The year is 1911. In Cold Spring Harbour, New York, the newly formed Eugenics Records Office is sending its agents to catalogue the infirm, the insane, and the criminal—with an eye to a cull, for the betterment of all. Near Cracked Wheel, Montana, a terrible illness leaves Jason Thistledown an orphan, stranded in his dead mother’s cabin until the spring thaw shows him the true meaning of devastation—and the barest thread of hope. At the edge of the utopian mill town of Eliada, Idaho, Doctor Andrew Waggoner faces a Klansman’s noose and glimpses wonder in the twisting face of the patient known only as Mister Juke. And deep in a mountain lake overlooking that town, something stirs, and thinks, in its way: Things are looking up. Eutopia follows Jason and Andrew as together and alone, they delve into the secrets of Eliada—industrialist Garrison Harper's attempt to incubate a perfect community on the edge of the dark woods and mountains of northern Idaho. What they find reveals the true, terrible cost of perfection—the cruelty of the surgeon's knife—the folly of the cull—and a monstrous pact with beings that use perfection as a weapon, and faith as a trap.

At the dawn of the twentieth century in the Idaho logging town of Eliada, orphaned farm boy Jason Thistledown and black physician Andrew Waggoner came face to face with monsters: the human sort, in the form of American eugenicists seeking to perfect the human race through breeding and culls; and the inhuman, a parasitic species named Juke, that lived off the hopes, dreams, and faith of humanity, even as it consumed it from within. The year is 1931 . . . In a remote valley in the Bavarian Alps, the Germanic students of those eugenicists seek to uncover the secret of the Juke and the promise of the Übermensch. In Paris, Dr. Andrew Waggoner enters his third decade of unravelling the mystery of the elusive organism. Jason Thistledown, now a veteran pilot of World War I, gets ready to embark on a new career flying mail and passengers in North Africa and, he hopes, forget the profound horrors that have shaped him. Soon, they will all have to reckon with one other: a terrible synthesis of those horrors, which moves among humanity with an inexorable and terrible purpose—obliterating and reshaping that humanity until there is only one thing left: Die volks. David Nickle is a Toronto-based author and journalist whose fiction has appeared in magazines and anthologies like Cemetery Dance, The Year’s Best Fantasy and Horror, the Northern Frights series, and the Queer Fear series. Some of it has been collected in his book of stories, Monstrous Affections. His first solo novel, Eutopia: A Novel of Terrible Optimism, led the National Post to call him “a worthy heir to the mantle of Stephen King.” His most recent novel, Rasputin's Bastards, was called supernatural eeriness at its best. He also works as a reporter, covering Toronto municipal politics for a chain of community newspapers.