Part of Series
Who but P.G. Wodehouse could have extracted high comedy from the most noble and ancient game of golf? And who else could have combined this comedy with a real appreciation of the game, drawn from personal experience? Wodehouse's brilliant but human brand of humor is perfectly suited to these stories of love, rivalry, revenge, and fulfillment on the links. While the Oldest Member sits inside the clubhouse quoting Marcus Aurelius on patience and wisdom, outside on the green the strongest human passions burn. All human life is here, from Sandy McHoots, the cocky professional, to shy Ramsden Waters, whose only consolation is golf. Even golf-haters will not be able to resists stories which perfectly combine physical farce and verbal with a gallery of unforgettable characters.
Author
Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).
