In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his taste for illicit midday trysts—makes the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did. A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the primary suspect: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows. And Tess' own name could end up on the ever-expanding list of Baltimore dead.

As a practiced reporter until her newspaper went to that great pressroom in the sky, P.I. Tess Monaghan knows and loves every inch of her native Baltimore, even the parts being slobbered on by the sad-sack greyhound she's minding for her uncle. It's a quirky city where baseball reigns, but lately homicide seems to be the second most popular local sport. Business tycoon "Wink" Wynkowski is trying to change all that by bringing pro basketball back to town, and everybody's rooting for him; until a devastating, muckraking expose of his lurid past appears on the front page of the Baltimore Beacon-Light. It's a surprise even to the Blight's editors, who thought they'd killed the piece. Instead, the piece killed Wink, who's found in his garage with the car running. Now the Blight wants to nail the unknown computer hacker who planted the lethal story, and the assignment is right up the alley of a former newshound like Tess. But it doesn't take long for her to discover deeper, darker secrets, and to realize that this situation is really more about whacking than hacking. It's just murder in Baltimore these days, and Tess Monaghan herself might be next on the list.

Tess Monaghan has finally made the move and hung out her sign as a private investigator for hire, complete with an office in Butchers Hill. Maybe it's not the greatest address in Baltimore, but you've got to start somewhere. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalising his car. Just out of prison, he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the 'Butcher of Butchers Hill' at it again? Like it or not, Tess is embroiled in a case that encompasses the powers-that-be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.

Edgar Award-winner Laura Lippman is developing a reputation as one of the most exciting new detective fiction authors in years. Now she delivers her most suspenseful novel yet, and places Baltimore's Tess Monaghan . . . In Big Trouble. First as a reporter and then as a p.i., Tess Monaghan has learned how to survive and thrive on the streets of Baltimore. But a new case will force her to confront her own past, and a man she loved and lost. It starts when she gets a newspaper photograph of her old boyfriend with a tantalizing shard of headline attached: In Big Trouble. The answers lie far from Baltimore, deep in a world of good-time music, old-fashioned ambition, and rich people's games. For Tess must find out what happened to a man she thought she knew, to a woman who may have changed him forever, and to the victims of a killer who dances to a different—and deadly—drummer.

Tess Monaghan's life is back on course. She is where she likes to be - downtown Baltimore, her relationship with her boyfriend Crow is getting serious, she's beginning to make a name for herself as a PI, she's even banking good money. And then her father asks her a favor: to investigate the death in prison of a friend's brother convicted of killing an unidentified girl, otherwise known as 'Jane Doe'. Tess' search for Jane Doe's real identity soon reveals that she is Gwen Schiller, a teenage heiress with a serious eating disorder who has recently escaped from 'the Sugar House', an institution where bulimics and anorexics are subjected to the most brutal regimes. Tess' enquiries as to Gwen's subsequent movements lead her first to a bar, Domenick's, where the proprietor supplies something a lot more murky than food and wine, and then to the State Senate where two of the leading politicians appear to be living a double life. But it is the links between Tess' father, a liquor licensing officer, and Domenick's that worry Tess the most. What favors has her father done the Baltimore underworld in order to stay in business? Why is he scared enough to beg Tess to drop the case? It is not until her parent's house is set on fire and a body pulled from the wreckage, that she realizes that her life may have taken a very wrong turning indeed - one from which there is no going back ...

New York Times bestselling author Laura Lippman’s Tess Monaghan must put her PI skills to the ultimate test when she falls into the crosshairs of a psychopath who knows everything about her. For the past fifty years on the birth date of Edgar Allan Poe, a person wearing a cloak has placed three roses and a half bottle of cognac on the writer’s gravesite. PI Tess Monaghan has never witnessed the event. But when John P. Kennedy, an eccentric antiques dealer, asks her to uncover the identity of the caped visitor, who he believes has duped him with the sale of an inauthentic antique, Tess decides to hold vigil on the night the cloaked stranger is expected to make an appearance. But the custom takes on a bizarre, fatal twist when two cloaked figures arrive. The imitator leaves his tribute and then makes his escape…after shooting the first visitor. Warning bells tell Tess to steer clear of this case. But when roses and cognac appear on her doorstep, Tess’s curiosity is piqued. She soon discovers that John P. Kennedy has vanished into thin air and much of what he told her was questionable. Then the identity of the shooting victim comes to light, and all clues seem to point to the possibility he was the target of a hate crime. But Tess isn’t convinced. What was his connection to the decades-long Edgar Allan Poe tradition and to the killer? When more cryptic clues are left at her home, Tess realizes that someone is watching her every move...someone who’s bent on killing again.

In hot legal water—and court-ordered therapy—for having assaulted a potential child molester, Tess Monaghan is more than ready for a distraction. So she agrees to look into a series of unsolved homicides that date back over the past six years despite the fact that the assignment originates in part from a most troubling source: wealthy Baltimore benefactor Luisa O'Neal, who was both instrumental in launching Tess' present career and intimately connected with the murder of Tess' former boyfriend. There are other troubling aspects as well. Apart from the suspicion that each death was the result of domestic violence, nothing else seems to connect them, Five lives—those of four women and one man—were destroyed by fire, gunshot, and hit-and-run, and all five cases have gone ice cold. Though Luisa's nonprofit organization hires Tess simply to review old police documents for inconsistencies and investigative blunders, curiosity is soon leading the P.I. off the paper trail. And it just may get her killed. Tess' search for connecting threads takes her beyond the Charm City limits and into dangerously unfamiliar territory. With the help of a police officer obsessed with bringing a murderer down, she follows scant leads and intuition into the remotest corners of Maryland, where a psychopath can hide as easily in the fabric of a tiny, rough-hewn fishing community as in the alleys and shadows of bustling Baltimore. Straying far from everything that's familiar and safe in her life, Tess is suddenly cast into a terrifying cat-and-mouse game with an ingenious slayer who changes identities as often and effortlessly as clothing. Because a single common link to five senseless murders is beginning to emerge with shocking clarity to tie the loose ends together into one bloody knot...and the link is Tess Monaghan herself.

...De kofferbak was groter dan Isaäk had verwacht, en hij was ook niet zo bang als hij had gedacht. Het was erg jammer dat het zo’n oude auto was. Een nieuwere, zoals die van zijn vader, zou misschien een lampje hebben, of zelfs een manier om de klep van binnenuit open te maken... Uit ervaring weet privé-detective Tess Monaghan dat haar klanten niet zelden oneerlijk of onbetrouwbaar zijn. Wanneer modelvader Mark Rubin haar hulp inschakelt bij de plotselinge verdwijning van zijn vrouw Natalie en hun drie jonge kinderen komt Tess dan ook voor een dilemma te staan. Moet ze Rubin op zijn woord geloven wanneer hij haar vertelt dat hun leven op alle vlakken perfect en smetteloos was? Waarom verliet Natalie dan van het ene op het andere moment haar prachtige huis en vertrouwde omgeving? Tess komt erachter dat Natalie kriskras het land doorreist met een onbekende en gewelddadige man. Een nieuw mysterie vraagt om haar eigenzinnige aanpak...

After finishing a shift volunteering at an inner-city soup kitchen, Ransome finds one of his car tires slashed and meets smooth-talking con man Lloyd Jupiter, who offers to help fix the flat for a nominal fee. Instead of calling the police on the 16-year-old scam artist, Ransome does the unthinkable and brings Jupiter back to his home, where he feeds him and offers him a bed for the night. When Tess returns home, she and Ransome discover that Jupiter may have information concerning an unsolved case involving the brutal murder of a federal prosecutor months earlier. After vowing not to reveal Jupiter's identity, Tess gives the local newspaper the story and almost immediately becomes Public Enemy No. 1 to a trio of ruthless law enforcement agents for refusing to reveal her source. With Ransome and Jupiter on the run and Tess trying hard to stay out of jail, the motives behind the mysterious murder are slowly uncovered

The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy... When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series "Mann of Steel" while sculling, she expects sharp words and evil looks, "not" an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set "accidents" that have wreaked havoc with its shooting schedule. As a result, "Mann's" creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty's concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making. In the past, Tess has had enough trouble guarding her "own" body. Keeping a spoiled movie princess under wraps may be more than she can handle—even with the help of Tess' icily unflappable friend Whitney—since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess' world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality—from the series' aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good. But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she's all too familiar with—murder. Suddenly the wall of secrets around "Mann of Steel" is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins—a catastrophe that threatens the people Tess cares about . . . and the city she loves.

Originally serialized in the New York Times Magazine, Lippman's Tess Monaghan novella turns the intrepid Baltimore PI's at-risk late-pregnancy bed rest into a compellingly edgy riff on Hitchcock's Rear Window. Lovingly tucked up on her winterized sun porch, Tess marshals her forces-doting artist boyfriend Crow, best friend Whitney Talbot, middle-aged assistant gumshoe Mrs. Blossom, and researcher Dorie Starnes - to probe the disappearance of a chic blonde green-raincoated dog walker she'd been watching from her comfy prison. Tess also takes in the missing woman's abandoned green-slickered Italian greyhound from hell, a miniature canine terrorist whose anti-housebreaking vendetta offers comic relief from Tess' threatened pre-eclampsia, her obsessive unraveling of a complex scam, and her last-trimester spats with Crow about their future. Though postpartum Tess turns alternately weepy and shrill, that condition won't last, and this entertaining romp leaves plenty of hints of detective-mother exploits to come.

A thief targets a local bookstore and it will take a bibliophile PI to save the shop Tess Monaghan wants to like the Children’s Bookstore. It’s bright, cozy, and packed with the kinds of books that she is dying for her daughter to fall in love with. But no matter how badly she wants to support this adorable local business, the owner’s attitude stops her in her tracks. What kind of children’s bookseller hates children? What’s eating Octavia, the grouchy owner, is more than the pressures of running a small business. Each Saturday, someone steals a stack of her priciest, most beautiful children’s books, and the expense threatens to force her fledgling store out of business. Luckily, Tess is more than a book lover—she’s a private investigator who doesn’t mind working pro bono to help out an independent bookshop. Her simple act of kindness will make Octavia smile for the first time in months—and uncover a crime more suitable for the mystery aisle than the children’s section.

New York Times bestseller Laura Lippman showcases why she is one of today’s top crime writers in this acclaimed collection of suspenseful stories featuring fierce women—including one never-before-published novella. “A first-rate collection, an obvious must for the legions of Lippman fans, but also great reading for anyone who savors short crime fiction.” — Booklist (starred review) The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences. Lippman’s beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in “Seasonal Work,” while her mother, Judith, realizes that the life of “The Everyday Housewife” is an excellent cover for all kinds of secrets. In “Slow Burner,” a husband’s secret cell phone proves to be a dicey temptation for a suspicious wife. A father’s hidden past piques the curiosity of a young snoop in “The Last of Sheila-Locke Holmes.” Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong—irrefutable evidence that Laura Lippman’s riveting fiction will more than satisfy any crime reader.

Tess Monaghan has encountered almost every possible criminal motive throughout her career: greed, revenge, jealousy, rage. But there are crimes that defy all attempts at understanding, where a search for motive seems pointless. Melisandre Harris Dawes committed such a crime. Found not guilty by reason of insanity, she fled the country, leaving her two daughters with their father. Twelve years later, she’s back in Baltimore, and Tess is asked to provide security detail while Melisandre films a documentary about her attempts to reconcile with her now teenaged children. Tess, juggling work with caring for her demanding toddler, is uneasy about the case. Still, Melisandre’s lawyer is family. And there is something about the woman herself—confident, beautiful, shrewdly intelligent—that draws Tess in. Is she a master manipulator or someone who was driven to temporary madness? Cold and calculating, or a mother concerned for her daughters’ well being? Someone is leaving Melisandre enigmatic, threatening notes. Soon Tess, insecure about her parenting abilities and receiving cryptic messages of her own, isn’t sure whether she should be protecting Melisandre from harm—or protecting everyone else from Melisandre. When Melisandre becomes the prime suspect in a murder, Tess must uncover the truth. Doing so will mean confronting her deepest beliefs about what separates good parents from bad, madness from sanity, and what lengths even the most rational person will go to, to protect what they cherish most.