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The Bloody Countess book cover
The Bloody Countess
1962
First Published
3.64
Average Rating
239
Number of Pages
The true story of a 17th century Hungarian Countess who bathed in the blood of girls... Descended from one of the most ancient aristocratic families of Europe, Erzsébet Báthory bore the psychotic aberrations of centuries of intermarriage. From adolescence she indulged in sadistic lesbian fantasies, where only the spilling of a woman's blood could satisfy her urges. By middle age, she had regressed to a mirror-fixated state of pathalogical necro-sadism involving witchcraft, torture, blood-drinking, cannibalism and, inevitably wholescale slaughter. These years witnessed a reign of cruelty, unsurpassed in the annals of mass' murder, with the Countess' depredations on the virgin girls of the Carpathians leading to some 650 deaths. Her many castles were equipped with chambers where she would hideously torture and mutilate her victims, becoming a murder factory where hundreds of girls were killed and processed for the ultimate, youth-giving the bath of blood. The Bloody Countess is Valentine Penrose's disturbing case history of a female psychopath, a chillingly lyrical account beautifully translated by Alexander Trocchi, which has an unequalled power to evoke the decadent melancholy of doomed, delinquent aristocracy in a dark age of superstition.
Avg Rating
3.64
Number of Ratings
879
5 STARS
25%
4 STARS
32%
3 STARS
30%
2 STARS
9%
1 STARS
4%
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Author

Valentine Penrose
Valentine Penrose
Author · 2 books

Valentine Penrose (née Boué; 1 January 1898 – 7 August 1978), was a French surrealist poet, author and collagist. Valentine Penrose wrote surrealist poetry, although she is perhaps best known for her biography of the serial killer Elizabeth Báthory (1560-1614). Her poetry reflects her experience of automatic writing, collage and painting techniques such as Max Ernst’s frottage and Wolfgang Paalen’s fumage. Penrose was interested in female mysticism, alchemy and the occult. She met Count Galarza Santa Clara in Egypt, a master of the esoteric, and made several visits to his ashram in India. In 1936 she made an extended visit to India with the poet and painter Alice Paalen (later Alice Rahon). They become very close and their relationship is shown in their poetry from 1936 to about 1945. From 1937 she started writing on lesbianism, always with the same lovers: Emily and Rubia. This dominates Martha's Opéra (1945), and Dons des Féminines (1951). Penrose's work was admired by Paul Eluard, who wrote prefaces for Herbe à la lune (1935) and Dons des féminines (1951). She also knew the surrealist poet André Breton. Penrose made surrealist collages. Dons des Féminines (1951) combines her collages and poetry.

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