
What can a girl to do when London society has convicted her mother of a dreadful sin and has ostracized her? If blood is thicker than water, the daughter must remain loyal to her parent surely, how far will it affect her own standing in society (and most important, of course) in the marriage market that is controlled by that society? Excerpt: An old lady, in a high drawing-room, had had her chair moved close to the fire, where she sat knitting and warming her knees. She was dressed in deep mourning; her face had a faded nobleness, tempered, however, by the somewhat illiberal compression assumed by her lips in obedience to something that was passing in her mind. She was far from the lamp, but though her eyes were fixed upon her active needles she was not looking at them. What she really saw was quite another train of affairs. The room was spacious and dim; the thick London fog had oozed into it even through its superior defences. It was full of dusky, massive, valuable things. The old lady sat motionless save for the regularity of her clicking needles, which seemed as personal to her and as expressive as prolonged fingers. If she was thinking something out, she was thinking it thoroughly.[...]
Author

Henry James, OM (1843-1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.