Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

Holly Lisle has been writing fiction professionally since 1991, when she sold FIRE IN THE MIST, the novel that won her the Compton Crook Award for best first novel. She has to date published more than thirty novels and several comprehensive writing courses. She has just published WARPAINT, the second stand-alone novel in her Cadence Drake series. Holly had an ideal childhood for a writer…which is to say, it was filled with foreign countries and exotic terrains, alien cultures, new languages, the occasional earthquake, flood, or civil war, and one story about a bear, which follows: “So. Back when I was ten years old, my father and I had finished hunting ducks for our dinner and were walking across the tundra in Alaska toward the spot on the river where we’d tied our boat. We had a couple miles to go by boat to get back to the Moravian Children’s Home, where we lived. “My father was carrying the big bag of decoys and the shotgun; I was carrying the small bag of ducks. “It was getting dark, we could hear the thud, thud, thud of the generator across the tundra, and suddenly he stopped, pointed down to a pie-pan sized indentation in the tundra that was rapidly filling with water, and said, in a calm and steady voice, “That’s a bear footprint. From the size of it, it’s a grizzly. The fact that the track is filling with water right now means the bear’s still around.” “Which got my attention, but not as much as what he said next. ” ‘I don’t have the gun with me that will kill a bear,’ he told me. ‘I just have the one that will make him angry. So if we see the bear, I’m going to shoot him so he’ll attack me. I want you to run to the river, follow it to the boat, get the boat back home, and tell everyone what happened.’ “The rest of our walk was very quiet. He was, I’m sure, listening for the bear. I was doing my damnedest to make sure that I remembered where the boat was, how to get to it, how to start the pull-cord engine, and how to drive it back home, because I did not want to let him down. “We were not eaten by a bear that night…but neither is that walk back from our hunt for supper a part of my life I’ll ever forget. “I keep that story in mind as I write. If what I’m putting on paper isn’t at least as memorable as having a grizzly stalking my father and me across the tundra while I was carrying a bag of delicious-smelling ducks, it doesn’t make my cut.” You can find Holly on her personal site: Hollylisle.com You can find Cadence Drake, Holly's currently in-progress series, on her site: CadenceDrake.com You can find Holly's books, courses, writing workshops, and so on here: The HowToThinkSideways.com Shop, as well as on Amazon, Barnes and Noble, and in a number of bookstores in the US and around the world.