The first volume in the bestselling archival series collecting the most beloved comic strip ever. Many of these formative strips have never been collected or reprinted anywhere else. Introduction by Garrison Keillor. This first volume, covering the first two and a quarter years of the strip, will be of particular fascination to Peanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before―in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with. (Among other things, three major cast members―Schroeder, Lucy, and Linus―initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month. This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth. Black-and-white comic strips throughout

The second volume in the most eagerly-anticipated publishing project in the history of the American comic strip: the complete reprinting of Charles M. Schulz's 50-year American classic, Peanuts. The second volume is packed with intriguing developments, as Schulz continues to create his tender and comic universe. It begins with Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently-born Linus, and Snoopy. By the end of 1954, Pigpen and his dust cloud join the crowd. Linus, who still doesn't speak, begins to emerge as one of the most complex and endearing characters in the strip: garrulous and inquisitive yet gentle and tolerant. And, in this volume, he acquires his security blanket! Charlie Brown is becoming his best-known self, the lovable, perpetually-humiliated round-headed loser, but he hasn't yet abandoned his brasher, prankish behavior from Volume One. And, Lucy, this book's cover girl, has grown up and forcefully elbowed her way to the center of the action, proudly wearing her banner as a troublemaker, or, in Schulz's memorable phrase, a "fussbudget". For readers unfamiliar with the early years of the strip, Snoopy's appearances here may come as the biggest surprise: he behaves, for the most part, like a dog! But, although he doesn't yet walk upright, sleep on top of his doghouse, or possess a fantasy life, Snoopy has started thinking for himself and his evolution continues its fascinating course within these pages. If you watch carefully, you'll catch his very first shark impression. The vast majority of the daily and Sunday strips collected here are not currently available in any in-print Peanuts collection. Dozens of them have not been reprinted since their initial appearance in newspapers over 50 years ago.

Het derde deel van de veelgeprezen reeks Snoopy - Peanuts Compleet bevat klassieke momenten zoals de eerste gesproken woorden van Linus, Charlie Browns eerste honkbalvernedering en een hilarische serie imitaties door een steeds-meer-Snoopy-achtige Snoopy. Dit alles en natuurlijk Smeerkees! Zelfs de meest toegewijde Snoopy-fans kunnen van een hoop "nieuwe" afleveringen genieten. Meer dan de helft van de strips in dit boek zijn, sinds hun oorspronkelijke publicatie in kranten, meer dan een halve eeuw geleden, nooit eerder gebundeld!

The New York Times best-selling series continues! He turns up first as Snoopy’s secretary, then gradually becomes a good friend whom Snoopy helps to fly South... but it’s not until June 22, 1970 that the little bird gains a name, in a perfect salute to the decade that ends with this volume: Woodstock! In other timely stories, Peppermint Patty runs afoul of her school’s dress code (those sandals!), Lucy declares herself a “New Feminist,” and Snoopy’s return to the Daisy Hill Puppy Farm on a speaking engagement climaxes in a riot and a new love found amidst the teargas (“She had the softest paws...”). Speaking of Snoopy, this volume falls under the sign of the Great Beagle, as three separate storylines focus on the mysterious sovereign of Beagledom. First Snoopy is summoned by a wrathful G.B. when Frieda submits a complaint about his (Snoopy’s) desultory rabbit-chasing efforts; then, back in the Great one’s good graces, Snoopy is sent on a secret mission; and finally he himself ascends (briefly!) to the mantle of Great Beagledom. In other news, an exasperated Lucy throws Schroeder’s piano into the maw of the kite-eating tree, with gruesome results... Miss Othmar goes on strike and Linus gets involved... Charlie Brown’s baseball team has an actual (brief) winning streak... Snoopy’s quest to compete in the Oakland ice skating competition is thwarted by his inability to find a partner... Charlie Brown goes to a banquet to meet his hapless baseball hero Joe Shlabotnik... Snoopy is left in the Van Pelt family’s care as Charlie and Sally Brown head out of town for a vacation... and (alas) the Little Red-Haired Girl moves away... This volume also features a new introduction by renowned illustrator Mo Willems and, as always, gorgeous design by award-winning cartoonist Seth. The Complete Peanuts will run 25 volumes, collecting two years chronologically at a rate of two a year for twelve years. Each volume is designed by the award-winning cartoonist Seth (It's a Good Life If You Don't Weaken) and features impeccable production values; every single strip from Charles M. Schulz's 50-year American classic is reproduced better than ever before.

The Great Pumpkin of strip collections enters Schulz's most successful decade! Peanuts surges into the 1970s with Schulz at the peak of his powers and influence: a few jokes about Bob Dylan, Women’s Liberation and “Everything You Always Wanted to Know About Sex” (!) aside, these two years are as timeless as Peanuts ever was. Sally Brown―school phobia, malapropisms, unrequited love for Linus and all―elbows her way to center stage, at least among the humans, and is thus the logical choice for cover girl... and in her honor, the introduction is provided by none other than Broadway, television and film star Kristin Chenoweth (Wicked, Pushing Daisies), who first rose to Tony-winning fame with her scene-stealing performance as Sally in You’re a Good Man, Charlie Brown. Two long Summer-camp sequences involve Charlie Brown and Peppermint Patty, who has decided that Charlie Brown is madly in love with her, much to his clueless confusion. Snoopy shows up at camp as well, as does Peppermint Patty’s new permanent sidekick, the one and only Marcie. The eternally mutable Snoopy mostly shakes off his World War I Flying Ace identity and turns into Joe Cool, college hipster extraordinaire. And in three long sequences he writes a fan letter to his favorite author, Miss Helen Sweetstory, then goes on a journey to meet her, and finally enlists Charlie Brown’s help when her latest opus, The Six Bunny-Wunnies Freak Out, falls afoul of censors. Also, Woodstock attends worm school, falls in love with a worm (perhaps the most doomed unrequited Peanuts love story ever!), and is nearly eaten by the neighbors’ cat... Peppermint Patty is put on trial for another dress code violation and makes a very ill-advised choice in terms of lawyers... Snoopy turns Linus’s blanket into not one but two sportcoats... Lucy hits a home run...and the birth of one Rerun Van Pelt! 730 b/w comic strips

Tennis, anyone? Billie Jean King serves up an introduction... and we celebrate Woodstock! The twelfth volume of Peanuts features a number of tennis strips and several extended sequences involving Peppermint Patty’s friend Marcie (including a riotous, rarely seen sequence in which Marcie’s costume-making and hairstyling skills utterly spoil a skating competition for PP), so it seems only right that this volume’s introduction should be served up by Schulz’s longtime friend, tennis champion Billie Jean King. This volume also picks up on a few loose threads from the previous year, as the mysterious “Poochie” shows up in the flesh; Linus and Lucy’s new kid brother “Rerun” makes his first appearance, is almost immediately drafted onto the baseball team (where, thanks to his tiny strike zone, he wins a game), and embarks on his first terrifying journey on the back of his mom’s bike; and, in one of Peanuts’ oddest recurring storylines, the schoolhouse Sally used to talk to starts talking, or at least thinking, back at her! The Complete Peanuts 1973-1974 also includes one of the all-time classic Peanuts sequences, in which Charlie Brown’s baseball-oriented hallucinations finally manifest themselves in a baseball-shaped rash on his head. Forced to conceal the embarrassing discoloration with a bag worn over his head, Charlie Brown goes to camp as “Mister Sack” and discovers that, shorn of his identity, he’s suddenly well liked and successful. 730 b/w comic strips

Good grief, Charlie Brown, we’re halfway there! Two more years of classic Peanuts from the ’70s! That’s right! With this volume, The Complete Peanuts reaches the halfway point of Charles M. Schulz’s astounding half-century run on the greatest comic strip of all time. These years are especially fecund in terms of new canine characters, as Snoopy is joined by his wandering brother Spike (from Needles), his beloved sister Belle (from Kansas City), and... did you know he had a nephew? In other beagle news, Snoopy breaks his foot and spends six weeks in a cast, deals with his friend Woodstock’s case of the “the vapors,” and gets involved in a heated love triangle with Linus over the girl “Truffles.” The Complete Peanuts 1975-1976 features several other long stories, including a rare “double track” sequence with two parallel narratives: Peppermint Patty and Snoopy travel to participate in the Powderpuff Derby, while Charlie Brown finally gets to meet his idol Joe Shlabotnik. And Peppermint Patty switches to a private school, but commits the mistake of allowing Snoopy to pick it for her; only after graduation does she realize something’s not quite right! Plus: A burglary at Peppermint Patty’s house is exacerbated by waterbed problems... Marcie acquires an unwanted suitor... Charlie Brown and Peppermint Patty become desk partners... The talking school building collapses... Lots of tennis jokes... and gags starring Schroeder, Lucy, Franklin, Rerun, Sally, and that vicious cat next door. It’s another two years of Peanuts at its finest! Featuring an introduction by comedian Robert Smigel (Triumph the Insult Comic Dog, Saturday Night Live). 730 black-and-white comic strips

Many new characters, in one of Schulz’s most creative periods! With an introduction by Alec Baldwin. As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy’s brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn’t mean Schulz’s creativity has diminished; in fact, this volume features an amazing profusion of hilariously distinctive new one- (or two-) shot characters! For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the “Goose Eggs,” a group of diminutive baseball players, Austin, Ruby, Leland, and―did you know there was a second black Peanuts character, aside from Franklin?―Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type “A” athlete Molly Volley... who then reappears later in the book, now facing off against her nemesis, “Crybaby” Boobie. (Honest!) Add in Sally’s new camp friend Eudora, the thuggish “caddymaster” who shoots down Peppermint Patty and Marcie’s new vocation, an entire hockey team, and a surprise repeat appearance by Linus’s sweetheart “Truffles” (creating a love triangle with Sally), all in addition to the usual cast of beloved characters (including the talking schoolhouse and the doghouse-jigsawing cat, who gets hold of Linus’s blanket in this one), and you’ve got a veritable crowd of characters. It’s another two years of the greatest comic strip of all time, full of laughs and surprises. 730 black-and-white comic strips.

It’s 1980, Charlie Brown… and Peppermint Patty is wearing corn-rows! Plus, a strange romance... Charles Schulz enters his fourth decade as the greatest cartoonist of his generation, and Peanuts remains as fresh and lively as it ever was. (How do we know it’s 1980? Well, for one thing Peppermint Patty gets herself those Bo-Derek-in-10 cornrows ― Peanuts’ timelessness occasionally shows a crack!) That said, The Complete Peanuts 1979-1980 includes a number of classic storylines, including the month-long sequence in which an ill Charlie Brown is hospitalized (including a particularly spooky moment when he wonders if he’s died and nobody’s told him yet), and an especially eventful trek with Snoopy, Woodstock, and the scout troop (now including a little girl bird, Harriet). And Snoopy is still trying on identities left and right, including the “world-famous surveyor,” the “world-famous census taker,” and Blackjack Snoopy, the riverboat gambler. In other extended stories, Snoopy launches an ill-fated airline (with Lucy as the agent, Linus as the luggage handler, and Marcie as what it was still OK then to call the stewardess)… Peppermint Patty responds to being leaked upon by a ceiling by hiring a lawyer (unfortunately, she again picks Snoopy)… plus one of the great, forgotten romances of Peanuts that will startle even long-time Peanuts connoisseurs: Peppermint Patty and…“Pig-Pen”?! 731 black-and-white comic strips

The world's greatest comic strip enters the '80s! "Marbles" is introduced, Sally gets fat... plus baseball stories! Introduction by Lynn Johnston! With this volume, The Complete Peanuts ventures into the lesser-known 1980s, and Peanuts fans are sure to find plenty of surprises. In Snoopy-family news, Spike is drafted into the Infantry (don't worry, it's only Snoopy's imaginary World War I army), and a brand new brother, "Marbles" (with the spotty ears) takes his bow. We also see two major baseball-oriented stories, one in which Charlie Brown joins Peppermint Patty's team, and another in which Charlie Brown and his team lose their baseball field. In other stories, Peppermint Patty witnesses the "butterfly miracle," Linus protests that he is not Sally's "Sweet Babboo," Sally (in an unrelated sequence) gets fat, the Van Pelts get into farming, and two of the most eccentric characters from later Peanuts years, the hyperaggressive Molly Volley and the whiny "Crybaby" Boobie, make a return engagement. Charles Schulz's Peanuts world will never grow old, and Fantagraphics' complete reprinting of this masterpiece, now in its eighth year—still lovingly designed by world-class cartoonist Seth—has firmly established itself as one of the very finest archival comic-strip projects ever done.

As Peanuts reaches the mid-1980s, Charles Schulz is still creating and playing with new characters, and in this volume Snoopy's deadpan, droopy-mustached brother Spike takes center stage: Surrounded by coyotes in the desert where he lives and who are attacking him with rubber bands, he sends a frantic message to Snoopy who launches an expedition to save him. Then, he makes the long trek back to Snoopy's neck of the woods accompanied by his only friend (a cactus, of course) and throughout the rest of the book, pops up in hilarious, Waiting for Godot-style vignettes set in his native Needles. In romantic news, the Peppermint Patty-Marcie-Charlie Brown love triangle of overlapping unrequited love heats up (well, kind of), while Linus continues to vociferously deny that he is Sally's Sweet Babboo; of course, Lucy's unsuccessful pursuit of Schroeder remains unabated. Also, a romance blossoms between two of Snoopy's Beagle Scout birds. (We will pass over Spike's brief attraction to one of the coyotes.) In what is probably his most baroque and hilarious baseball-involved humiliation yet, Charlie Brown agrees to join Peppermint Patty's team, the Pelicans, only to discover that he's wanted not as a player but as a mascot. Linus gives up his security blanket and forms a support group for other kids who are trying to do the same, and Peppermint Patty manages to be held back in school (leaving a snoring ghost to take her place in the rest of the class that has advanced), and yet gets to go on a European trip with her dad, sending back periodic dispatches from the road. All this, plus appearances from Franklin, Rerun, and the rest of the gang in these strips from a period of Peanuts that's far less well-known than the endlessly-collected 1960s and 1970s eras.

In this volume, the '80s are in full swing while the Peanuts crew deals with camp, Santa Claus, and the runaway merchandising of "Tapioca Pudding." Peanuts reaches the middle of the go-go 1980s in this book, which covers 1985 and 1986: a time of hanging out at the mall, "punkers" (you haven't lived until you've seen Snoopy with a Mohawk), killer bees, airbags, and Halley's Comet. And in a surprisingly sharp satirical sequence, Schulz pokes fun at runaway licensing, with the introduction of the insufferably merchandisable "Tapioca Pudding." Also in this volume: Peppermint Patty wins the "All-City School Essay Contest" with her "What I Did During Christmas Vacation" essay, but snatches defeat from the jaws of victory with a disastrous acceptance speech… Charlie Brown, Linus, Sally and Snoopy go to "rain camp" one year, and "survival camp" the next… The World War One Flying Ace gets the flu and is nursed back to health by a French Mademoiselle (Marcie)… Sally gives Santa Claus a heart attack (literally!)… Lucy talks Charlie Brown into posing in swim-trunks for their school's "Swimsuit issue"… Peppermint Patty gains a crabby tutor… Linus suffers a crisis when addressed for the first time as "Mister"… plus another return appearance by Molly Volley, Snoopy's accidental destruction of his dog house (with a cannon!), and lots of near-Beckettian strips set in the desert starring this volume's cover boy, the one and only Spike! It's another two years of hilarious, heartwarming strips from the great Charles M. Schulz.

So what do we have for Peanuts fans this time around? An ill-considered attempt at flirting sends Charlie Brown to the school doctor... Linus' ongoing romance with the too-young "Lydia" of the many names continues... Snoopy is joined in the trenches by his brother Spike... Sally engages in a career as a playwright by penning the school Christmas play but mixes up Gabriel and Geronimo... A hockey mishap sends Snoopy to the doctor for knee surgery, in a (clearly autobiographical) sequence that lasts only until everyone figures out that dogs don't have knees... Linus and Lucy's kid brother Rerun begins to take on the greater role that will lead to him being one of the dominant characters in the 1990s... and Snoopy, inevitably, writes a "kiss and tell" book. As we reach the 19th (!) book in this epochal, best-selling series collecting arguably the greatest comic strip of all time and head toward the end of the 1980s, Charles Schulz is still as inventive, hilarious, and touching as ever... and this volume even features a surprise format change, as the daily strip switches from its trademark four-square-panels format to a more flexible one-to-four-variable-panels format which, along with Schulz's increased use of gray tones, give this volume a striking, distinctive look.

In Vol. 20 of the Complete Peanuts series, which collects the 1989-1990 newspaper strips, Charlie Brown gets a girlfriend, Snoopy gets jury duty and much more. Our latest volume is particularly dense with romantic intrigue, as Marcie and Charlie Brown end up at camp together, sending Peppermint Patty into mad jealousy (especially since Marcie can't resist teasing her)… and an old friend of Charlie Brown's attempts to look him up again but confuses him with Snoopy and goes on a date with him instead. But the most crucial event in romance is Charlie Brown's romance with Peggy Jean—even though he's so flustered in his first conversation with her that he ends up stuck with the name "Brownie Charles" for the duration of her relationship ("I kind of like it…"). This volume also introduces yet another Snoopy sibling, Olaf, who is humiliatingly invited to enter an ugly-dog contest (and, even more humiliatingly, wins). Plus lots of Zen-like Spike-and-cactus strips, Sally Brown non-sequiturs, D-minuses for Peppermint Patty, and wise thoughts from Franklin's grandpa… Snoopy treks through the wilderness as the Beagle Scoutmaster and through the desert as the World Famous Sergeant of the Foreign Legion, Woodstock takes a whack at being the King of the Jungle, Lucy enjoys Michael Jackson on her boom box, Marcie's perfectionism leads to a crack-up, Pigpen runs for class president, Snoopy gets called to jury duty… and for a change, Lucy pulls the football out from under Charlie Brown.

In this collection, the world-famous newspaper comic strip starring Snoopy, Charlie Brown, Lucy and the gang enters its final decade. The Complete Peanuts: 1991-1992 is the 21st volume (of 25) of the perennial, best-selling series that collects every single one of the 18,000-plus Peanuts newspaper comic strips created by Charles M. Schulz, from its debut in 1950 to its end in 2000. In this volume, the series enters its homestretch as the strip enters its final decade: Schulz's cartooning has never looked more confident, and his sense of humor is unrestrained. This material is perhaps the most overlooked of Charles M. Schulz's career, and The Complete Peanuts: 1991-1992 will cast it into a new light for scholars.

Charlie Brown hits a home run and Linus tries to get Snoopy a Supreme Court seat in the 22nd volume ('93-'94) of The Complete Peanuts. Even the most devoted Peanuts fan will be surprised by revisiting Schulz's last decade of work. Schulz's cartooning has never been more expressive, and his sense of humor never more unencumbered by formula or tradition. In one sequence, the gang waits… and waits… for a school bus that never comes. Another shockingly showcases Charlie Brown hitting a game-winning home run—off Roy Hobbs' great-granddaughter? Then, Linus lobbies the White House to nominate Snoopy for a Supreme Court seat (it would go to Ruth Bader Ginsburg). Woodstock discovers his long-lost grandfather's diary, detailing a hard life in captivity (birdcage). Snoopy lands in the hospital with pneumonia, and all three of his brothers—Andy, Spike, and Olaf—come pay their respects. This is the 22nd volume (of 25) of the bestselling series collecting every single one of the 18,000-plus strips created by Schulz from 1950-2000.

This is the twenty-third (out of twenty-five) volume of the New York Times best-selling series that collects every single one of the 18,000-plus Peanuts comic strips; it will coincide with a new feature film. In The Complete Peanuts, 1995-1996 (Vol. 23), Charlie Brown starts taking dancing classes ... and is asked to the sweetheart ball! The World Famous Attorney handles some tough cases ... Rerun wants Snoopy to come out and play ... and Linus hears coyotes howling at night. Even the most devoted Peanuts fan will be surprised when they revisit Schulz's last decade of work on the most beloved comic strip of all time. Schulz's cartooning has never been more expressive, and his sense of humor never more unencumbered by formula or tradition.

Charlie Brown gets involved in a sports memorabilia forgery ring and Snoopy gets his driver’s license in the penultimate volume of the best-selling comic strip reprint series. Even the most devoted Peanuts fan will be surprised by revisiting Schulz’s last decade of work. Schulz’s cartooning has never been more expressive, and his sense of humor never more unencumbered by formula or tradition. In this volume, Charlie Brown gets caught up in a fake celebrity autographs racket, Rerun gets accused of sexual harassment, the infamous “Crybaby” Boobie returns, Snoopy’s brothers go on a quest to find Mickey Mouse, Snoopy gets his driver’s license, Rerun continues to pursue the underground arts, Linus starts his own church of Great Pumpkin believers and is declared a false prophet, and other surprises that make these last few years of Peanuts ripe for reconsideration. This is the 24th volume (of 25) of the bestselling series collecting every single one of the 18,000-plus strips created by Schulz from 1950-2000. Also available is the holiday boxed set, offering Vols. 23 and 24.

The 25th volume of The Complete Peanuts collects the very final year-plus of the defining comic strip of the 20th century, which ran for nearly 18,000 strips and for 50 years after its debut in 1950. This masterpiece includes all of 1999 through the final Feb. 13, 2000 strip. In this volume, Rerun takes center stage and cements himself as the last great Peanuts character—when he embarks on a career as an underground comic book artist! This volume also features a huge surprise: the complete Li'l Folks, the weekly one-panel comic that Charles Schulz produced for his hometown paper. Li'l Folks was a clear precursor to Peanuts, and its inclusion here will bring The Complete Peanuts full circle.

Aucune anthologie des Peanuts ne serait complète sans cet ultime volume de L'Intégrale de Snoopy et les Peanuts. Il rassemble des pièces rares qui pour la plupart n'ont pas été montrées depuis des décennies. On trouve des histoires, des bandes dessinées, des dessins humoristiques ou encore destinés à la publicité - et même une recette ! -, tous signés de la main de Charles M. Schulz. Clôturant L'Intégrale, Jean Schulz étoffe d'une postface poignante cette collection de référence.

A boxed set of the first two volumes, just in time for the holidays, designed by the Award-winning graphic novelist, Seth! Ships shrinkwrapped. The first volume, The Complete Peanuts 1950-1952, covers the first two and a quarter years of the strip (October 1950 through December 1952), and will be of particular fascination to Peanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before—in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!). The second volume, The Complete Peanuts 1953-1954, begins with Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently born Linus, and Snoopy. By the end of 1954, this will have expanded to nine. Linus still doesn't speak (except, on a few occasions, to himself, à la Snoopy), but Schulz begins laying the foundation for his emergence as the most complex and arguably most endearing character in the strip: garrulous and inquisitive, yet gentle and tolerant. And he evens acquires his "security blanket" in this volume! Meanwhile, Lucy, an infant just a year ago, has forcefully elbowed herself to the front of the cast, proudly wearing her banner as a troublemaker or, in Schulz's memorable phrase, "fuss-budget." The strong, specific relationships she sets up with each character further contributes to making her central to the strip. (She has earned her cover status on this volume.) This period's significant new character is Pig-Pen, who would remain one of the main cast members throughout the decade. And then there's Snoopy. To readers unfamiliar with the early days of the strip, Snoopy's appearances here will no doubt come as the biggest surprise. Although Snoopy has started talking/thinking to himself, he does no imitations (except for one brief shark impression), he doesn't sleep atop his doghouse (much less type or fly a Sopwith Camel), and has no fantasy life—in fact, he doesn't even walk upright! But as we know, he is merely biding his time, and his evolution continues its fascinating course within these pages. Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. (In 1999, a jury of comics scholars and critics voted it the 2nd greatest comic strip of the 20th century—second only to George Herriman's Krazy Kat, a verdict Schulz himself cheerfully endorsed.) Charles Schulz's characters—Charlie Brown, Snoopy, Lucy, Linus, Schroeder, and so many more—have become American icons. A United Media poll in 2002 found Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In TV Guide's "Top 50 Greatest Cartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8.

Once again, a box set combining the latest volume (1989-1990) with the previous (1987-1988), complete with slipcase, available at a bargain price.