From the award-winning biographer of Elvis Presley, The Colonel and the King is a groundbreaking dual portrait of the relationship between the iconic artist and his legendary manager, Colonel Tom Parker, drawing on a wealth of Parker's never-before-seen correspondence to reveal that this oft-reviled figure was in fact a confidant, friend, and architect of his client's success. In early 1955, Colonel Tom Parker—the manager of the number-one country musician of the day—heard that an unknown teenager from Memphis had just drawn a crowd of more than 800 people to a Texas schoolhouse, and headed south to investigate. Within days, Parker was sending out telegrams and letters to promoters and booking “We have a new boy that is absolutely going to be one of the biggest things in the business in a very short time. His name is ELVIS PRESLEY.” Later that year, after signing with RCA, the young man sent a telegram of his “Dear Colonel, Words can never tell you how my folks and I appreciate what you did for me.... I love you like a father.” The close personal bond between Elvis and the Colonel proved impossible for outside observers to understand—not during their lifetimes, and not in the decades since. It was a long-standing, deeply committed relationship, founded on mutual admiration and support. As the Colonel wrote to Elvis in July 1973, several years before the star’s tragic “Without a doubt you are by far the greatest artist I have ever known, and can be even greater if you just believe in yourself half as much as I believe in you.” From the outset, the Colonel defended Elvis fiercely and indefatigably against RCA executives, Elvis’ own booking agents, and movie moguls. But in their final years together, the story grew darker, and the relationship strained, as the Colonel found himself unable to protect Elvis from himself—or to control growing problems of his own. Featuring troves of never-before-seen correspondence from the Colonel’s own archives, revelatory both for their insights and—particularly with respect to Elvis—their emotional depth, The Colonel and the King provides a unique perspective on not one but two American originals. A tale of the birth of the modern-day superstar (an invention almost entirely of Parker’s making) by the most acclaimed music writer of his generation, it presents these two misunderstood icons as they’ve never been seen with all of their brilliance, humor, and flaws on full display.
Author
Peter Guralnick is an American music critic, writer on music, and historian of US American popular music, who is also active as an author and screenwriter. He has been married for over 45 years to Alexandra. He has a son and daughter, Jacob and Nina. Guralnick's first two books, Almost Grown (1964) and Mister Downchild (1967), were short story collections published by Larry Stark, whose small press in Cambridge, Larry Stark Press, was devoted to stories and poems. Mona Dickson, writing in MIT's The Tech (May 13, 1964) gave Almost Grown a favorable review. After Guralnick graduated from Boston University in 1971 with a master's degree in creative writing, he began writing books chronicling the history of blues, country, rock and roll and soul. His two-volume biography of Elvis Presley, Last Train to Memphis in 1994, followed by Careless Love in 1999, placed the story of Presley's career into a rise and fall arc. Encompassing more than 1,300 pages (including 1,150 pages of text), the work countered earlier biographies such as Albert Goldman's Elvis from 1981 with an in-depth, scholarly examination of Presley's life and music. Guralnick had previously written on Presley in the The Rolling Stone Illustrated History of Rock & Roll, starting with the first edition in 1976, said article having been reprinted for each subsequent edition. Larry Stark Press published Peter Guralnick's second book in 1967. A first edition is currently valued at $200. In contrast to contemporaries such as Lester Bangs, Ian Penman and Nick Tosches, whose music writings are marked by idiosyncratic, self-referential and highly personal styles, Guralnick's writing is characterized by a colloquial approach that is clean and understated by comparison. In his best passages, he has an ability to simultaneously empathize and remain objective. Writing as a music fan, his enthusiasm powers his writing but doesn't overpower it. Guralnick wrote the script for A&E's documentary, Sam Phillips: The Man Who Invented Rock 'n' Roll, narrated by Billy Bob Thornton, and he also scripted Sam Cooke - Legend, narrated by Jeffrey Wright.
