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The Best of Leigh Brackett book cover
The Best of Leigh Brackett
1955
First Published
4.03
Average Rating
367
Number of Pages

Part of Series

There was once a young girl who created a host of strange and wonderful worlds. These were her very own planets, with such fascinating features as the Sea of Morning Opals, the Mountains of White Cloud, wicked Canal cities, and lost lands full of magic and mystery. That girl's name is Leigh Brackett. And today, more than 35 years after selling her first science fiction story, she continues to thrill and excite all lovers of imaginative writing. Her haunting tales of ancient Mars, wind-swept Venus, and remote worlds beyond human technology have become almost instant classics in the genre; and now Edmond Hamilton, Leigh's husband and a great SF writer in his own right, has personally collected ten of her best stories into a beautiful hardcover anthology. Here's a preview of the amazing tales: THE JEWEL OF BAS. There's an ancient legend passed down among the people of the outermost planet. It tells of Bas the Immortal, possessor of the Stone of Destiny—a jewel of such power that owning it gives a man rule over the whole world. Ciaran and Mouse, two unscrupulous gypsies, only half-believed the story until they found themselves at the mercy of Bas' fierce android army ... pawns in a sinister plan to enslave the human race. THE VANISHING VENUSIANS. For years the space colonists had wandered the hellish eternal seas of Venus, seeking the home that was their birthright, death constantly stalking in their wake. And now they were making their final bid—three of their bravest fighting toward a promised land guarded by nightmare creatures. Who would emerge victorious? Close to 4000 desperate people waited anxiously for the answer... THE VEIL OF ASTELLAR. Tough, hardbitten Steve Vance ... once he was human! But three hundred years ago he betrayed his homeland for a race of alien vampires who fulfilled his every desire in return for a small "favor." All he had to do was lure innocent Earth spaceships to their doom on the vampires' world. He knew his soul was forever damned. But there was one way in which he might atone... THE QUEER ONES. Hank Temple was at the editor's desk when the hospital called him in to see the X-rays. They were of a hill girl's illegitimate baby, and they showed insides like no child ever had. That was the beginning ... and the end came on an enshrouded Ozark mountain, with deadly green lightning flickering and a sound in the sky that was not wind or thunder...

Avg Rating
4.03
Number of Ratings
256
5 STARS
33%
4 STARS
44%
3 STARS
19%
2 STARS
3%
1 STARS
2%
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Author

Leigh Brackett
Leigh Brackett
Author · 50 books

Leigh Brackett was born on December 7, 1915 in Los Angeles, and raised near Santa Monica. Having spent her youth as an athletic tom-boy - playing volleyball and reading stories by Edgar Rice Burroughs and H Rider Haggard - she began writing fantastic adventures of her own. Several of these early efforts were read by Henry Kuttner, who critiqued her stories and introduced her to the SF personalities then living in California, including Robert Heinlein, Julius Schwartz, Jack Williamson, Edmond Hamilton - and another aspiring writer, Ray Bradbury. In 1944, based on the hard-boiled dialogue in her first novel, No Good From a Corpse, producer/director Howard Hawks hired Brackett to collaborate with William Faulkner on the screenplay of Raymond Chandler's The Big Sleep. Brackett maintained an on-again/off-again relationship with Hollywood for the remainder of her life. Between writing screenplays for such films as Rio Bravo, El Dorado, Hatari!, and The Long Goodbye, she produced novels such as the classic The Long Tomorrow (1955) and the Spur Award-winning Western, Follow the Free Wind (1963). Brackett married Edmond Hamilton on New Year's Eve in 1946, and the couple maintained homes in the high-desert of California and the rural farmland of Kinsman, Ohio. Just weeks before her death on March 17, 1978, she turned in the first draft screenplay for The Empire Strikes Back and the film was posthumously dedicated to her.

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