Special Agent Jason West is seconded from the FBI Art Crime Team to temporarily partner with disgraced, legendary “manhunter” Sam Kennedy when it appears that Kennedy’s most famous case, the capture and conviction of a serial killer known as The Huntsman, may actually have been a disastrous failure. For The Huntsman is still out there… and the killing has begun again.

All those late night conversations when Sam had maybe a drink too many or Jason was half falling asleep. All those playful, provocative comments about what they’d do when they finally met up again. Well, here they were. The last thing Jason West, an ambitious young FBI Special Agent with the Art Crimes Team, wants—or needs—is his uncertain and unacknowledged romantic relationship with irascible legendary Behavioral Analysis Unit Chief Sam Kennedy. And it’s starting to feel like Sam is not thrilled with the idea either. But personal feelings must be put aside when Sam requests Jason’s help to catch a deranged killer targeting wealthy, upscale art collectors. A killer whose calling card is a series of grotesque paintings depicting the murders.

Nothing up his sleeves. Nothing but murder… Jason West, hot-shot special agent with the FBI’s Art Crime Team, is at the Wyoming home of Behavioral Analysis Unit Chief Sam Kennedy, recuperating from a recent hit-and-run accident, when he’s asked to consult on the theft of a priceless collection of vintage magic posters. But before Jason can say “presto change-o,” the owner of the art collection turns up murdered in a National Forest. When the dead man is revealed to be the Kubla Khanjurer, a much-hated part-time magician accused of revealing the highly guarded secrets of professional illusionists, it seems clear this is a simple revenge killing—until Jason realizes an earlier suspicious death at the trendy magic club Top Hat White Rabbit might be part of the same larger and more sinister pattern.

Someone is watching. Someone is waiting. Despite having attracted the attention of a dangerous stalker, Special Agent Jason West is doing his best to keep his mind on his job and off his own troubles. But his latest case implicates one of the original Monuments Men in the theft and perhaps destruction of part of the world's cultural heritage—a lost painting by Vermeer. Naval Reserve Lieutenant Commander Emerson Harley wasn't just a World War 2 hero, he was the grandfather Jason grew up idolizing. In fact, Grandpa Harley was a large part of what inspired Jason to join the FBI's Art Crime Team. Learning that his legendary grandfather might have turned a blind eye to American GIs "liberating" priceless art treasures at the end of the war is more than disturbing. It's devastating. Jason is determined to clear his grandfather's name, even if that means breaking a few rules and regulations himself—putting him on a collision course with romantic partner BAU Chief Sam Kennedy. Meanwhile, someone in the shadows is biding his time...

Murder: Live and in Technicolor Working undercover gives FBI Art Crime Team agent Jason West the illusion that he’s safe from his stalker, Dr. Jeremy Kyser. Though film history and preservation are not Jason’s area of expertise, he’s intrigued by the case of a well-connected UCLA film studies professor whose family believes she may have been murdered after discovering a legendary lost 1950s PI film. Meanwhile, on the other side of the country, BAU Chief Sam Kennedy gets disturbing news: the Roadside Ripper, the serial killer Sam believes murdered his college boyfriend, may not have been working alone.