
Part of Series
A wonderful, magical book, full of ancient myth, set in 1930s Oxford between the wars. Anna is twelve, and she has already killed a man. Except he was not a man at the time. It is 1930 and the new decade is complicated, even in the depths of rural Oxfordshire. An orphan from a faraway country, Anna lives with an old farmer named Gabriel who may be a demon, or an angel, or both. Her best friends are a doll named Pie and a werewolf. Her long-lost mother was an Anatolian witch, and there are those who say that in Anna the witchcraft lurks too. She does not desire it. As she says to her friend C.S. Lewis, “All I want is for life to be normal, without complications. I just want to be an ordinary girl.” But she no longer lives in the ordinary world. Another has opened out beyond her own, beneath 1930’s England. It is the Old World of myth and story, and it is not a fairy-tale. It is a darkness filled with eyes and teeth.
Author

Paul Kearney was born in rural County Antrim, Ireland, in 1967. His father was a butcher, and his mother was a nurse. He rode horses, had lots of cousins, and cut turf and baled hay. He often smelled of cowshit. He grew up through the worst of the 'Troubles' in Northern Ireland, a time when bombs and gunfire were part of every healthy young boy's adolescence. He developed an unhealthy interest in firearms and Blowing Things Up - but what growing boy hasn't? By some fluke of fate he managed to get to Oxford University, and studied Old Norse, Anglo-Saxon and Middle English. He began writing books because he had no other choice. His first, written at aged sixteen, was a magnificent epic, influenced heavily by James Joyce, Samuel Beckett, Robert E Howard, and Playboy. It was enormous, colourful, purple-prosed, and featured a lot of Very Large Swords. His second was rather better, and was published by Victor Gollancz over a very boozy lunch with a very shrewd editor. Luckily, in those days editors met authors face to face, and Kearney's Irish charm wangled him a long series of contracts with Gollancz, and other publishers. He still thinks he can't write for toffee, but others have, insanely, begged to differ. Kearney has been writing full-time for twenty-eight years now, and can't imagine doing anything else. Though he has often tried.