Margins
The Conformist book cover
The Conformist
1951
First Published
3.97
Average Rating
336
Number of Pages
Secrecy and Silence are second nature to Marcello Clerici, the hero of The Conformist, a book which made Alberto Moravia one of the world's most read postwar writers. Clerici is a man with everything under control - a wife who loves him, colleagues who respect him, the hidden power that comes with his secret work for the Italian political police during the Mussolini years. But then he is assigned to kill his former professor, now exiled in France, to demonstrate his loyalty to the Fascist state, and falls in love with a strange, compelling woman; his life is torn open - and with it the corrupt heart of Fascism. Moravia equates the rise of Italian Fascism with the psychological needs of his protagonist for whom conformity becomes an obsession in a life that has included parental neglect, an oddly self-conscious desire to engage in cruel acts, and a type of male beauty which, to Clerici's great distress, other men find attractive.
Avg Rating
3.97
Number of Ratings
3,215
5 STARS
29%
4 STARS
44%
3 STARS
21%
2 STARS
4%
1 STARS
1%
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Author

Alberto Moravia
Alberto Moravia
Author · 46 books

Novels, such as Time of Desecration (1978), of Italian writer Alberto Moravia, pen name of Alberto Pincherle, explore the alienation and ennui of the middle class. Alberto Moravia, pseudonimo di Alberto Pincherle (1907 – 1990), è stato uno scrittore, giornalista, sceneggiatore, saggista, drammaturgo, poeta, reporter di viaggio, critico cinematografico e politico italiano. Considerato uno dei più importanti romanzieri del XX secolo, ha esplorato nelle sue opere i temi della sessualità, dell'alienazione sociale e dell'esistenzialismo. Alberto Moravia, born Alberto Pincherle, was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. He was also a journalist, playwright, essayist and film critic. Moravia was an atheist, his writing was marked by its factual, cold, precise style, often depicting the malaise of the bourgeoisie, underpinned by high social and cultural awareness. Moravia believed that writers must, if they were to represent reality, assume a moral position, a clearly conceived political, social, and philosophical attitude, but also that, ultimately, "A writer survives in spite of his beliefs". Between 1959 and 1962 Moravia was president of PEN International, the worldwide association of writers.

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