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The Brides of Bellaire Gardens
Series · 4 books · 2021-2024

Books in series

The Scoundrel's Daughter book cover
#1

The Scoundrel's Daughter

2021

When Lady Charlton is forced into becoming London's most reluctant matchmaker, sparks fly and romance ensues, from the national bestselling author of Marry in Scarlet. Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her—and she's having none of that! Desperate to retrieve the letters, Alice enlists the aid of her handsome young nephew, Gerald, who in turn seeks the help of his former commanding officer, James, Lord Tarrant. James is soon beguiled by the marriage-averse widow and sets out to change her mind. And each time they meet, Gerald and Lucy strike sparks off each other. To find happiness, Alice and Lucy will have to be brave and trust in each other and the men who are attempting to win their hearts.
The Rake's Daughter book cover
#2

The Rake's Daughter

2022

An earl is forced to play matchmaker for the daughters of a rake in a smart and witty new Regency romance from the national bestselling author of The Scoundrel’s Daughter. Recently returned to England, Leo, the new Earl of Salcott, discovers he's been thrust into the role of guardian to an heiress, the daughter of a notorious rake. Even worse, his wealthy ward has brought her half-sister, the beautiful but penniless Isobel, with her. Leo must introduce Clarissa to London society and find her a suitable husband, but her illegitimate half sister, Izzy, is quite another matter. Her lowly birth makes her quite unacceptable in aristocratic circles. However, the girls are determined to enter society together. They’re devoted to each other and despite the risk of scandal and ruin if Izzy’s parentage is discovered, they refuse to be separated. Much to Leo’s frustration, nothing he says or does will convince them otherwise. To further complicate matters, sparks fly every time Leo and Izzy interact. Called away for a quick visit to his country estate, Leo instructs the young ladies to stay quietly at home and consider their position. But when he returns, he's infuriated to discover that Clarissa and Izzy have launched themselves into society—and with tremendous success! There's no going back. Now Leo must enter society himself, protect Clarissa from fortune hunters, and try not to be driven mad by the sharp-witted, rebellious Izzy, and the rich, unworthy men drawn to her beauty.
The Heiress's Daughter book cover
#3

The Heiress's Daughter

2024

A dashing rake must prove he has changed his scandalous ways to win his one true love from the arms of another, in a witty new Regency romance from the national bestselling author of The Rake's Daughter. Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters—her father was both, and she’ll never forget the misery he caused. So, when Race, Lord Randall, starts to pay Clarissa attention, she knows she must keep him at a distance. Attractive and charming he might be, Race’s reputation precedes him and she’s observed first hand his flirtatious ways with London society beauties. But Race sees a beauty in Clarissa that others cannot, and for the first time in his life, he is truly in love. And when a rival for Clarissa's affections appears—a handsome, wounded war hero, heir to his great-aunt’s fortune—Race becomes desperate as Clarissa seems tempted to make a safer, tamer choice. Can Race convince Clarissa that his love is true and that she can trust him with her heart? And can Clarissa put aside her unhappy past, and follow her heart, despite the risk of loving a rake?
The Secret Daughter book cover
#4

The Secret Daughter

2024

When two strangers meet under false pretenses during an idyllic week in the French countryside, they’ll each need to face the truth to find one other again, in a dazzling new Regency romance from the national bestselling author of The Heiress’s Daughter. Orphaned Zoë Benoît has spent the last three years in Paris learning how to be a lady. But Zoë is torn—as an independent spirit and a talented artist, she cannot help but want more than the tightly controlled life of a society lady. On an impulsive visit to the château where her mother lived, Zoë, disguised as a maidservant named Vita, meets a handsome wandering artist, known simply as Reynard. One blissful week with the charming Reynard convinces Zoë that this is the man and the life for her—until she discovers what he’s been hiding from her, and she flees, heartbroken. Longing for the chance to redeem himself, Reynard searches far and wide for the woman he knows as Vita, to no avail. Disheartened, he returns to England to reluctantly resume his role as Julian Fox, the Earl of Foxton. However, when he sees one of Zoë’s paintings, he realizes she’s in London, and becomes desperate to find her before it’s too late. But even if they reunite, can he convince Zoë he’s worthy of her trust and prove to her that, with him, she can be a free-spirited artist and a countess?

Author

Anne Gracie
Anne Gracie
Author · 31 books

I've always loved stories. Family legend has it that I used to spend hours playing in the sand pit, with a dog on either side of me and Rocka the horse leaning over me, his head just touching my shoulder, while I told them stories. I have to say, dogs and horses are great audiences, apart from their tendency to drool occasionally. But people are even nicer. In case you imagine we were a filthy rich horse-owning family, let me assure you we weren't. The horse period was a time when my parents entered a "let's-be-self-sufficient" phase, so we had a horse, but no electricity and all our water came from the rain tank. As well as the horse and dogs, we had 2 cows (Buttercup and Daisy and one of them always had a calf), a sheep (Woolly,) goats (Billy and Nanny) dozens of ducks, chooks, and a couple of geese, a pet bluetongue lizard and a huge vegie patch. I don't know how my mother managed, really, because both she and Dad taught full time, but she came home and cooked on a wood stove and did all the laundry by hand, boiling the clothes and sheets in a big copper kettle. Somehow, we were always warm, clean, well fed and happy. She's pretty amazing, my mum. Once I learned to read, I spent my days outside playing with the animals (I include my brother and 2 sisters here) and when inside I read. For most of my childhood we didn't have TV, so books have always been a big part of my life. Luckily our house was always full of them. Travel was also a big part of my childhood. My parents had itchy feet. We spent a lot of time driving from one part of Australia to another, visiting relatives or friends or simply to see what was there. I've lived in Scotland, Malaysia and Greece. We travelled through Europe in a caravan and I'd swum most of the famous rivers in Europe by the time I was eight. This is me and my classmates in Scotland. I am in the second front row, in the middle, to the right of the girl in the dark tunic. Sounds like I was raised by gypsies, doesn't it? I was even almost born in a tent—Mum, Dad and 3 children were camping and one day mum left the tent and went to hospital to have me. But in fact we are a family of chalkies (Australian slang for teachers)- and Dad was a school principal during most of my life. And I am an expert in being "the new girl" having been to 6 different schools in 12 years.The last 4 years, however, were in the same high school and I still have my 2 best friends from that time. No matter where I lived, I read. I devoured whatever I could get my hands on—old Enid Blyton and Mary Grant Bruce books, old schoolboys annuals. I learned history by reading Rosemary Sutcliffe, Henry Treece and Georgette Heyer. I loved animal books—Elyne Mitchell's Silver Brumby books and Mary Patchett and Finn the Wolf Hound. And then I read Jane Austen and Dickens and Mary Stewart and Richard Llewellyn and Virginia Woolf and EF Benson and Dick Francis and David Malouf and Patrick White and Doris Lessing and PD James and...the list is never ending. This is me posing shamelessly on a glacier in New Zealand. This is me in Greece with my good friend Fay in our village outfits. The film went a funny colour, but you get the idea. I'm the one in the pink apron. I escaped from my parents, settled down and went to university.To my amazement I became a chalkie myself and found a lot of pleasure in working with teenagers and later, adults. I taught English and worked as a counsellor and helped put on plays and concerts and supervised camps and encouraged other people to write but never did much myself. It took a year of backpacking around the world to find that my early desire to write hadn't left me, it had just got buried under a busy and demanding job. I wrote my first novel on notebooks bought in Quebec, Spain, Greece and Indonesia. That story never made it out of the notebooks, but I'd been bitten by the writing bug. My friends and I formed a band called Platform Souls a

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