estonian literature and "The Estonian Novel". Tammsaare was born in 1878 into a farming family. He attended secondary school in Tartu from 1898 to 1903 and from 1903 to 1905 he worked as an editor at the Tallinn newspaper, Teataja. In Tallinn he was able to witness the Russian Revolution of 1905. In 1907 he enrolled as a law student at Tartu University, but in 1911 he was unable to sit his finals, as he became very ill with tuberculosis. He was moved to Sochi on the Black Sea and then to the Caucasus Mountains, where his condition improved. On his return to Estonia, he lived for six years on his brother's farm where he was again affected by illness. Unable to work, he threw himself into his studies and mastered English, French, Finnish and Swedish. After his marriage in 1920 he moved to Tallinn and embarked on the most productive period of his life. His greatest influences were the Russian classics of Dostoyevsky, Tolstoy and Gogol, butt his work also shows the influence of Oscar Wilde, Knut Hamsun and Andre Gide. He occupies a central place in the development of the Estonian novel and is a figure of European significance.

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